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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88874B it is the complementary color #7778B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88874B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #88874B: #8D8746, #9E9959, #AFAB6C, #C0BD7F and #D1CF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88874B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #88874B: #88874B, #777538, #666325, #555112 and #443F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

Complementary color

CMYK 34 / 33 / 0 / 29

HEX #7778B4

RGB 119 120 180

HSL 239.02, 0.29%, 0.59%

LAB 52.56, 14.05, -31.83

 

CMYK 0 / 4 / 50 / 45

HEX #8D8746

RGB 141 135 70

HSL 54.93, 0.34%, 0.41%

LAB 55.52, -7.17, 35.47

 

CMYK 0 / 3 / 44 / 38

HEX #9E9959

RGB 158 153 89

HSL 55.65, 0.28%, 0.48%

LAB 62.32, -7.69, 34.2

 

CMYK 0 / 2 / 38 / 31

HEX #AFAB6C

RGB 175 171 108

HSL 56.42, 0.3%, 0.55%

LAB 68.98, -8.1, 32.96

 

CMYK 0 / 2 / 34 / 25

HEX #C0BD7F

RGB 192 189 127

HSL 57.23, 0.34%, 0.63%

LAB 75.53, -8.44, 31.77

 

CMYK 0 / 1 / 30 / 18

HEX #D1CF92

RGB 209 207 146

HSL 58.1, 0.41%, 0.7%

LAB 81.98, -8.72, 30.64

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 0 / 2 / 53 / 53

HEX #777538

RGB 119 117 56

HSL 58.1, 0.36%, 0.34%

LAB 48.17, -8.32, 33.55

 

CMYK 0 / 3 / 64 / 60

HEX #666325

RGB 102 99 37

HSL 57.23, 0.47%, 0.27%

LAB 41.03, -7.62, 34.72

 

CMYK 0 / 5 / 79 / 67

HEX #555112

RGB 85 81 18

HSL 56.42, 0.65%, 0.2%

LAB 33.69, -6.63, 35.38

 

CMYK 0 / 7 / 100 / 73

HEX #443F00

RGB 68 63 0

HSL 55.59, 1%, 0.13%

LAB 26.11, -5.28, 34.95

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 7 / 0 / 45 / 47

HEX #7D864A

RGB 125 134 74

HSL 69, 0.29%, 0.41%

LAB 53.93, -13.11, 31.1

 

CMYK 14 / 0 / 45 / 47

HEX #73864A

RGB 115 134 74

HSL 79, 0.29%, 0.41%

LAB 53.16, -17.31, 29.97

 

CMYK 22 / 0 / 45 / 47

HEX #69864A

RGB 105 134 74

HSL 89, 0.29%, 0.41%

LAB 52.45, -21.37, 28.93

 

CMYK 29 / 0 / 45 / 47

HEX #5F864A

RGB 95 134 74

HSL 99, 0.29%, 0.41%

LAB 51.81, -25.25, 27.99

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 0 / 1 / 45 / 27

HEX #BBBA67

RGB 187 186 103

HSL 59.29, 0.38%, 0.57%

LAB 73.97, -11.56, 42

 

CMYK 0 / 1 / 45 / 7

HEX #EEEC83

RGB 238 236 131

HSL 58.88, 0.76%, 0.72%

LAB 91.6, -13.65, 50.87

 

CMYK 0 / 0 / 44 / 87

HEX #222213

RGB 34 34 19

HSL 60, 0.28%, 0.1%

LAB 12.8, -3.09, 10.05

 

CMYK 0 / 1 / 45 / 67

HEX #55542F

RGB 85 84 47

HSL 58.42, 0.29%, 0.26%

LAB 34.96, -5.86, 21.74

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 45 / 0 / 37 / 47

HEX #4A8655

RGB 74 134 85

HSL 131, 0.29%, 0.41%

LAB 50.88, -30.72, 20.47

 

CMYK 19 / 45 / 0 / 47

HEX #6D4A86

RGB 109 74 134

HSL 275, 0.29%, 0.41%

LAB 37.61, 26.93, -28

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 45 / 0 / 1 / 47

HEX #4A8685

RGB 74 134 133

HSL 179, 0.29%, 0.41%

LAB 52.06, -19.71, -5.56

 

CMYK 1 / 45 / 0 / 47

HEX #854A86

RGB 133 74 134

HSL 299, 0.29%, 0.41%

LAB 40.58, 34.61, -23.14

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 45 / 0 / 37 / 47

HEX #4A8655

RGB 74 134 85

HSL 131, 0.29%, 0.41%

LAB 50.88, -30.72, 20.47

 

CMYK 45 / 44 / 0 / 47

HEX #4A4B86

RGB 74 75 134

HSL 239, 0.29%, 0.41%

LAB 34.41, 15.9, -33.27

 

CMYK 0 / 45 / 8 / 47

HEX #864A7B

RGB 134 74 123

HSL 311, 0.29%, 0.41%

LAB 40.24, 32.83, -16.92

 

CMYK 0 / 1 / 45 / 47

HEX #88874B

RGB 136 135 75

HSL 59.02, 0.29%, 0.41%

LAB 55.14, -8.83, 32.27

 

CMYK 45 / 0 / 23 / 47

HEX #4A8667

RGB 74 134 103

HSL 149, 0.29%, 0.41%

LAB 51.25, -27.09, 10.7

 

CMYK 45 / 44 / 0 / 47

HEX #4A4B86

RGB 74 75 134

HSL 239, 0.29%, 0.41%

LAB 34.41, 15.9, -33.27

 

CMYK 0 / 45 / 22 / 47

HEX #864A69

RGB 134 74 105

HSL 329, 0.29%, 0.41%

LAB 39.56, 29.71, -6.82

 

Description

Color code: HEX #88874B | qconv.com Color code: HEX #88874B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 135 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 135 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 45 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 45% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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