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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90882A it is the complementary color #6F77D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90882A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #90882A: #958825, #A69A38, #B7AC4B, #C8BE5E and #D9D071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90882A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #90882A: #90882A, #7F7617, #6E6404, #5D5200 and #4C4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

Complementary color

CMYK 48 / 44 / 0 / 16

HEX #6F77D5

RGB 111 119 213

HSL 235.29, 0.55%, 0.64%

LAB 53.36, 22.09, -49.46

 

CMYK 0 / 9 / 75 / 42

HEX #958825

RGB 149 136 37

HSL 53.04, 0.6%, 0.36%

LAB 56.22, -6.48, 51.61

 

CMYK 0 / 7 / 66 / 35

HEX #A69A38

RGB 166 154 56

HSL 53.45, 0.5%, 0.44%

LAB 62.93, -7.54, 51.13

 

CMYK 0 / 6 / 59 / 28

HEX #B7AC4B

RGB 183 172 75

HSL 53.89, 0.43%, 0.51%

LAB 69.53, -8.4, 50.21

 

CMYK 0 / 5 / 53 / 22

HEX #C8BE5E

RGB 200 190 94

HSL 54.34, 0.49%, 0.58%

LAB 76.02, -9.09, 49.1

 

CMYK 0 / 4 / 48 / 15

HEX #D9D071

RGB 217 208 113

HSL 54.81, 0.58%, 0.65%

LAB 82.41, -9.67, 47.94

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 0 / 7 / 82 / 50

HEX #7F7617

RGB 127 118 23

HSL 54.81, 0.69%, 0.29%

LAB 48.92, -7.34, 49.06

 

CMYK 0 / 9 / 96 / 57

HEX #6E6404

RGB 110 100 4

HSL 54.34, 0.93%, 0.22%

LAB 41.9, -5.85, 47.64

 

CMYK 0 / 12 / 100 / 64

HEX #5D5200

RGB 93 82 0

HSL 52.9, 1%, 0.18%

LAB 34.73, -3.88, 42.74

 

CMYK 0 / 16 / 100 / 70

HEX #4C4000

RGB 76 64 0

HSL 50.53, 1%, 0.15%

LAB 27.31, -1.67, 36.34

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 6 / 0 / 71 / 44

HEX #858E29

RGB 133 142 41

HSL 65.35, 0.55%, 0.36%

LAB 56.58, -16.7, 49.95

 

CMYK 18 / 0 / 71 / 44

HEX #758E29

RGB 117 142 41

HSL 74.85, 0.55%, 0.36%

LAB 55.37, -23.66, 48.34

 

CMYK 30 / 0 / 71 / 44

HEX #648E29

RGB 100 142 41

HSL 84.95, 0.55%, 0.36%

LAB 54.25, -30.66, 46.85

 

CMYK 42 / 0 / 71 / 44

HEX #538E29

RGB 83 142 41

HSL 95.05, 0.55%, 0.36%

LAB 53.33, -37.04, 45.6

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 0 / 6 / 71 / 24

HEX #C3B839

RGB 195 184 57

HSL 55.22, 0.55%, 0.49%

LAB 73.66, -10.58, 62.42

 

CMYK 0 / 6 / 71 / 4

HEX #F6E848

RGB 246 232 72

HSL 55.17, 0.91%, 0.62%

LAB 90.68, -12.55, 75.07

 

CMYK 0 / 5 / 71 / 84

HEX #2A280C

RGB 42 40 12

HSL 56, 0.56%, 0.11%

LAB 15.68, -3.76, 17.77

 

CMYK 0 / 5 / 71 / 64

HEX #5D581B

RGB 93 88 27

HSL 55.45, 0.55%, 0.24%

LAB 36.72, -6.28, 34.69

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 71 / 0 / 63 / 44

HEX #298E35

RGB 41 142 53

HSL 127.13, 0.55%, 0.36%

LAB 51.92, -47.42, 38.34

 

CMYK 35 / 71 / 0 / 44

HEX #5D298E

RGB 93 41 142

HSL 270.89, 0.55%, 0.36%

LAB 29.07, 43.25, -46.67

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 71 / 0 / 6 / 44

HEX #298E85

RGB 41 142 133

HSL 174.65, 0.55%, 0.36%

LAB 53.5, -30.46, -3.54

 

CMYK 6 / 71 / 0 / 44

HEX #85298E

RGB 133 41 142

HSL 294.65, 0.55%, 0.36%

LAB 35.05, 52.22, -36.73

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 71 / 0 / 63 / 44

HEX #298E35

RGB 41 142 53

HSL 127.13, 0.55%, 0.36%

LAB 51.92, -47.42, 38.34

 

CMYK 71 / 65 / 0 / 44

HEX #29318E

RGB 41 49 142

HSL 235.25, 0.55%, 0.36%

LAB 25.63, 29.11, -52.5

 

CMYK 0 / 71 / 8 / 44

HEX #8E2982

RGB 142 41 130

HSL 307.13, 0.55%, 0.36%

LAB 35.88, 52.31, -27.91

 

CMYK 0 / 6 / 71 / 44

HEX #90882A

RGB 144 136 42

HSL 55.29, 0.55%, 0.36%

LAB 55.79, -8.5, 49.08

 

CMYK 71 / 0 / 42 / 44

HEX #298E53

RGB 41 142 83

HSL 144.95, 0.55%, 0.36%

LAB 52.33, -42.67, 23.31

 

CMYK 71 / 65 / 0 / 44

HEX #29318E

RGB 41 49 142

HSL 235.25, 0.55%, 0.36%

LAB 25.63, 29.11, -52.5

 

CMYK 0 / 71 / 30 / 44

HEX #8E2964

RGB 142 41 100

HSL 324.95, 0.55%, 0.36%

LAB 34.51, 47.89, -11.14

 

Description

Color code: HEX #90882A | qconv.com Color code: HEX #90882A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 136 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 136 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 71 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 71% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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