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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CA08C it is the complementary color #735F73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CA08C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8CA08C: #91A087, #A2B29A, #B3C4AD, #C4D6C0 and #D5E8D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CA08C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8CA08C: #8CA08C, #7B8E79, #6A7C66, #596A53 and #485840

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

Complementary color

CMYK 0 / 17 / 0 / 55

HEX #735F73

RGB 115 95 115

HSL 300, 0.1%, 0.41%

LAB 42.86, 11.94, -8.26

 

CMYK 9 / 0 / 16 / 37

HEX #91A087

RGB 145 160 135

HSL 96, 0.12%, 0.58%

LAB 64.09, -10.07, 11.26

 

CMYK 9 / 0 / 13 / 30

HEX #A2B29A

RGB 162 178 154

HSL 100, 0.13%, 0.65%

LAB 70.77, -10.07, 10.39

 

CMYK 9 / 0 / 12 / 23

HEX #B3C4AD

RGB 179 196 173

HSL 104.35, 0.16%, 0.72%

LAB 77.33, -10.08, 9.58

 

CMYK 8 / 0 / 10 / 16

HEX #C4D6C0

RGB 196 214 192

HSL 109.09, 0.21%, 0.8%

LAB 83.78, -10.09, 8.81

 

CMYK 8 / 0 / 9 / 9

HEX #D5E8D3

RGB 213 232 211

HSL 114.29, 0.31%, 0.87%

LAB 90.12, -10.1, 8.06

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 13 / 0 / 15 / 44

HEX #7B8E79

RGB 123 142 121

HSL 114.29, 0.09%, 0.52%

LAB 57.01, -11.05, 8.92

 

CMYK 15 / 0 / 18 / 51

HEX #6A7C66

RGB 106 124 102

HSL 109.09, 0.1%, 0.44%

LAB 50.02, -11.12, 9.83

 

CMYK 16 / 0 / 22 / 58

HEX #596A53

RGB 89 106 83

HSL 104.35, 0.12%, 0.37%

LAB 42.85, -11.22, 10.83

 

CMYK 18 / 0 / 27 / 65

HEX #485840

RGB 72 88 64

HSL 100, 0.16%, 0.3%

LAB 35.45, -11.33, 11.93

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 13 / 0 / 11 / 37

HEX #8BA08F

RGB 139 160 143

HSL 131.43, 0.1%, 0.59%

LAB 63.85, -10.78, 6.38

 

CMYK 13 / 0 / 9 / 37

HEX #8BA092

RGB 139 160 146

HSL 140, 0.1%, 0.59%

LAB 63.92, -10.2, 4.81

 

CMYK 13 / 0 / 6 / 37

HEX #8BA096

RGB 139 160 150

HSL 151.43, 0.1%, 0.59%

LAB 64.03, -9.4, 2.72

 

CMYK 13 / 0 / 4 / 37

HEX #8BA099

RGB 139 160 153

HSL 160, 0.1%, 0.59%

LAB 64.1, -8.8, 1.15

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 12 / 0 / 12 / 17

HEX #B9D3B9

RGB 185 211 185

HSL 120, 0.23%, 0.78%

LAB 82.06, -13.57, 9.96

 

CMYK 14 / 0 / 14 / 97

HEX #060706

RGB 6 7 6

HSL 120, 0.08%, 0.03%

LAB 1.84, -0.4, 0.29

 

CMYK 12 / 0 / 12 / 77

HEX #333A33

RGB 51 58 51

HSL 120, 0.06%, 0.21%

LAB 23.57, -4.59, 3.35

 

CMYK 13 / 0 / 13 / 57

HEX #5F6D5F

RGB 95 109 95

HSL 120, 0.07%, 0.4%

LAB 44.51, -8.25, 6.05

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 13 / 2 / 0 / 37

HEX #8B9CA0

RGB 139 156 160

HSL 191.43, 0.1%, 0.59%

LAB 63.18, -5.15, -4.14

 

CMYK 0 / 13 / 7 / 37

HEX #A08B94

RGB 160 139 148

HSL 334.29, 0.1%, 0.59%

LAB 59.96, 9.49, -1.88

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 13 / 13 / 0 / 37

HEX #8B8BA0

RGB 139 139 160

HSL 240, 0.1%, 0.59%

LAB 58.5, 4.38, -11.1

 

CMYK 0 / 13 / 13 / 37

HEX #A08B8B

RGB 160 139 139

HSL 0, 0.1%, 0.59%

LAB 59.71, 7.89, 2.9

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 13 / 2 / 0 / 37

HEX #8B9CA0

RGB 139 156 160

HSL 191.43, 0.1%, 0.59%

LAB 63.18, -5.15, -4.14

 

CMYK 0 / 13 / 0 / 37

HEX #A08BA0

RGB 160 139 160

HSL 300, 0.1%, 0.59%

LAB 60.32, 11.76, -8.2

 

CMYK 0 / 10 / 13 / 37

HEX #A0908B

RGB 160 144 139

HSL 14.29, 0.1%, 0.59%

LAB 61.03, 5.08, 4.81

 

CMYK 13 / 0 / 13 / 37

HEX #8CA08C

RGB 140 160 140

HSL 120, 0.1%, 0.59%

LAB 63.84, -10.99, 8.07

 

CMYK 13 / 6 / 0 / 37

HEX #8B96A0

RGB 139 150 160

HSL 208.57, 0.1%, 0.59%

LAB 61.52, -1.83, -6.6

 

CMYK 0 / 13 / 0 / 37

HEX #A08BA0

RGB 160 139 160

HSL 300, 0.1%, 0.59%

LAB 60.32, 11.76, -8.2

 

CMYK 0 / 6 / 13 / 37

HEX #A0968B

RGB 160 150 139

HSL 31.43, 0.1%, 0.59%

LAB 62.63, 1.73, 7.11

 

Description

Color code: HEX #8CA08C | qconv.com Color code: HEX #8CA08C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 160 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 160 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 13 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 13% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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