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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A5E6D it is the complementary color #75A192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A5E6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A5E6D shade: #8F5E68, #A0707B, #B1828E, #C294A1 and #D3A6B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A5E6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A5E6D shade: #8A5E6D, #794C5A, #683A47, #572834 and #461621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A5E6D shade: #895D6C, #895D60 and #895D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A5E6D shade: #895D6C, #895D78, #895D83, #825D89 and #765D89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A5E6D shade matches the following richer shades: #895D6C, #9B4A66, #AE3860, #C0255A and #D31354

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A5E6D shade: #895D6C, #767072, #638278, #51957E and #3EA783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A5E6D shade: #895D83, #895D78, #895D6C, #895D61 and #89655D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A5E6D shade: #573C45, #704C58, #895D6C, #9E7180 and #AF8996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A5E6D shade: #8A5E6D, #89825D and #5D7E89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A5E6D shade: #8A5E6D, #6C895D and #5D6C89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A5E6D shade: #8A5E6D, #89825D, #5D8979 and #5D6389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A5E6D shade: #8A5E6D, #82895D, #5D8979 and #635D89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 21 / 46

HEX #8A5E6D

RGB 138 94 109

HSL 339.55, 0.19%, 0.45%

LAB 44.96, 20.3, -1.22

 

Complementary color

CMYK 27 / 0 / 9 / 37

HEX #75A192

RGB 117 161 146

HSL 159.55, 0.19%, 0.55%

LAB 62.8, -18.15, 3.01

 

CMYK 0 / 34 / 27 / 44

HEX #8F5E68

RGB 143 94 104

HSL 347.76, 0.21%, 0.46%

LAB 45.42, 21.48, 2.55

 

CMYK 0 / 30 / 23 / 37

HEX #A0707B

RGB 160 112 123

HSL 346.25, 0.2%, 0.53%

LAB 52.39, 20.66, 1.56

 

CMYK 0 / 27 / 20 / 31

HEX #B1828E

RGB 177 130 142

HSL 344.68, 0.23%, 0.6%

LAB 59.22, 19.94, 0.68

 

CMYK 0 / 24 / 17 / 24

HEX #C294A1

RGB 194 148 161

HSL 343.04, 0.27%, 0.67%

LAB 65.92, 19.29, -0.12

 

CMYK 0 / 21 / 15 / 17

HEX #D3A6B4

RGB 211 166 180

HSL 341.33, 0.34%, 0.74%

LAB 72.51, 18.71, -0.86

 

CMYK 0 / 32 / 21 / 46

HEX #8A5E6D

RGB 138 94 109

HSL 339.55, 0.19%, 0.45%

LAB 44.96, 20.3, -1.22

 

CMYK 0 / 37 / 26 / 53

HEX #794C5A

RGB 121 76 90

HSL 341.33, 0.23%, 0.39%

LAB 37.79, 21.15, -0.26

 

CMYK 0 / 44 / 32 / 59

HEX #683A47

RGB 104 58 71

HSL 343.04, 0.28%, 0.32%

LAB 30.46, 22.1, 0.9

 

CMYK 0 / 54 / 40 / 66

HEX #572834

RGB 87 40 52

HSL 344.68, 0.37%, 0.25%

LAB 22.97, 23.15, 2.41

 

CMYK 0 / 69 / 53 / 73

HEX #461621

RGB 70 22 33

HSL 346.25, 0.52%, 0.18%

LAB 15.41, 24.13, 4.57

 

CMYK 0 / 32 / 21 / 46

HEX #895D6C

RGB 137 93 108

HSL 339.55, 0.19%, 0.45%

LAB 44.56, 20.33, -1.22

 

CMYK 0 / 32 / 30 / 46

HEX #895D60

RGB 137 93 96

HSL 355.91, 0.19%, 0.45%

LAB 44.22, 18.46, 5.59

 

