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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897C69 it is the complementary color #768396. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897C69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #897C69: #8E7C64, #9F8E77, #B0A08A, #C1B29D and #D2C4B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897C69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #897C69: #897C69, #786A56, #675843, #564630 and #45341D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

Complementary color

CMYK 21 / 13 / 0 / 41

HEX #768396

RGB 118 131 150

HSL 215.63, 0.13%, 0.53%

LAB 54.33, -0.43, -11.78

 

CMYK 0 / 13 / 30 / 44

HEX #8E7C64

RGB 142 124 100

HSL 34.29, 0.17%, 0.47%

LAB 53.04, 3.04, 15.66

 

CMYK 0 / 11 / 25 / 38

HEX #9F8E77

RGB 159 142 119

HSL 34.5, 0.17%, 0.55%

LAB 59.93, 2.6, 14.59

 

CMYK 0 / 9 / 22 / 31

HEX #B0A08A

RGB 176 160 138

HSL 34.74, 0.19%, 0.62%

LAB 66.68, 2.23, 13.59

 

CMYK 0 / 8 / 19 / 24

HEX #C1B29D

RGB 193 178 157

HSL 35, 0.23%, 0.69%

LAB 73.29, 1.9, 12.67

 

CMYK 0 / 7 / 16 / 18

HEX #D2C4B0

RGB 210 196 176

HSL 35.29, 0.27%, 0.76%

LAB 79.79, 1.61, 11.8

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 0 / 12 / 28 / 53

HEX #786A56

RGB 120 106 86

HSL 35.29, 0.17%, 0.4%

LAB 45.6, 2.15, 13.26

 

CMYK 0 / 15 / 35 / 60

HEX #675843

RGB 103 88 67

HSL 35, 0.21%, 0.33%

LAB 38.32, 2.66, 14.46

 

CMYK 0 / 19 / 44 / 66

HEX #564630

RGB 86 70 48

HSL 34.74, 0.28%, 0.26%

LAB 30.81, 3.33, 15.82

 

CMYK 0 / 25 / 58 / 73

HEX #45341D

RGB 69 52 29

HSL 34.5, 0.41%, 0.19%

LAB 23.03, 4.27, 17.39

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 0 / 6 / 23 / 47

HEX #877F68

RGB 135 127 104

HSL 44.52, 0.13%, 0.47%

LAB 53.31, -0.95, 13.62

 

CMYK 0 / 2 / 23 / 47

HEX #878468

RGB 135 132 104

HSL 54.19, 0.13%, 0.47%

LAB 54.71, -3.77, 15.56

 

CMYK 2 / 0 / 23 / 47

HEX #848768

RGB 132 135 104

HSL 65.81, 0.13%, 0.47%

LAB 55.31, -6.66, 16.34

 

CMYK 6 / 0 / 23 / 47

HEX #7F8768

RGB 127 135 104

HSL 75.48, 0.13%, 0.47%

LAB 54.91, -8.66, 15.72

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 0 / 10 / 23 / 26

HEX #BCAA90

RGB 188 170 144

HSL 35.45, 0.25%, 0.65%

LAB 70.49, 2.34, 15.78

 

CMYK 0 / 10 / 23 / 6

HEX #EFD8B7

RGB 239 216 183

HSL 35.36, 0.64%, 0.83%

LAB 87.43, 2.91, 19.18

 

CMYK 0 / 9 / 23 / 86

HEX #23201B

RGB 35 32 27

HSL 37.5, 0.13%, 0.12%

LAB 12.41, 0.31, 3.91

 

CMYK 0 / 9 / 23 / 66

HEX #564E42

RGB 86 78 66

HSL 36, 0.13%, 0.3%

LAB 33.61, 1.07, 8.31

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 18 / 0 / 23 / 47

HEX #6F8768

RGB 111 135 104

HSL 106.45, 0.13%, 0.47%

LAB 53.71, -14.87, 13.89

 

CMYK 19 / 23 / 0 / 47

HEX #6D6887

RGB 109 104 135

HSL 249.68, 0.13%, 0.47%

LAB 45.5, 8.85, -16.39

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 23 / 0 / 10 / 47

HEX #68877A

RGB 104 135 122

HSL 154.84, 0.13%, 0.47%

LAB 53.68, -13.83, 3.4

 

CMYK 10 / 23 / 0 / 47

HEX #7A6887

RGB 122 104 135

HSL 274.84, 0.13%, 0.47%

LAB 46.69, 13.4, -14.46

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 18 / 0 / 23 / 47

HEX #6F8768

RGB 111 135 104

HSL 106.45, 0.13%, 0.47%

LAB 53.71, -14.87, 13.89

 

CMYK 23 / 13 / 0 / 47

HEX #687587

RGB 104 117 135

HSL 214.84, 0.13%, 0.47%

LAB 48.78, -0.61, -11.46

 

CMYK 5 / 23 / 0 / 47

HEX #806887

RGB 128 104 135

HSL 286.45, 0.13%, 0.47%

LAB 47.29, 15.54, -13.51

 

CMYK 0 / 9 / 23 / 46

HEX #897C69

RGB 137 124 105

HSL 35.63, 0.13%, 0.47%

LAB 52.68, 1.73, 12.19

 

CMYK 23 / 0 / 21 / 47

HEX #68876A

RGB 104 135 106

HSL 123.87, 0.13%, 0.47%

LAB 53.29, -17.09, 12.08

 

CMYK 23 / 13 / 0 / 47

HEX #687587

RGB 104 117 135

HSL 214.84, 0.13%, 0.47%

LAB 48.78, -0.61, -11.46

 

CMYK 0 / 23 / 2 / 47

HEX #876884

RGB 135 104 132

HSL 305.81, 0.13%, 0.47%

LAB 47.9, 17.46, -10.72

 

Description

Color code: HEX #897C69 | qconv.com Color code: HEX #897C69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 124 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 124 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 23 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 23% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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