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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C698C it is the complementary color #739673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C698C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C698C: #916987, #A27B9A, #B38DAD, #C49FC0 and #D5B1D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C698C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C698C: #8C698C, #7B5779, #6A4566, #593353 and #482140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

Complementary color

CMYK 23 / 0 / 23 / 41

HEX #739673

RGB 115 150 115

HSL 120, 0.14%, 0.52%

LAB 58.69, -19.33, 14.59

 

CMYK 0 / 28 / 7 / 43

HEX #916987

RGB 145 105 135

HSL 315, 0.16%, 0.49%

LAB 49.34, 21.12, -10.23

 

CMYK 0 / 24 / 5 / 36

HEX #A27B9A

RGB 162 123 154

HSL 312.31, 0.17%, 0.56%

LAB 56.27, 20.46, -10.78

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 19 / 2 / 23

HEX #C49FC0

RGB 196 159 192

HSL 306.49, 0.24%, 0.7%

LAB 69.71, 19.33, -11.8

 

CMYK 0 / 17 / 1 / 16

HEX #D5B1D3

RGB 213 177 211

HSL 303.33, 0.3%, 0.76%

LAB 76.25, 18.83, -12.27

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 29 / 2 / 52

HEX #7B5779

RGB 123 87 121

HSL 303.33, 0.17%, 0.41%

LAB 41.86, 20.98, -13.35

 

CMYK 0 / 35 / 4 / 58

HEX #6A4566

RGB 106 69 102

HSL 306.49, 0.21%, 0.34%

LAB 34.56, 21.76, -12.85

 

CMYK 0 / 43 / 7 / 65

HEX #593353

RGB 89 51 83

HSL 309.47, 0.27%, 0.27%

LAB 27.06, 22.61, -12.26

 

CMYK 0 / 54 / 11 / 72

HEX #482140

RGB 72 33 64

HSL 312.31, 0.37%, 0.21%

LAB 19.37, 23.48, -11.48

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 24 / 4 / 45

HEX #8B6985

RGB 139 105 133

HSL 310.59, 0.14%, 0.48%

LAB 48.62, 18.54, -10.2

 

CMYK 0 / 24 / 8 / 45

HEX #8B6980

RGB 139 105 128

HSL 319.41, 0.14%, 0.48%

LAB 48.45, 17.58, -7.47

 

CMYK 0 / 24 / 12 / 45

HEX #8B697A

RGB 139 105 122

HSL 330, 0.14%, 0.48%

LAB 48.26, 16.47, -4.18

 

CMYK 0 / 24 / 17 / 45

HEX #8B6974

RGB 139 105 116

HSL 340.59, 0.14%, 0.48%

LAB 48.07, 15.41, -0.86

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 25 / 0 / 25

HEX #BF8FBF

RGB 191 143 191

HSL 300, 0.27%, 0.65%

LAB 65.34, 26.28, -17.87

 

CMYK 0 / 25 / 0 / 5

HEX #F2B6F2

RGB 242 182 242

HSL 300, 0.7%, 0.83%

LAB 81.15, 31.43, -21.36

 

CMYK 0 / 24 / 0 / 85

HEX #261D26

RGB 38 29 38

HSL 300, 0.13%, 0.13%

LAB 12.16, 6.45, -4.45

 

CMYK 0 / 25 / 0 / 65

HEX #594359

RGB 89 67 89

HSL 300, 0.14%, 0.31%

LAB 31.48, 13.81, -9.43

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 19 / 24 / 45

HEX #8B7069

RGB 139 112 105

HSL 12.35, 0.14%, 0.48%

LAB 49.61, 9.49, 7.9

 

CMYK 24 / 0 / 10 / 45

HEX #698B7D

RGB 105 139 125

HSL 155.29, 0.14%, 0.48%

LAB 55.02, -15, 3.61

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 0 / 24 / 45

HEX #8B8B69

RGB 139 139 105

HSL 60, 0.14%, 0.48%

LAB 57.05, -5.89, 18.25

 

CMYK 24 / 0 / 0 / 45

HEX #698B8B

RGB 105 139 139

HSL 180, 0.14%, 0.48%

LAB 55.41, -11.82, -3.89

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 19 / 24 / 45

HEX #8B7069

RGB 139 112 105

HSL 12.35, 0.14%, 0.48%

LAB 49.61, 9.49, 7.9

 

CMYK 24 / 0 / 24 / 45

HEX #698B69

RGB 105 139 105

HSL 120, 0.14%, 0.48%

LAB 54.54, -19.03, 14.4

 

CMYK 24 / 5 / 0 / 45

HEX #69848B

RGB 105 132 139

HSL 192.35, 0.14%, 0.48%

LAB 53.35, -7.93, -6.95

 

CMYK 0 / 25 / 0 / 45

HEX #8C698C

RGB 140 105 140

HSL 300, 0.14%, 0.48%

LAB 48.97, 20.29, -13.81

 

CMYK 0 / 12 / 24 / 45

HEX #8B7A69

RGB 139 122 105

HSL 30, 0.14%, 0.48%

LAB 52.32, 3.7, 11.71

 

CMYK 24 / 0 / 24 / 45

HEX #698B69

RGB 105 139 105

HSL 120, 0.14%, 0.48%

LAB 54.54, -19.03, 14.4

 

CMYK 24 / 12 / 0 / 45

HEX #697A8B

RGB 105 122 139

HSL 210, 0.14%, 0.48%

LAB 50.44, -2.21, -11.31

 

Description

Color code: HEX #8C698C | qconv.com Color code: HEX #8C698C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 105 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 105 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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