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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #904639 it is the complementary color #6FB9C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #904639. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #904639: #954634, #A65847, #B76A5A, #C87C6D and #D98E80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #904639. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #904639: #904639, #7F3426, #6E2213, #5D1000 and #4C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

Complementary color

CMYK 44 / 7 / 0 / 22

HEX #6FB9C6

RGB 111 185 198

HSL 188.97, 0.43%, 0.61%

LAB 70.98, -19.63, -13.79

 

CMYK 0 / 53 / 65 / 42

HEX #954634

RGB 149 70 52

HSL 11.13, 0.48%, 0.39%

LAB 39.61, 31.72, 26.35

 

CMYK 0 / 47 / 57 / 35

HEX #A65847

RGB 166 88 71

HSL 10.74, 0.4%, 0.46%

LAB 46.37, 30.31, 24.15

 

CMYK 0 / 42 / 51 / 28

HEX #B76A5A

RGB 183 106 90

HSL 10.32, 0.39%, 0.54%

LAB 53.07, 29.03, 22.28

 

CMYK 0 / 38 / 46 / 22

HEX #C87C6D

RGB 200 124 109

HSL 9.89, 0.45%, 0.61%

LAB 59.71, 27.87, 20.66

 

CMYK 0 / 35 / 41 / 15

HEX #D98E80

RGB 217 142 128

HSL 9.44, 0.54%, 0.68%

LAB 66.26, 26.84, 19.22

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 0 / 59 / 70 / 50

HEX #7F3426

RGB 127 52 38

HSL 9.44, 0.54%, 0.32%

LAB 32.05, 31.49, 24.81

 

CMYK 0 / 69 / 83 / 57

HEX #6E2213

RGB 110 34 19

HSL 9.89, 0.71%, 0.25%

LAB 25.28, 32.85, 27.8

 

CMYK 0 / 83 / 100 / 64

HEX #5D1000

RGB 93 16 0

HSL 10.32, 1%, 0.18%

LAB 18.79, 33.56, 28.49

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 0 / 42 / 61 / 44

HEX #8E5238

RGB 142 82 56

HSL 18.14, 0.43%, 0.39%

LAB 41.33, 22.41, 25.88

 

CMYK 0 / 32 / 61 / 44

HEX #8E6038

RGB 142 96 56

HSL 27.91, 0.43%, 0.39%

LAB 44.8, 14.29, 30.13

 

CMYK 0 / 23 / 61 / 44

HEX #8E6E38

RGB 142 110 56

HSL 37.67, 0.43%, 0.39%

LAB 48.5, 6.15, 34.51

 

CMYK 0 / 12 / 61 / 44

HEX #8E7D38

RGB 142 125 56

HSL 48.14, 0.43%, 0.39%

LAB 52.62, -2.4, 39.26

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 0 / 51 / 61 / 24

HEX #C35F4D

RGB 195 95 77

HSL 9.15, 0.5%, 0.53%

LAB 52.2, 38.48, 28.97

 

CMYK 0 / 51 / 61 / 4

HEX #F67861

RGB 246 120 97

HSL 9.26, 0.89%, 0.67%

LAB 64.87, 46.46, 35.28

 

CMYK 0 / 52 / 60 / 84

HEX #2A1411

RGB 42 20 17

HSL 7.2, 0.42%, 0.12%

LAB 9.26, 10.87, 6.52

 

CMYK 0 / 52 / 60 / 64

HEX #5D2D25

RGB 93 45 37

HSL 8.57, 0.43%, 0.25%

LAB 24.76, 21.02, 15.13

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 20 / 0 / 61 / 44

HEX #718E38

RGB 113 142 56

HSL 80.23, 0.43%, 0.39%

LAB 55.22, -24.18, 41.53

 

CMYK 61 / 44 / 0 / 44

HEX #384F8E

RGB 56 79 142

HSL 223.95, 0.43%, 0.39%

LAB 34.77, 11.63, -37.67

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 61 / 0 / 52 / 44

HEX #388E44

RGB 56 142 68

HSL 128.37, 0.43%, 0.39%

LAB 52.51, -42.09, 31.67

 

CMYK 52 / 61 / 0 / 44

HEX #44388E

RGB 68 56 142

HSL 248.37, 0.43%, 0.39%

LAB 29.44, 29.31, -46.2

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 20 / 0 / 61 / 44

HEX #718E38

RGB 113 142 56

HSL 80.23, 0.43%, 0.39%

LAB 55.22, -24.18, 41.53

 

CMYK 61 / 8 / 0 / 44

HEX #38828E

RGB 56 130 142

HSL 188.37, 0.43%, 0.39%

LAB 50.4, -19.08, -13.37

 

CMYK 40 / 61 / 0 / 44

HEX #55388E

RGB 85 56 142

HSL 260.23, 0.43%, 0.39%

LAB 31.14, 33.18, -43.36

 

CMYK 0 / 51 / 60 / 44

HEX #904639

RGB 144 70 57

HSL 8.97, 0.43%, 0.39%

LAB 38.91, 30.07, 22.3

 

CMYK 38 / 0 / 61 / 44

HEX #588E38

RGB 88 142 56

HSL 97.67, 0.43%, 0.39%

LAB 53.71, -33.87, 39.43

 

CMYK 61 / 8 / 0 / 44

HEX #38828E

RGB 56 130 142

HSL 188.37, 0.43%, 0.39%

LAB 50.4, -19.08, -13.37

 

CMYK 23 / 61 / 0 / 44

HEX #6E388E

RGB 110 56 142

HSL 277.67, 0.43%, 0.39%

LAB 34.18, 39.49, -38.32

 

Description

Color code: HEX #904639 | qconv.com Color code: HEX #904639 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 70 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 70 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 60 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 60% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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