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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D8D09 it is the complementary color #7272F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D8D09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D8D09: #928D04, #A39F17, #B4B12A, #C5C33D and #D6D550

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D8D09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D8D09: #8D8D09, #7C7B00, #6B6900, #5A5700 and #494500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

Complementary color

CMYK 54 / 54 / 0 / 4

HEX #7272F6

RGB 114 114 246

HSL 240, 0.88%, 0.71%

LAB 54.31, 35.83, -66.43

 

CMYK 0 / 3 / 97 / 43

HEX #928D04

RGB 146 141 4

HSL 57.89, 0.95%, 0.29%

LAB 57.24, -11.51, 60.66

 

CMYK 0 / 2 / 86 / 36

HEX #A39F17

RGB 163 159 23

HSL 58.29, 0.75%, 0.36%

LAB 63.87, -12.95, 63.1

 

CMYK 0 / 2 / 77 / 29

HEX #B4B12A

RGB 180 177 42

HSL 58.7, 0.62%, 0.44%

LAB 70.4, -14.14, 64.08

 

CMYK 0 / 1 / 69 / 23

HEX #C5C33D

RGB 197 195 61

HSL 59.12, 0.54%, 0.51%

LAB 76.82, -15.12, 64.1

 

CMYK 0 / 0 / 63 / 16

HEX #D6D550

RGB 214 213 80

HSL 59.55, 0.62%, 0.58%

LAB 83.16, -15.94, 63.58

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 0 / 1 / 100 / 51

HEX #7C7B00

RGB 124 123 0

HSL 59.52, 1%, 0.24%

LAB 50.04, -12.1, 55.18

 

CMYK 0 / 2 / 100 / 58

HEX #6B6900

RGB 107 105 0

HSL 58.88, 1%, 0.21%

LAB 43.11, -10.26, 49.42

 

CMYK 0 / 3 / 100 / 65

HEX #5A5700

RGB 90 87 0

HSL 58, 1%, 0.18%

LAB 35.97, -8.35, 43.5

 

CMYK 0 / 5 / 100 / 71

HEX #494500

RGB 73 69 0

HSL 56.71, 1%, 0.14%

LAB 28.57, -6.33, 37.28

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 16 / 0 / 94 / 45

HEX #758B08

RGB 117 139 8

HSL 70.08, 0.89%, 0.29%

LAB 54.31, -23.49, 56.72

 

CMYK 32 / 0 / 94 / 45

HEX #5F8B08

RGB 95 139 8

HSL 80.15, 0.89%, 0.29%

LAB 52.86, -32.77, 54.95

 

CMYK 47 / 0 / 94 / 45

HEX #498B08

RGB 73 139 8

HSL 90.23, 0.89%, 0.29%

LAB 51.72, -40.91, 53.56

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 0 / 0 / 94 / 25

HEX #C0C00C

RGB 192 192 12

HSL 60, 0.88%, 0.4%

LAB 75.41, -17.28, 75.07

 

CMYK 0 / 0 / 93 / 5

HEX #F3F310

RGB 243 243 16

HSL 60, 0.9%, 0.51%

LAB 93.1, -20.65, 89.86

 

CMYK 0 / 0 / 95 / 85

HEX #272702

RGB 39 39 2

HSL 60, 0.9%, 0.08%

LAB 14.88, -5.69, 20.81

 

CMYK 0 / 0 / 93 / 65

HEX #5A5A06

RGB 90 90 6

HSL 60, 0.88%, 0.19%

LAB 36.93, -9.88, 42.38

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 94 / 0 / 76 / 45

HEX #088B22

RGB 8 139 34

HSL 131.91, 0.89%, 0.29%

LAB 50.25, -52.55, 44.56

 

CMYK 38 / 94 / 0 / 45

HEX #56088B

RGB 86 8 139

HSL 275.73, 0.89%, 0.29%

LAB 23.72, 53.11, -53.57

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 94 / 0 / 0 / 45

HEX #088B8B

RGB 8 139 139

HSL 180, 0.89%, 0.29%

LAB 52.27, -30.23, -8.91

 

CMYK 0 / 94 / 0 / 45

HEX #8B088B

RGB 139 8 139

HSL 300, 0.89%, 0.29%

LAB 32.98, 61.44, -38.14

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 94 / 0 / 76 / 45

HEX #088B22

RGB 8 139 34

HSL 131.91, 0.89%, 0.29%

LAB 50.25, -52.55, 44.56

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 0 / 94 / 19 / 45

HEX #8B0870

RGB 139 8 112

HSL 312.37, 0.89%, 0.29%

LAB 31.42, 57.49, -23.62

 

CMYK 0 / 0 / 94 / 45

HEX #8D8D09

RGB 141 141 9

HSL 60, 0.88%, 0.29%

LAB 56.81, -13.71, 59.34

 

CMYK 94 / 0 / 47 / 45

HEX #088B49

RGB 8 139 73

HSL 149.77, 0.89%, 0.29%

LAB 50.68, -47.25, 26.53

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 0 / 94 / 47 / 45

HEX #8B0849

RGB 139 8 73

HSL 330.23, 0.89%, 0.29%

LAB 29.77, 53.1, -0.67

 

Description

Color code: HEX #8D8D09 | qconv.com Color code: HEX #8D8D09 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 141 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 141 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 94 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 94% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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