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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D862A it is the complementary color #7279D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D862A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D862A: #928625, #A39838, #B4AA4B, #C5BC5E and #D6CE71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D862A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D862A: #8D862A, #7C7417, #6B6204, #5A5000 and #493E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

Complementary color

CMYK 46 / 43 / 0 / 16

HEX #7279D5

RGB 114 121 213

HSL 235.76, 0.54%, 0.64%

LAB 54.09, 21.59, -48.29

 

CMYK 0 / 8 / 75 / 43

HEX #928625

RGB 146 134 37

HSL 53.39, 0.6%, 0.36%

LAB 55.37, -6.76, 50.71

 

CMYK 0 / 7 / 66 / 36

HEX #A39838

RGB 163 152 56

HSL 53.83, 0.49%, 0.43%

LAB 62.11, -7.8, 50.18

 

CMYK 0 / 6 / 58 / 29

HEX #B4AA4B

RGB 180 170 75

HSL 54.29, 0.41%, 0.5%

LAB 68.72, -8.63, 49.23

 

CMYK 0 / 5 / 52 / 23

HEX #C5BC5E

RGB 197 188 94

HSL 54.76, 0.47%, 0.57%

LAB 75.23, -9.31, 48.12

 

CMYK 0 / 4 / 47 / 16

HEX #D6CE71

RGB 214 206 113

HSL 55.25, 0.55%, 0.64%

LAB 81.64, -9.87, 46.94

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 0 / 6 / 81 / 51

HEX #7C7417

RGB 124 116 23

HSL 55.25, 0.69%, 0.29%

LAB 48.05, -7.64, 48.18

 

CMYK 0 / 8 / 96 / 58

HEX #6B6204

RGB 107 98 4

HSL 54.76, 0.93%, 0.22%

LAB 41.01, -6.17, 46.83

 

CMYK 0 / 11 / 100 / 65

HEX #5A5000

RGB 90 80 0

HSL 53.33, 1%, 0.18%

LAB 33.8, -4.21, 41.93

 

CMYK 0 / 15 / 100 / 71

HEX #493E00

RGB 73 62 0

HSL 50.96, 1%, 0.14%

LAB 26.34, -2, 35.36

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 6 / 0 / 70 / 45

HEX #858D2A

RGB 133 141 42

HSL 64.85, 0.54%, 0.36%

LAB 56.29, -16.12, 49.26

 

CMYK 18 / 0 / 70 / 45

HEX #748D2A

RGB 116 141 42

HSL 75.15, 0.54%, 0.36%

LAB 55, -23.52, 47.54

 

CMYK 29 / 0 / 70 / 45

HEX #648D2A

RGB 100 141 42

HSL 84.85, 0.54%, 0.36%

LAB 53.95, -30.12, 46.13

 

CMYK 41 / 0 / 70 / 45

HEX #538D2A

RGB 83 141 42

HSL 95.15, 0.54%, 0.36%

LAB 53.01, -36.52, 44.86

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 0 / 5 / 70 / 25

HEX #C0B639

RGB 192 182 57

HSL 55.56, 0.54%, 0.49%

LAB 72.86, -10.84, 61.55

 

CMYK 0 / 5 / 70 / 5

HEX #F3E748

RGB 243 231 72

HSL 55.79, 0.88%, 0.62%

LAB 90.17, -13.3, 74.49

 

CMYK 0 / 5 / 69 / 85

HEX #27250C

RGB 39 37 12

HSL 55.56, 0.53%, 0.1%

LAB 14.29, -3.38, 15.93

 

CMYK 0 / 4 / 70 / 65

HEX #5A561B

RGB 90 86 27

HSL 56.19, 0.54%, 0.23%

LAB 35.81, -6.57, 33.65

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 70 / 0 / 62 / 45

HEX #2A8D35

RGB 42 141 53

HSL 126.67, 0.54%, 0.36%

LAB 51.61, -46.86, 37.99

 

CMYK 34 / 70 / 0 / 45

HEX #5D2A8D

RGB 93 42 141

HSL 270.91, 0.54%, 0.36%

LAB 29.17, 42.5, -45.88

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 70 / 0 / 6 / 45

HEX #2A8D85

RGB 42 141 133

HSL 175.15, 0.54%, 0.36%

LAB 53.21, -29.83, -3.98

 

CMYK 6 / 70 / 0 / 45

HEX #852A8D

RGB 133 42 141

HSL 295.15, 0.54%, 0.36%

LAB 35.13, 51.64, -35.99

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 70 / 0 / 62 / 45

HEX #2A8D35

RGB 42 141 53

HSL 126.67, 0.54%, 0.36%

LAB 51.61, -46.86, 37.99

 

CMYK 70 / 65 / 0 / 45

HEX #2A328D

RGB 42 50 141

HSL 235.15, 0.54%, 0.36%

LAB 25.85, 28.22, -51.51

 

CMYK 0 / 70 / 9 / 45

HEX #8D2A81

RGB 141 42 129

HSL 307.27, 0.54%, 0.36%

LAB 35.8, 51.51, -27.44

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 70 / 0 / 41 / 45

HEX #2A8D53

RGB 42 141 83

HSL 144.85, 0.54%, 0.36%

LAB 52.02, -42.09, 22.91

 

CMYK 70 / 65 / 0 / 45

HEX #2A328D

RGB 42 50 141

HSL 235.15, 0.54%, 0.36%

LAB 25.85, 28.22, -51.51

 

CMYK 0 / 70 / 29 / 45

HEX #8D2A64

RGB 141 42 100

HSL 324.85, 0.54%, 0.36%

LAB 34.48, 47.2, -11.21

 

Description

Color code: HEX #8D862A | qconv.com Color code: HEX #8D862A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 134 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 134 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 70 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 70% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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