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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #925F2B it is the complementary color #6DA0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #925F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #925F2B: #975F26, #A87139, #B9834C, #CA955F and #DBA772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #925F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #925F2B: #925F2B, #814D18, #703B05, #5F2900 and #4E1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

Complementary color

CMYK 49 / 25 / 0 / 17

HEX #6DA0D4

RGB 109 160 212

HSL 210.29, 0.54%, 0.63%

LAB 64.28, -2.74, -31.75

 

CMYK 0 / 37 / 75 / 41

HEX #975F26

RGB 151 95 38

HSL 30.27, 0.6%, 0.37%

LAB 45.5, 17.74, 40.66

 

CMYK 0 / 33 / 66 / 34

HEX #A87139

RGB 168 113 57

HSL 30.27, 0.49%, 0.44%

LAB 52.32, 16.15, 39.18

 

CMYK 0 / 29 / 59 / 27

HEX #B9834C

RGB 185 131 76

HSL 30.28, 0.44%, 0.51%

LAB 59.04, 14.82, 37.63

 

CMYK 0 / 26 / 53 / 21

HEX #CA955F

RGB 202 149 95

HSL 30.28, 0.5%, 0.58%

LAB 65.65, 13.69, 36.13

 

CMYK 0 / 24 / 48 / 14

HEX #DBA772

RGB 219 167 114

HSL 30.29, 0.59%, 0.65%

LAB 72.17, 12.72, 34.72

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 0 / 40 / 81 / 49

HEX #814D18

RGB 129 77 24

HSL 30.29, 0.69%, 0.3%

LAB 37.92, 17.54, 38.68

 

CMYK 0 / 47 / 96 / 56

HEX #703B05

RGB 112 59 5

HSL 30.28, 0.91%, 0.23%

LAB 30.84, 19.7, 39.18

 

CMYK 0 / 57 / 100 / 63

HEX #5F2900

RGB 95 41 0

HSL 25.89, 1%, 0.19%

LAB 23.73, 22.27, 33.98

 

CMYK 0 / 71 / 100 / 69

HEX #4E1700

RGB 78 23 0

HSL 17.69, 1%, 0.15%

LAB 16.66, 24.73, 25.17

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 0 / 23 / 70 / 43

HEX #916F2B

RGB 145 111 43

HSL 40, 0.54%, 0.37%

LAB 48.96, 6.04, 41.66

 

CMYK 0 / 12 / 70 / 43

HEX #91802B

RGB 145 128 43

HSL 50, 0.54%, 0.37%

LAB 53.63, -3.59, 46.51

 

CMYK 0 / 0 / 70 / 43

HEX #91912B

RGB 145 145 43

HSL 60, 0.54%, 0.37%

LAB 58.46, -12.83, 51.36

 

CMYK 12 / 0 / 70 / 43

HEX #80912B

RGB 128 145 43

HSL 70, 0.54%, 0.37%

LAB 57.09, -20.33, 49.54

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 0 / 35 / 71 / 23

HEX #C5803A

RGB 197 128 58

HSL 30.22, 0.55%, 0.5%

LAB 59.54, 20.45, 47.63

 

CMYK 0 / 35 / 71 / 3

HEX #F8A149

RGB 248 161 73

HSL 30.17, 0.93%, 0.63%

LAB 73.5, 24.89, 57.38

 

CMYK 0 / 34 / 70 / 83

HEX #2C1D0D

RGB 44 29 13

HSL 30.97, 0.54%, 0.11%

LAB 12.24, 5.08, 12.85

 

CMYK 0 / 35 / 71 / 63

HEX #5F3E1C

RGB 95 62 28

HSL 30.45, 0.54%, 0.24%

LAB 29.32, 10.72, 26.27

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 50 / 0 / 70 / 43

HEX #49912B

RGB 73 145 43

HSL 102.35, 0.54%, 0.37%

LAB 53.86, -41.47, 45.19

 

CMYK 63 / 70 / 0 / 43

HEX #352B91

RGB 53 43 145

HSL 245.88, 0.54%, 0.37%

LAB 25.35, 35.69, -54.78

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 70 / 0 / 35 / 43

HEX #2B915E

RGB 43 145 94

HSL 150, 0.54%, 0.37%

LAB 53.57, -41.32, 18.86

 

CMYK 35 / 70 / 0 / 43

HEX #5E2B91

RGB 94 43 145

HSL 270, 0.54%, 0.37%

LAB 29.79, 43.22, -47.34

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 50 / 0 / 70 / 43

HEX #49912B

RGB 73 145 43

HSL 102.35, 0.54%, 0.37%

LAB 53.86, -41.47, 45.19

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 21 / 70 / 0 / 43

HEX #722B91

RGB 114 43 145

HSL 281.76, 0.54%, 0.37%

LAB 32.59, 47.61, -42.69

 

CMYK 0 / 35 / 71 / 43

HEX #925F2B

RGB 146 95 43

HSL 30.29, 0.54%, 0.37%

LAB 44.9, 15.76, 37.34

 

CMYK 70 / 0 / 70 / 43

HEX #2B912B

RGB 43 145 43

HSL 120, 0.54%, 0.37%

LAB 52.88, -49.19, 43.87

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 0 / 70 / 0 / 43

HEX #912B91

RGB 145 43 145

HSL 300, 0.54%, 0.37%

LAB 37.47, 54.81, -34.62

 

Description

Color code: HEX #925F2B | qconv.com Color code: HEX #925F2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 95 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 95 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 71 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 71% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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