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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916ECE it is the complementary color #6E9131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916ECE shade: #966EC9, #A780DC, #B892EF, #C9A4FF and #DAB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916ECE shade: #916ECE, #805CBB, #6F4AA8, #5E3895 and #4D2682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916ECE shade: #916FCE, #AB6FCE, #C46FCE, #CE6FBD and #CE6FA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916ECE shade: #916FCE, #786FCE and #6F6FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916ECE shade matches the following richer shades: #916FCE, #8D5FDD, #894FED and #8540FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916ECE shade: #916FCE, #957EBE, #9A8EAE, #9E9E9F and #A2AD8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916ECE shade: #6F80CE, #776FCE, #906FCE, #A96FCE and #C36FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916ECE shade: #653CAE, #7A50C3, #916FCE, #A98DD8 and #C0ACE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916ECE shade: #916ECE, #CE6F99 and #73CE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916ECE shade: #916ECE, #CE906F and #6FCE90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916ECE shade: #916ECE, #CE6F99, #ACCE6F and #6FCEA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916ECE shade: #916ECE, #CE6F7D, #ACCE6F and #6FCEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 47 / 0 / 19

HEX #916ECE

RGB 145 110 206

HSL 261.88, 0.49%, 0.62%

LAB 53.63, 34.12, -44.89

 

Complementary color

CMYK 24 / 0 / 66 / 43

HEX #6E9131

RGB 110 145 49

HSL 81.88, 0.49%, 0.38%

LAB 55.87, -27.48, 45.38

 

CMYK 25 / 45 / 0 / 21

HEX #966EC9

RGB 150 110 201

HSL 266.37, 0.46%, 0.61%

LAB 53.87, 34.26, -41.63

 

CMYK 24 / 42 / 0 / 14

HEX #A780DC

RGB 167 128 220

HSL 265.43, 0.57%, 0.68%

LAB 60.62, 33.4, -41.6

 

CMYK 23 / 39 / 0 / 6

HEX #B892EF

RGB 184 146 239

HSL 264.52, 0.74%, 0.75%

LAB 67.26, 32.61, -41.6

 

CMYK 21 / 36 / 0 / 0

HEX #C9A4FF

RGB 201 164 255

HSL 264.4, 1%, 0.82%

LAB 73.67, 31.2, -40.2

 

CMYK 15 / 29 / 0 / 0

HEX #DAB6FF

RGB 218 182 255

HSL 269.59, 1%, 0.86%

LAB 79.37, 26.44, -31.24

 

CMYK 30 / 47 / 0 / 19

HEX #916ECE

RGB 145 110 206

HSL 261.88, 0.49%, 0.62%

LAB 53.63, 34.12, -44.89

 

CMYK 32 / 51 / 0 / 27

HEX #805CBB

RGB 128 92 187

HSL 262.74, 0.41%, 0.55%

LAB 46.75, 35.1, -44.99

 

CMYK 34 / 56 / 0 / 34

HEX #6F4AA8

RGB 111 74 168

HSL 263.62, 0.39%, 0.47%

LAB 39.76, 36.17, -45.1

 

CMYK 37 / 62 / 0 / 42

HEX #5E3895

RGB 94 56 149

HSL 264.52, 0.45%, 0.4%

LAB 32.65, 37.27, -45.17

 

CMYK 41 / 71 / 0 / 49

HEX #4D2682

RGB 77 38 130

HSL 265.43, 0.55%, 0.33%

LAB 25.49, 38.29, -45.09

 

CMYK 30 / 46 / 0 / 19

HEX #916FCE

RGB 145 111 206

HSL 261.47, 0.49%, 0.62%

LAB 53.86, 33.54, -44.52

 

CMYK 17 / 46 / 0 / 19

HEX #AB6FCE

RGB 171 111 206

HSL 277.89, 0.49%, 0.62%

LAB 56.57, 40.81, -40.07

 

