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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8832B5 it is the complementary color #77CD4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8832B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8832B5 shade: #8D32B0, #9E44C3, #AF56D6, #C068E9 and #D17AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8832B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8832B5 shade: #8832B5, #7720A2, #660E8F, #55007C and #440069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8832B5 shade: #8731B4, #AA31B4, #B4319B, #B43177 and #B43154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8832B5 shade: #8731B4, #6431B4, #4131B4 and #3131B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8832B5 shade matches the following richer shades: #8731B4, #8D1FC7 and #930CD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8832B5 shade: #8731B4, #8144A2, #7C568F, #76697C and #707C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8832B5 shade: #4131B4, #6331B4, #8631B4, #A931B4 and #B4319C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8832B5 shade: #572073, #6F2894, #8731B4, #9D43CC and #AE64D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8832B5 shade: #8832B5, #B43145 and #31B452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8832B5 shade: #8832B5, #B48631 and #31B486

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8832B5 shade: #8832B5, #B43145, #5FB431 and #31B4A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8832B5 shade: #8832B5, #B44531, #5FB431 and #31A1B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 72 / 0 / 29

HEX #8832B5

RGB 136 50 181

HSL 279.39, 0.57%, 0.45%

LAB 39.33, 57.08, -53.33

 

Complementary color

CMYK 42 / 0 / 64 / 20

HEX #77CD4A

RGB 119 205 74

HSL 99.39, 0.57%, 0.55%

LAB 74.87, -48.73, 55.4

 

CMYK 20 / 72 / 0 / 31

HEX #8D32B0

RGB 141 50 176

HSL 283.33, 0.56%, 0.44%

LAB 39.71, 57.06, -49.72

 

CMYK 19 / 65 / 0 / 24

HEX #9E44C3

RGB 158 68 195

HSL 282.52, 0.51%, 0.52%

LAB 46.1, 56.97, -50.47

 

CMYK 18 / 60 / 0 / 16

HEX #AF56D6

RGB 175 86 214

HSL 281.72, 0.61%, 0.59%

LAB 52.54, 56.52, -50.97

 

CMYK 18 / 55 / 0 / 9

HEX #C068E9

RGB 192 104 233

HSL 280.93, 0.75%, 0.66%

LAB 58.97, 55.88, -51.31

 

CMYK 17 / 52 / 0 / 1

HEX #D17AFC

RGB 209 122 252

HSL 280.15, 0.96%, 0.73%

LAB 65.36, 55.15, -51.55

 

CMYK 25 / 72 / 0 / 29

HEX #8832B5

RGB 136 50 181

HSL 279.39, 0.57%, 0.45%

LAB 39.33, 57.08, -53.33

 

CMYK 27 / 80 / 0 / 36

HEX #7720A2

RGB 119 32 162

HSL 280.15, 0.67%, 0.38%

LAB 33.06, 56.61, -52.25

 

CMYK 29 / 90 / 0 / 44

HEX #660E8F

RGB 102 14 143

HSL 280.93, 0.82%, 0.31%

LAB 27.08, 54.94, -50.46

 

CMYK 31 / 100 / 0 / 51

HEX #55007C

RGB 85 0 124

HSL 281.13, 1%, 0.24%

LAB 21.53, 51.59, -47.71

 

CMYK 35 / 100 / 0 / 59

HEX #440069

RGB 68 0 105

HSL 278.86, 1%, 0.21%

LAB 16.74, 45.38, -43.37

 

CMYK 25 / 73 / 0 / 29

HEX #8731B4

RGB 135 49 180

HSL 279.39, 0.57%, 0.45%

LAB 38.97, 57.08, -53.32

 

CMYK 6 / 73 / 0 / 29

HEX #AA31B4

RGB 170 49 180

HSL 295.42, 0.57%, 0.45%

LAB 44.29, 64.36, -44.5

 

CMYK 0 / 73 / 14 / 29

HEX #B4319B

RGB 180 49 155

HSL 311.45, 0.57%, 0.45%

LAB 44.61, 62.63, -29.02

 

CMYK 0 / 73 / 34 / 29

HEX #B43177

RGB 180 49 119

HSL 327.94, 0.57%, 0.45%

LAB 43.11, 57.92, -9.42

 

CMYK 0 / 73 / 53 / 29

HEX #B43154

RGB 180 49 84

HSL 343.97, 0.57%, 0.45%

LAB 42.06, 54.48, 10.86

 

CMYK 25 / 73 / 0 / 29

HEX #8731B4

RGB 135 49 180

HSL 279.39, 0.57%, 0.45%

LAB 38.97, 57.08, -53.32

 

CMYK 44 / 73 / 0 / 29

HEX #6431B4

RGB 100 49 180

HSL 263.36, 0.57%, 0.45%

LAB 34.4, 50.49, -60.96

 

CMYK 64 / 73 / 0 / 29

HEX #4131B4

RGB 65 49 180

HSL 247.33, 0.57%, 0.45%

LAB 30.92, 45.2, -66.81

 

CMYK 73 / 73 / 0 / 29

HEX #3131B4

RGB 49 49 180

HSL 240, 0.57%, 0.45%

LAB 29.78, 43.39, -68.72

 

CMYK 25 / 73 / 0 / 29

HEX #8731B4

RGB 135 49 180

HSL 279.39, 0.57%, 0.45%

LAB 38.97, 57.08, -53.32

 

CMYK 29 / 84 / 0 / 22

HEX #8D1FC7

RGB 141 31 199

HSL 279.29, 0.73%, 0.45%

LAB 39.18, 68.12, -64.1

 

CMYK 32 / 94 / 0 / 15

HEX #930CD9

RGB 147 12 217

HSL 279.51, 0.9%, 0.45%

LAB 40.37, 76.05, -72.55

 

