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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A8FEA it is the complementary color #757015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A8FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A8FEA shade: #8F8FE5, #A0A1F8, #B1B3FF, #C2C5FF and #D3D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A8FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A8FEA shade: #8A8FEA, #797DD7, #686BC4, #5759B1 and #46479E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A8FEA shade: #8A8FEA, #9F8AEA, #B98AEA, #D38AEA and #EA8AE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A8FEA shade: #8A8FEA and #8A8AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A8FEA shade matches the following richer shades: #8A8FEA and #7F85F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A8FEA shade: #8A8FEA, #9599DF, #A0A3D4, #ABADC9 and #B7B7BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A8FEA shade: #8AC4EA, #8AAAEA, #8A90EA, #9D8AEA and #B78AEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A8FEA shade: #444CDE, #676DE4, #8A8FEA, #ADB1F1 and #D0D2F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A8FEA shade: #8A8FEA, #EA8ADD and #B7EA8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A8FEA shade: #8A8FEA, #EA8A90 and #90EA8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A8FEA shade: #8A8FEA, #EA8ADD, #EAE48A and #8AEA97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A8FEA shade: #8A8FEA, #EA8AC1, #EAE48A and #8AEAB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

Complementary color

CMYK 0 / 4 / 82 / 54

HEX #757015

RGB 117 112 21

HSL 56.88, 0.7%, 0.27%

LAB 46.21, -8.79, 46.94

 

CMYK 38 / 38 / 0 / 10

HEX #8F8FE5

RGB 143 143 229

HSL 240, 0.62%, 0.73%

LAB 62.63, 20.47, -43.6

 

CMYK 35 / 35 / 0 / 3

HEX #A0A1F8

RGB 160 161 248

HSL 239.32, 0.86%, 0.8%

LAB 69.28, 19.73, -43.5

 

CMYK 31 / 30 / 0 / 0

HEX #B1B3FF

RGB 177 179 255

HSL 238.46, 1%, 0.85%

LAB 75.33, 16.06, -37.76

 

CMYK 24 / 23 / 0 / 0

HEX #C2C5FF

RGB 194 197 255

HSL 237.05, 1%, 0.88%

LAB 81.08, 11.08, -28.78

 

CMYK 17 / 16 / 0 / 0

HEX #D3D7FF

RGB 211 215 255

HSL 234.55, 1%, 0.91%

LAB 86.83, 6.59, -19.92

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 44 / 42 / 0 / 16

HEX #797DD7

RGB 121 125 215

HSL 237.45, 0.54%, 0.66%

LAB 55.72, 21.48, -46.79

 

CMYK 47 / 45 / 0 / 23

HEX #686BC4

RGB 104 107 196

HSL 238.04, 0.44%, 0.59%

LAB 48.81, 22.56, -47.04

 

CMYK 51 / 50 / 0 / 31

HEX #5759B1

RGB 87 89 177

HSL 238.67, 0.37%, 0.52%

LAB 41.76, 23.85, -47.34

 

CMYK 56 / 55 / 0 / 38

HEX #46479E

RGB 70 71 158

HSL 239.32, 0.39%, 0.45%

LAB 34.55, 25.39, -47.68

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 32 / 41 / 0 / 8

HEX #9F8AEA

RGB 159 138 234

HSL 253.13, 0.7%, 0.73%

LAB 62.92, 28.95, -45.83

 

CMYK 21 / 41 / 0 / 8

HEX #B98AEA

RGB 185 138 234

HSL 269.38, 0.7%, 0.73%

LAB 65.3, 36.19, -41.91

 

CMYK 10 / 41 / 0 / 8

HEX #D38AEA

RGB 211 138 234

HSL 285.63, 0.7%, 0.73%

LAB 68, 43.73, -37.51

 

CMYK 0 / 41 / 1 / 8

HEX #EA8AE8

RGB 234 138 232

HSL 301.25, 0.7%, 0.73%

LAB 70.52, 50.15, -32.28

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 41 / 41 / 0 / 8

HEX #8A8AEA

RGB 138 138 234

HSL 240, 0.7%, 0.73%

LAB 61.24, 23.47, -48.59

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 48 / 46 / 0 / 4

HEX #7F85F5

RGB 127 133 245

HSL 236.95, 0.86%, 0.73%

LAB 59.78, 26.98, -57.04

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 33 / 31 / 0 / 13

HEX #9599DF

RGB 149 153 223

HSL 236.76, 0.54%, 0.73%

LAB 65.36, 14.75, -35.98

 