CMYK 5 / 46 / 0 / 19

HEX #C46FCE

RGB 196 111 206

HSL 293.68, 0.49%, 0.62%

LAB 59.49, 48.02, -35.28

 

CMYK 0 / 46 / 8 / 19

HEX #CE6FBD

RGB 206 111 189

HSL 310.74, 0.49%, 0.62%

LAB 60.04, 47.95, -24.68

 

CMYK 0 / 46 / 21 / 19

HEX #CE6FA3

RGB 206 111 163

HSL 327.16, 0.49%, 0.62%

LAB 59.1, 43.83, -11.2

 

CMYK 30 / 46 / 0 / 19

HEX #916FCE

RGB 145 111 206

HSL 261.47, 0.49%, 0.62%

LAB 53.86, 33.54, -44.52

 

CMYK 42 / 46 / 0 / 19

HEX #786FCE

RGB 120 111 206

HSL 245.68, 0.49%, 0.62%

LAB 51.63, 27, -48.2

 

CMYK 46 / 46 / 0 / 19

HEX #6F6FCE

RGB 111 111 206

HSL 240, 0.49%, 0.62%

LAB 50.93, 24.81, -49.37

 

CMYK 30 / 46 / 0 / 19

HEX #916FCE

RGB 145 111 206

HSL 261.47, 0.49%, 0.62%

LAB 53.86, 33.54, -44.52

 

CMYK 36 / 57 / 0 / 13

HEX #8D5FDD

RGB 141 95 221

HSL 261.9, 0.65%, 0.62%

LAB 50.77, 45.41, -58

 

CMYK 42 / 67 / 0 / 7

HEX #894FED

RGB 137 79 237

HSL 262.03, 0.81%, 0.62%

LAB 48.29, 57.15, -71.05

 

CMYK 47 / 75 / 0 / 1

HEX #8540FD

RGB 133 64 253

HSL 261.9, 0.98%, 0.62%

LAB 46.64, 67.52, -82.73

 

CMYK 30 / 46 / 0 / 19

HEX #916FCE

RGB 145 111 206

HSL 261.47, 0.49%, 0.62%

LAB 53.86, 33.54, -44.52

 

CMYK 22 / 34 / 0 / 25

HEX #957EBE

RGB 149 126 190

HSL 261.56, 0.33%, 0.62%

LAB 57.1, 22.08, -30.3

 

CMYK 11 / 18 / 0 / 32

HEX #9A8EAE

RGB 154 142 174

HSL 262.5, 0.16%, 0.62%

LAB 61.02, 10.85, -15.16

 

CMYK 1 / 1 / 0 / 38

HEX #9E9E9F

RGB 158 158 159

HSL 240, 0.01%, 0.62%

LAB 65.14, 0.2, -0.53

 

CMYK 6 / 0 / 17 / 32

HEX #A2AD8F

RGB 162 173 143

HSL 82, 0.15%, 0.62%

LAB 69.15, -9.32, 14.13

 

CMYK 46 / 38 / 0 / 19

HEX #6F80CE

RGB 111 128 206

HSL 229.26, 0.49%, 0.62%

LAB 55.35, 14.57, -42.34

 

CMYK 42 / 46 / 0 / 19

HEX #776FCE

RGB 119 111 206

HSL 245.05, 0.49%, 0.62%

LAB 51.55, 26.75, -48.33

 

CMYK 30 / 46 / 0 / 19

HEX #906FCE

RGB 144 111 206

HSL 260.84, 0.49%, 0.62%

LAB 53.77, 33.27, -44.68

 

CMYK 18 / 46 / 0 / 19

HEX #A96FCE

RGB 169 111 206

HSL 276.63, 0.49%, 0.62%

LAB 56.35, 40.24, -40.43

 

CMYK 5 / 46 / 0 / 19

HEX #C36FCE

RGB 195 111 206

HSL 293.05, 0.49%, 0.62%

LAB 59.37, 47.73, -35.48

 