CMYK 0 / 32 / 32 / 46

HEX #895D5D

RGB 137 93 93

HSL 0, 0.19%, 0.45%

LAB 44.14, 18.02, 7.3

 

CMYK 0 / 32 / 21 / 46

HEX #895D6C

RGB 137 93 108

HSL 339.55, 0.19%, 0.45%

LAB 44.56, 20.33, -1.22

 

CMYK 0 / 32 / 12 / 46

HEX #895D78

RGB 137 93 120

HSL 323.18, 0.19%, 0.45%

LAB 44.95, 22.4, -7.92

 

CMYK 0 / 32 / 4 / 46

HEX #895D83

RGB 137 93 131

HSL 308.18, 0.19%, 0.45%

LAB 45.34, 24.47, -13.97

 

CMYK 5 / 32 / 0 / 46

HEX #825D89

RGB 130 93 137

HSL 290.45, 0.19%, 0.45%

LAB 44.77, 23.22, -18.52

 

CMYK 14 / 32 / 0 / 46

HEX #765D89

RGB 118 93 137

HSL 274.09, 0.19%, 0.45%

LAB 43.49, 19.1, -20.61

 

CMYK 0 / 32 / 21 / 46

HEX #895D6C

RGB 137 93 108

HSL 339.55, 0.19%, 0.45%

LAB 44.56, 20.33, -1.22

 

CMYK 0 / 52 / 34 / 39

HEX #9B4A66

RGB 155 74 102

HSL 339.26, 0.35%, 0.45%

LAB 42.5, 36.91, -0.27

 

CMYK 0 / 68 / 45 / 32

HEX #AE3860

RGB 174 56 96

HSL 339.66, 0.51%, 0.45%

LAB 42.26, 51.04, 3.5

 

CMYK 0 / 81 / 53 / 25

HEX #C0255A

RGB 192 37 90

HSL 339.48, 0.68%, 0.45%

LAB 43.16, 62.09, 8.98

 

CMYK 0 / 91 / 60 / 17

HEX #D31354

RGB 211 19 84

HSL 339.69, 0.83%, 0.45%

LAB 45.57, 70.03, 16.65

 

CMYK 0 / 32 / 21 / 46

HEX #895D6C

RGB 137 93 108

HSL 339.55, 0.19%, 0.45%

LAB 44.56, 20.33, -1.22

 

CMYK 0 / 5 / 3 / 54

HEX #767072

RGB 118 112 114

HSL 340, 0.03%, 0.45%

LAB 47.82, 2.71, -0.28

 

CMYK 24 / 0 / 8 / 49

HEX #638278

RGB 99 130 120

HSL 160.65, 0.14%, 0.45%

LAB 51.81, -13.25, 1.81

 

CMYK 46 / 0 / 15 / 42

HEX #51957E

RGB 81 149 126

HSL 159.71, 0.3%, 0.45%

LAB 56.83, -27.29, 5.48

 

CMYK 63 / 0 / 22 / 35

HEX #3EA783

RGB 62 167 131

HSL 159.43, 0.46%, 0.45%

LAB 61.91, -38.92, 9.82

 

CMYK 0 / 32 / 4 / 46

HEX #895D83

RGB 137 93 131

HSL 308.18, 0.19%, 0.45%

LAB 45.34, 24.47, -13.97

 

CMYK 0 / 32 / 12 / 46

HEX #895D78

RGB 137 93 120

HSL 323.18, 0.19%, 0.45%

LAB 44.95, 22.4, -7.92

 

CMYK 0 / 32 / 21 / 46

HEX #895D6C

RGB 137 93 108

HSL 339.55, 0.19%, 0.45%

LAB 44.56, 20.33, -1.22

 

CMYK 0 / 32 / 29 / 46

HEX #895D61

RGB 137 93 97

HSL 354.55, 0.19%, 0.45%

LAB 44.25, 18.61, 5.02

 

CMYK 0 / 26 / 32 / 46

HEX #89655D

RGB 137 101 93

HSL 10.91, 0.19%, 0.45%

LAB 46.2, 13.32, 10.2

 