CMYK 25 / 73 / 0 / 29

HEX #8731B4

RGB 135 49 180

HSL 279.39, 0.57%, 0.45%

LAB 38.97, 57.08, -53.32

 

CMYK 20 / 58 / 0 / 36

HEX #8144A2

RGB 129 68 162

HSL 278.94, 0.41%, 0.45%

LAB 40.26, 42.7, -40.59

 

CMYK 13 / 40 / 0 / 44

HEX #7C568F

RGB 124 86 143

HSL 280, 0.25%, 0.45%

LAB 42.65, 26.68, -25.47

 

CMYK 5 / 15 / 0 / 51

HEX #76697C

RGB 118 105 124

HSL 281.05, 0.08%, 0.45%

LAB 46.19, 8.94, -8.68

 

CMYK 10 / 0 / 15 / 51

HEX #707C6A

RGB 112 124 106

HSL 100, 0.08%, 0.45%

LAB 50.57, -8.07, 8.33

 

CMYK 64 / 73 / 0 / 29

HEX #4131B4

RGB 65 49 180

HSL 247.33, 0.57%, 0.45%

LAB 30.92, 45.2, -66.81

 

CMYK 45 / 73 / 0 / 29

HEX #6331B4

RGB 99 49 180

HSL 262.9, 0.57%, 0.45%

LAB 34.28, 50.32, -61.16

 

CMYK 26 / 73 / 0 / 29

HEX #8631B4

RGB 134 49 180

HSL 278.93, 0.57%, 0.45%

LAB 38.83, 56.88, -53.56

 

CMYK 6 / 73 / 0 / 29

HEX #A931B4

RGB 169 49 180

HSL 294.96, 0.57%, 0.45%

LAB 44.13, 64.14, -44.77

 

CMYK 0 / 73 / 13 / 29

HEX #B4319C

RGB 180 49 156

HSL 310.99, 0.57%, 0.45%

LAB 44.66, 62.78, -29.55

 

CMYK 24 / 72 / 0 / 55

HEX #572073

RGB 87 32 115

HSL 279.76, 0.56%, 0.29%

LAB 24.63, 39.72, -36.9

 

CMYK 25 / 73 / 0 / 42

HEX #6F2894

RGB 111 40 148

HSL 279.44, 0.57%, 0.37%

LAB 31.89, 48.94, -45.68

 

CMYK 25 / 73 / 0 / 29

HEX #8731B4

RGB 135 49 180

HSL 279.39, 0.57%, 0.45%

LAB 38.97, 57.08, -53.32

 

CMYK 23 / 67 / 0 / 20

HEX #9D43CC

RGB 157 67 204

HSL 279.42, 0.57%, 0.53%

LAB 46.37, 59.09, -55.26

 

CMYK 18 / 53 / 0 / 17

HEX #AE64D4

RGB 174 100 212

HSL 279.64, 0.57%, 0.61%

LAB 54.93, 48.82, -46.03

 

CMYK 25 / 72 / 0 / 29

HEX #8832B5

RGB 136 50 181

HSL 279.39, 0.57%, 0.45%

LAB 39.33, 57.08, -53.33

 

CMYK 0 / 73 / 62 / 29

HEX #B43145

RGB 180 49 69

HSL 350.84, 0.57%, 0.45%

LAB 41.74, 53.39, 19.79

 

CMYK 73 / 0 / 54 / 29

HEX #31B452

RGB 49 180 82

HSL 135.11, 0.57%, 0.45%

LAB 64.89, -55.73, 39.68

 

CMYK 25 / 72 / 0 / 29

HEX #8832B5

RGB 136 50 181

HSL 279.39, 0.57%, 0.45%

LAB 39.33, 57.08, -53.33

 

CMYK 0 / 26 / 73 / 29

HEX #B48631

RGB 180 134 49

HSL 38.93, 0.57%, 0.45%

LAB 58.95, 9.24, 50.5

 

CMYK 73 / 0 / 26 / 29

HEX #31B486

RGB 49 180 134

HSL 158.93, 0.57%, 0.45%

LAB 65.76, -45.93, 13.54

 

CMYK 25 / 72 / 0 / 29

HEX #8832B5

RGB 136 50 181

HSL 279.39, 0.57%, 0.45%

LAB 39.33, 57.08, -53.33

 

CMYK 0 / 73 / 62 / 29

HEX #B43145

RGB 180 49 69

HSL 350.84, 0.57%, 0.45%

LAB 41.74, 53.39, 19.79

 

CMYK 47 / 0 / 73 / 29

HEX #5FB431

RGB 95 180 49

HSL 98.93, 0.57%, 0.45%

LAB 65.98, -48.26, 55.6

 

CMYK 73 / 0 / 11 / 29

HEX #31B4A1

RGB 49 180 161

HSL 171.3, 0.57%, 0.45%

LAB 66.42, -39.14, -0.39

 

CMYK 25 / 72 / 0 / 29

HEX #8832B5

RGB 136 50 181

HSL 279.39, 0.57%, 0.45%

LAB 39.33, 57.08, -53.33

 

CMYK 0 / 62 / 73 / 29

HEX #B44531

RGB 180 69 49

HSL 9.16, 0.57%, 0.45%

LAB 44.49, 43.93, 35.1

 

CMYK 47 / 0 / 73 / 29

HEX #5FB431

RGB 95 180 49

HSL 98.93, 0.57%, 0.45%

LAB 65.98, -48.26, 55.6

 

CMYK 73 / 11 / 0 / 29

HEX #31A1B4

RGB 49 161 180

HSL 188.7, 0.57%, 0.45%

LAB 61.17, -24.46, -18.84

 

Description

Color code: HEX #8832B5 | qconv.com Color code: HEX #8832B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 50 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 50 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 72 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 72% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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