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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ABA55 it is the complementary color #7545AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ABA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8ABA55: #8FBA50, #A0CC63, #B1DE76, #C2F089 and #D3FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ABA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8ABA55: #8ABA55, #79A842, #68962F, #57841C and #467209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

Complementary color

CMYK 31 / 59 / 0 / 33

HEX #7545AA

RGB 117 69 170

HSL 268.51, 0.42%, 0.47%

LAB 39.48, 41.02, -46.7

 

CMYK 23 / 0 / 57 / 27

HEX #8FBA50

RGB 143 186 80

HSL 84.34, 0.43%, 0.52%

LAB 70.55, -31.37, 48.26

 

CMYK 22 / 0 / 51 / 20

HEX #A0CC63

RGB 160 204 99

HSL 85.14, 0.51%, 0.59%

LAB 77.02, -31.49, 47.19

 

CMYK 20 / 0 / 47 / 13

HEX #B1DE76

RGB 177 222 118

HSL 85.96, 0.61%, 0.67%

LAB 83.39, -31.55, 46.06

 

CMYK 19 / 0 / 43 / 6

HEX #C2F089

RGB 194 240 137

HSL 86.8, 0.77%, 0.74%

LAB 89.67, -31.57, 44.92

 

CMYK 17 / 0 / 39 / 0

HEX #D3FF9C

RGB 211 255 156

HSL 86.67, 1%, 0.81%

LAB 95.06, -30.17, 42.76

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 28 / 0 / 61 / 34

HEX #79A842

RGB 121 168 66

HSL 87.65, 0.44%, 0.46%

LAB 63.72, -32.64, 46.58

 

CMYK 31 / 0 / 69 / 41

HEX #68962F

RGB 104 150 47

HSL 86.8, 0.52%, 0.39%

LAB 57.04, -32.4, 47.34

 

CMYK 34 / 0 / 79 / 48

HEX #57841C

RGB 87 132 28

HSL 85.96, 0.65%, 0.31%

LAB 50.23, -31.95, 47.49

 

CMYK 39 / 0 / 92 / 55

HEX #467209

RGB 70 114 9

HSL 85.14, 0.85%, 0.24%

LAB 43.3, -31.18, 46.28

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 35 / 0 / 55 / 27

HEX #79B954

RGB 121 185 84

HSL 98.02, 0.42%, 0.53%

LAB 69.04, -38.55, 44.31

 

CMYK 44 / 0 / 55 / 27

HEX #68B954

RGB 104 185 84

HSL 108.12, 0.42%, 0.53%

LAB 68.23, -44.16, 43.14

 

CMYK 52 / 0 / 55 / 27

HEX #58B954

RGB 88 185 84

HSL 117.62, 0.42%, 0.53%

LAB 67.59, -48.82, 42.22

 

CMYK 55 / 0 / 47 / 27

HEX #54B962

RGB 84 185 98

HSL 128.32, 0.42%, 0.53%

LAB 67.62, -47.93, 35.31

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 26 / 0 / 54 / 7

HEX #B0ED6C

RGB 176 237 108

HSL 88.37, 0.78%, 0.68%

LAB 87.43, -39.78, 55.55

 

CMYK 27 / 0 / 55 / 87

HEX #18210F

RGB 24 33 15

HSL 90, 0.38%, 0.09%

LAB 11.39, -8.25, 10.3

 

CMYK 26 / 0 / 55 / 67

HEX #3E5426

RGB 62 84 38

HSL 88.7, 0.38%, 0.24%

LAB 32.93, -17.43, 24.01

 

CMYK 26 / 0 / 54 / 47

HEX #64873E

RGB 100 135 62

HSL 88.77, 0.37%, 0.39%

LAB 52.27, -25.34, 34.95

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 55 / 0 / 18 / 27

HEX #54B997

RGB 84 185 151

HSL 159.8, 0.42%, 0.53%

LAB 68.62, -37.72, 8.41

 

CMYK 0 / 55 / 4 / 27

HEX #B954B2

RGB 185 84 178

HSL 304.16, 0.42%, 0.53%

LAB 51.69, 53.2, -31.5

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 55 / 25 / 0 / 27

HEX #548AB9

RGB 84 138 185

HSL 207.92, 0.42%, 0.53%

LAB 55.65, -4.17, -30.06

 

CMYK 0 / 55 / 25 / 27

HEX #B9548A

RGB 185 84 138

HSL 327.92, 0.42%, 0.53%

LAB 50.09, 46.91, -10.38

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 55 / 0 / 18 / 27

HEX #54B997

RGB 84 185 151

HSL 159.8, 0.42%, 0.53%

LAB 68.62, -37.72, 8.41

 

CMYK 29 / 55 / 0 / 27

HEX #8354B9

RGB 131 84 185

HSL 267.92, 0.42%, 0.53%

LAB 45.18, 39.95, -46.32

 

CMYK 0 / 55 / 36 / 27

HEX #B95476

RGB 185 84 118

HSL 339.8, 0.42%, 0.53%

LAB 49.45, 44.31, 0.67

 

CMYK 26 / 0 / 54 / 27

HEX #8ABA55

RGB 138 186 85

HSL 88.51, 0.42%, 0.53%

LAB 70.3, -32.76, 45.55

 

CMYK 55 / 0 / 2 / 27

HEX #54B9B6

RGB 84 185 182

HSL 178.22, 0.42%, 0.53%

LAB 69.44, -29.95, -7.42

 

CMYK 29 / 55 / 0 / 27

HEX #8354B9

RGB 131 84 185

HSL 267.92, 0.42%, 0.53%

LAB 45.18, 39.95, -46.32

 

CMYK 0 / 55 / 52 / 27

HEX #B95458

RGB 185 84 88

HSL 357.62, 0.42%, 0.53%

LAB 48.71, 41.18, 17.67

 

Description

Color code: HEX #8ABA55 | qconv.com Color code: HEX #8ABA55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 186 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 186 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 54 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 54% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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