CMYK 0 / 31 / 21 / 66

HEX #573C45

RGB 87 60 69

HSL 340, 0.18%, 0.29%

LAB 28.61, 13.44, -0.76

 

CMYK 0 / 32 / 21 / 56

HEX #704C58

RGB 112 76 88

HSL 340, 0.19%, 0.37%

LAB 36.59, 17.19, -0.9

 

CMYK 0 / 32 / 21 / 46

HEX #895D6C

RGB 137 93 108

HSL 339.55, 0.19%, 0.45%

LAB 44.56, 20.33, -1.22

 

CMYK 0 / 28 / 19 / 38

HEX #9E7180

RGB 158 113 128

HSL 340, 0.19%, 0.53%

LAB 52.55, 20.12, -1.17

 

CMYK 0 / 22 / 14 / 31

HEX #AF8996

RGB 175 137 150

HSL 339.47, 0.19%, 0.61%

LAB 60.96, 16.56, -1.37

 

CMYK 0 / 32 / 21 / 46

HEX #8A5E6D

RGB 138 94 109

HSL 339.55, 0.19%, 0.45%

LAB 44.96, 20.3, -1.22

 

CMYK 0 / 5 / 32 / 46

HEX #89825D

RGB 137 130 93

HSL 50.45, 0.19%, 0.45%

LAB 54.11, -3.43, 21.02

 

CMYK 32 / 8 / 0 / 46

HEX #5D7E89

RGB 93 126 137

HSL 195, 0.19%, 0.45%

LAB 50.75, -8.85, -9.74

 

CMYK 0 / 32 / 21 / 46

HEX #8A5E6D

RGB 138 94 109

HSL 339.55, 0.19%, 0.45%

LAB 44.96, 20.3, -1.22

 

CMYK 21 / 0 / 32 / 46

HEX #6C895D

RGB 108 137 93

HSL 99.55, 0.19%, 0.45%

LAB 53.89, -18.95, 20.34

 

CMYK 32 / 21 / 0 / 46

HEX #5D6C89

RGB 93 108 137

HSL 219.55, 0.19%, 0.45%

LAB 45.44, 1.67, -17.79

 

CMYK 0 / 32 / 21 / 46

HEX #8A5E6D

RGB 138 94 109

HSL 339.55, 0.19%, 0.45%

LAB 44.96, 20.3, -1.22

 

CMYK 0 / 5 / 32 / 46

HEX #89825D

RGB 137 130 93

HSL 50.45, 0.19%, 0.45%

LAB 54.11, -3.43, 21.02

 

CMYK 32 / 0 / 12 / 46

HEX #5D8979

RGB 93 137 121

HSL 158.18, 0.19%, 0.45%

LAB 53.6, -18.77, 3.78

 

CMYK 32 / 28 / 0 / 46

HEX #5D6389

RGB 93 99 137

HSL 231.82, 0.19%, 0.45%

LAB 42.85, 7.16, -21.78

 

CMYK 0 / 32 / 21 / 46

HEX #8A5E6D

RGB 138 94 109

HSL 339.55, 0.19%, 0.45%

LAB 44.96, 20.3, -1.22

 

CMYK 5 / 0 / 32 / 46

HEX #82895D

RGB 130 137 93

HSL 69.55, 0.19%, 0.45%

LAB 55.51, -10.21, 22.79

 

CMYK 32 / 0 / 12 / 46

HEX #5D8979

RGB 93 137 121

HSL 158.18, 0.19%, 0.45%

LAB 53.6, -18.77, 3.78

 

CMYK 28 / 32 / 0 / 46

HEX #635D89

RGB 99 93 137

HSL 248.18, 0.19%, 0.45%

LAB 41.67, 12.79, -23.56

 

Description

Color code: HEX #8A5E6D | qconv.com Color code: HEX #8A5E6D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 94 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 94 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 21 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 21% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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