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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8848A8 it is the complementary color #77B757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8848A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8848A8 shade: #8D48A3, #9E5AB6, #AF6CC9, #C07EDC and #D190EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8848A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8848A8 shade: #8848A8, #773695, #662482, #55126F and #44005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8848A8 shade: #8848A8, #A248A8, #A84894, #A8487A and #A84860

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8848A8 shade: #8848A8, #6E48A8, #5448A8 and #4848A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8848A8 shade matches the following richer shades: #8848A8, #8E35BB, #9521CF and #9B0EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8848A8 shade: #8848A8, #815B94, #7B6F81, #74826E and #6E955A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8848A8 shade: #5548A8, #6E48A8, #8848A8, #A148A8 and #A84895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8848A8 shade: #592F6E, #703C8B, #8848A8, #9C5FBA and #AE7CC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8848A8 shade: #8848A8, #A84855 and #48A861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8848A8 shade: #8848A8, #A88848 and #48A888

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8848A8 shade: #8848A8, #A84855, #68A848 and #48A89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8848A8 shade: #8848A8, #A85848, #68A848 and #4898A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

Complementary color

CMYK 35 / 0 / 52 / 28

HEX #77B757

RGB 119 183 87

HSL 100, 0.4%, 0.53%

LAB 68.37, -38.01, 42.04

 

CMYK 13 / 56 / 0 / 36

HEX #8D48A3

RGB 141 72 163

HSL 285.49, 0.39%, 0.46%

LAB 42.68, 44.05, -37.26

 

CMYK 13 / 51 / 0 / 29

HEX #9E5AB6

RGB 158 90 182

HSL 284.35, 0.39%, 0.53%

LAB 49.45, 43.31, -37.6

 

CMYK 13 / 46 / 0 / 21

HEX #AF6CC9

RGB 175 108 201

HSL 283.23, 0.46%, 0.61%

LAB 56.14, 42.52, -37.86

 

CMYK 13 / 43 / 0 / 14

HEX #C07EDC

RGB 192 126 220

HSL 282.13, 0.57%, 0.68%

LAB 62.76, 41.73, -38.08

 

CMYK 13 / 40 / 0 / 6

HEX #D190EF

RGB 209 144 239

HSL 281.05, 0.75%, 0.75%

LAB 69.28, 40.96, -38.27

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 20 / 64 / 0 / 42

HEX #773695

RGB 119 54 149

HSL 281.05, 0.47%, 0.4%

LAB 35.46, 44.44, -40.49

 

CMYK 22 / 72 / 0 / 49

HEX #662482

RGB 102 36 130

HSL 282.13, 0.57%, 0.33%

LAB 28.64, 44.73, -39.83

 

CMYK 23 / 84 / 0 / 56

HEX #55126F

RGB 85 18 111

HSL 283.23, 0.72%, 0.25%

LAB 21.99, 44.16, -38.61

 

CMYK 26 / 100 / 0 / 64

HEX #44005C

RGB 68 0 92

HSL 284.35, 1%, 0.18%

LAB 15.5, 42.62, -36.78

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 4 / 57 / 0 / 34

HEX #A248A8

RGB 162 72 168

HSL 296.25, 0.4%, 0.47%

LAB 45.83, 50.77, -35.05

 

CMYK 0 / 57 / 12 / 34

HEX #A84894

RGB 168 72 148

HSL 312.5, 0.4%, 0.47%

LAB 45.77, 48.96, -23.18

 

CMYK 0 / 57 / 27 / 34

HEX #A8487A

RGB 168 72 122

HSL 328.75, 0.4%, 0.47%

LAB 44.75, 45.04, -9

 

CMYK 0 / 57 / 43 / 34

HEX #A84860

RGB 168 72 96

HSL 345, 0.4%, 0.47%

LAB 43.95, 41.82, 5.78

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 35 / 57 / 0 / 34

HEX #6E48A8

RGB 110 72 168

HSL 263.75, 0.4%, 0.47%

LAB 39.2, 37.07, -46

 

CMYK 50 / 57 / 0 / 34

HEX #5448A8

RGB 84 72 168

HSL 247.5, 0.4%, 0.47%

LAB 36.64, 30.98, -50.25

 

CMYK 57 / 57 / 0 / 34

HEX #4848A8

RGB 72 72 168

HSL 240, 0.4%, 0.47%

LAB 35.67, 28.5, -51.86

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 24 / 72 / 0 / 27

HEX #8E35BB

RGB 142 53 187

HSL 279.85, 0.56%, 0.47%

LAB 41.03, 58.34, -54.07

 