CMYK 25 / 23 / 0 / 17

HEX #A0A3D4

RGB 160 163 212

HSL 236.54, 0.38%, 0.73%

LAB 68.33, 9.57, -25.24

 

CMYK 15 / 14 / 0 / 21

HEX #ABADC9

RGB 171 173 201

HSL 236, 0.22%, 0.73%

LAB 71.39, 4.99, -14.45

 

CMYK 4 / 4 / 0 / 25

HEX #B7B7BE

RGB 183 183 190

HSL 240, 0.05%, 0.73%

LAB 74.6, 1.33, -3.55

 

CMYK 41 / 16 / 0 / 8

HEX #8AC4EA

RGB 138 196 234

HSL 203.75, 0.7%, 0.73%

LAB 76.57, -9.11, -24.75

 

CMYK 41 / 27 / 0 / 8

HEX #8AAAEA

RGB 138 170 234

HSL 220, 0.7%, 0.73%

LAB 69.54, 5.09, -35.58

 

CMYK 41 / 38 / 0 / 8

HEX #8A90EA

RGB 138 144 234

HSL 236.25, 0.7%, 0.73%

LAB 62.75, 19.97, -46.2

 

CMYK 33 / 41 / 0 / 8

HEX #9D8AEA

RGB 157 138 234

HSL 251.88, 0.7%, 0.73%

LAB 62.75, 28.41, -46.11

 

CMYK 22 / 41 / 0 / 8

HEX #B78AEA

RGB 183 138 234

HSL 268.13, 0.7%, 0.73%

LAB 65.11, 35.62, -42.23

 

CMYK 69 / 66 / 0 / 13

HEX #444CDE

RGB 68 76 222

HSL 236.88, 0.7%, 0.57%

LAB 40.69, 43.59, -75.2

 

CMYK 55 / 52 / 0 / 11

HEX #676DE4

RGB 103 109 228

HSL 237.12, 0.7%, 0.65%

LAB 51.18, 31.08, -61.45

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 28 / 27 / 0 / 5

HEX #ADB1F1

RGB 173 177 241

HSL 236.47, 0.71%, 0.81%

LAB 73.98, 12.6, -32.31

 

CMYK 16 / 15 / 0 / 3

HEX #D0D2F7

RGB 208 210 247

HSL 236.92, 0.71%, 0.89%

LAB 85.11, 6.61, -18.32

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 0 / 41 / 6 / 8

HEX #EA8ADD

RGB 234 138 221

HSL 308.13, 0.7%, 0.73%

LAB 70.1, 48.23, -26.87

 

CMYK 22 / 0 / 41 / 8

HEX #B7EA8A

RGB 183 234 138

HSL 91.88, 0.7%, 0.73%

LAB 87.36, -32.59, 41.37

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 0 / 41 / 38 / 8

HEX #EA8A90

RGB 234 138 144

HSL 356.25, 0.7%, 0.73%

LAB 67.79, 37.17, 12.71

 

CMYK 38 / 0 / 41 / 8

HEX #90EA8A

RGB 144 234 138

HSL 116.25, 0.7%, 0.73%

LAB 85.31, -45.5, 38.31

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 0 / 41 / 6 / 8

HEX #EA8ADD

RGB 234 138 221

HSL 308.13, 0.7%, 0.73%

LAB 70.1, 48.23, -26.87

 

CMYK 0 / 3 / 41 / 8

HEX #EAE48A

RGB 234 228 138

HSL 56.25, 0.7%, 0.73%

LAB 89.31, -10.55, 44.57

 

CMYK 41 / 0 / 35 / 8

HEX #8AEA97

RGB 138 234 151

HSL 128.13, 0.7%, 0.73%

LAB 85.24, -45.28, 31.66

 

CMYK 41 / 39 / 0 / 8

HEX #8A8FEA

RGB 138 143 234

HSL 236.88, 0.7%, 0.73%

LAB 62.5, 20.56, -46.6

 

CMYK 0 / 41 / 18 / 8

HEX #EA8AC1

RGB 234 138 193

HSL 325.63, 0.7%, 0.73%

LAB 69.13, 43.7, -12.81

 

CMYK 0 / 3 / 41 / 8

HEX #EAE48A

RGB 234 228 138

HSL 56.25, 0.7%, 0.73%

LAB 89.31, -10.55, 44.57

 

CMYK 41 / 0 / 23 / 8

HEX #8AEAB4

RGB 138 234 180

HSL 146.25, 0.7%, 0.73%

LAB 85.78, -40.13, 17.48

 

Description

Color code: HEX #8A8FEA | qconv.com Color code: HEX #8A8FEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 143 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 143 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 39 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 39% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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