CMYK 42 / 66 / 0 / 32

HEX #653CAE

RGB 101 60 174

HSL 261.58, 0.49%, 0.46%

LAB 36.09, 43.4, -54.64

 

CMYK 37 / 59 / 0 / 24

HEX #7A50C3

RGB 122 80 195

HSL 261.91, 0.49%, 0.54%

LAB 43.97, 42.57, -54.14

 

CMYK 30 / 46 / 0 / 19

HEX #916FCE

RGB 145 111 206

HSL 261.47, 0.49%, 0.62%

LAB 53.86, 33.54, -44.52

 

CMYK 22 / 35 / 0 / 15

HEX #A98DD8

RGB 169 141 216

HSL 262.4, 0.49%, 0.7%

LAB 63.71, 25.69, -34.54

 

CMYK 15 / 24 / 0 / 11

HEX #C0ACE3

RGB 192 172 227

HSL 261.82, 0.5%, 0.78%

LAB 73.71, 17.89, -25

 

CMYK 30 / 47 / 0 / 19

HEX #916ECE

RGB 145 110 206

HSL 261.88, 0.49%, 0.62%

LAB 53.63, 34.12, -44.89

 

CMYK 0 / 46 / 26 / 19

HEX #CE6F99

RGB 206 111 153

HSL 333.47, 0.49%, 0.62%

LAB 58.78, 42.39, -5.9

 

CMYK 44 / 0 / 46 / 19

HEX #73CE6F

RGB 115 206 111

HSL 117.47, 0.49%, 0.62%

LAB 75.41, -46.14, 38.85

 

CMYK 30 / 47 / 0 / 19

HEX #916ECE

RGB 145 110 206

HSL 261.88, 0.49%, 0.62%

LAB 53.63, 34.12, -44.89

 

CMYK 0 / 30 / 46 / 19

HEX #CE906F

RGB 206 144 111

HSL 20.84, 0.49%, 0.62%

LAB 65.13, 19.58, 26.91

 

CMYK 46 / 0 / 30 / 19

HEX #6FCE90

RGB 111 206 144

HSL 140.84, 0.49%, 0.62%

LAB 75.78, -41.87, 22.33

 

CMYK 30 / 47 / 0 / 19

HEX #916ECE

RGB 145 110 206

HSL 261.88, 0.49%, 0.62%

LAB 53.63, 34.12, -44.89

 

CMYK 0 / 46 / 26 / 19

HEX #CE6F99

RGB 206 111 153

HSL 333.47, 0.49%, 0.62%

LAB 58.78, 42.39, -5.9

 

CMYK 17 / 0 / 46 / 19

HEX #ACCE6F

RGB 172 206 111

HSL 81.47, 0.49%, 0.62%

LAB 78.5, -26.62, 43.36

 

CMYK 46 / 0 / 21 / 19

HEX #6FCEA3

RGB 111 206 163

HSL 152.84, 0.49%, 0.62%

LAB 76.17, -38.1, 12.78

 

CMYK 30 / 47 / 0 / 19

HEX #916ECE

RGB 145 110 206

HSL 261.88, 0.49%, 0.62%

LAB 53.63, 34.12, -44.89

 

CMYK 0 / 46 / 39 / 19

HEX #CE6F7D

RGB 206 111 125

HSL 351.16, 0.49%, 0.62%

LAB 58.01, 38.83, 9.22

 

CMYK 17 / 0 / 46 / 19

HEX #ACCE6F

RGB 172 206 111

HSL 81.47, 0.49%, 0.62%

LAB 78.5, -26.62, 43.36

 

CMYK 46 / 0 / 7 / 19

HEX #6FCEBF

RGB 111 206 191

HSL 170.53, 0.49%, 0.62%

LAB 76.85, -31.78, -1.28

 

Description

Color code: HEX #916ECE | qconv.com Color code: HEX #916ECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 110 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 110 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 47 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 47% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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