CMYK 28 / 84 / 0 / 19

HEX #9521CF

RGB 149 33 207

HSL 280, 0.73%, 0.47%

LAB 41.19, 70.41, -65.43

 

CMYK 31 / 94 / 0 / 11

HEX #9B0EE2

RGB 155 14 226

HSL 279.91, 0.88%, 0.47%

LAB 42.42, 78.5, -74.3

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 13 / 39 / 0 / 42

HEX #815B94

RGB 129 91 148

HSL 280, 0.24%, 0.47%

LAB 44.64, 26.48, -25.32

 

CMYK 5 / 14 / 0 / 49

HEX #7B6F81

RGB 123 111 129

HSL 280, 0.08%, 0.47%

LAB 48.47, 8.27, -8.21

 

CMYK 11 / 0 / 15 / 49

HEX #74826E

RGB 116 130 110

HSL 102, 0.08%, 0.47%

LAB 52.73, -9.14, 9.11

 

CMYK 26 / 0 / 40 / 42

HEX #6E955A

RGB 110 149 90

HSL 99.66, 0.25%, 0.47%

LAB 57.61, -24.79, 26.93

 

CMYK 49 / 57 / 0 / 34

HEX #5548A8

RGB 85 72 168

HSL 248.13, 0.4%, 0.47%

LAB 36.73, 31.19, -50.1

 

CMYK 35 / 57 / 0 / 34

HEX #6E48A8

RGB 110 72 168

HSL 263.75, 0.4%, 0.47%

LAB 39.2, 37.07, -46

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 4 / 57 / 0 / 34

HEX #A148A8

RGB 161 72 168

HSL 295.63, 0.4%, 0.47%

LAB 45.69, 50.5, -35.29

 

CMYK 0 / 57 / 11 / 34

HEX #A84895

RGB 168 72 149

HSL 311.88, 0.4%, 0.47%

LAB 45.81, 49.12, -23.71

 

CMYK 19 / 57 / 0 / 57

HEX #592F6E

RGB 89 47 110

HSL 280, 0.4%, 0.31%

LAB 27.53, 31.06, -29.05

 

CMYK 19 / 57 / 0 / 45

HEX #703C8B

RGB 112 60 139

HSL 279.49, 0.4%, 0.39%

LAB 35.08, 37.15, -35.03

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 16 / 49 / 0 / 27

HEX #9C5FBA

RGB 156 95 186

HSL 280.22, 0.4%, 0.55%

LAB 50.45, 40.9, -38.36

 

CMYK 13 / 38 / 0 / 22

HEX #AE7CC7

RGB 174 124 199

HSL 280, 0.4%, 0.63%

LAB 59.47, 32.99, -31.55

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 0 / 57 / 49 / 34

HEX #A84855

RGB 168 72 85

HSL 351.88, 0.4%, 0.47%

LAB 43.68, 40.69, 12.17

 

CMYK 57 / 0 / 42 / 34

HEX #48A861

RGB 72 168 97

HSL 135.63, 0.4%, 0.47%

LAB 61.87, -44.14, 28.37

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 0 / 19 / 57 / 34

HEX #A88848

RGB 168 136 72

HSL 40, 0.4%, 0.47%

LAB 58.42, 4.33, 38.52

 

CMYK 57 / 0 / 19 / 34

HEX #48A888

RGB 72 168 136

HSL 160, 0.4%, 0.47%

LAB 62.64, -36.14, 8.12

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 0 / 57 / 49 / 34

HEX #A84855

RGB 168 72 85

HSL 351.88, 0.4%, 0.47%

LAB 43.68, 40.69, 12.17

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 57 / 0 / 8 / 34

HEX #48A89B

RGB 72 168 155

HSL 171.88, 0.4%, 0.47%

LAB 63.14, -31.38, -1.79

 

CMYK 19 / 57 / 0 / 34

HEX #8848A8

RGB 136 72 168

HSL 280, 0.4%, 0.47%

LAB 42.3, 43.79, -40.87

 

CMYK 0 / 48 / 57 / 34

HEX #A85848

RGB 168 88 72

HSL 10, 0.4%, 0.47%

LAB 46.67, 31.2, 24.02

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 57 / 10 / 0 / 34

HEX #4898A8

RGB 72 152 168

HSL 190, 0.4%, 0.47%

LAB 58.66, -19.69, -15.8

 

Description

Color code: HEX #8848A8 | qconv.com Color code: HEX #8848A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 72 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 72 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 57 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 57% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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