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Color name
HEX #882D9F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882D9F it is the complementary color #77D260. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882D9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882D9F shade: #8D2D9A, #9E3FAD, #AF51C0, #C063D3 and #D175E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882D9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882D9F shade: #882D9F, #771B8C, #660979, #550066 and #440053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882D9F shade: #882D9F, #9F2D97, #9F2D79, #9F2D5A and #9F2D3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882D9F shade: #882D9F, #692D9F, #4A2D9F and #2D2D9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882D9F shade matches the following richer shades: #882D9F, #921CB0 and #9C0CC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882D9F shade: #882D9F, #7E3D8F, #744E7E, #6B5E6E and #616F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882D9F shade: #492D9F, #682D9F, #862D9F, #9F2D99 and #9F2D7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882D9F shade: #511B5F, #6D247F, #882D9F, #A436BF and #B551CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882D9F shade: #882D9F, #9F2D2F and #2D9F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882D9F shade: #882D9F, #9F862D and #2D9F86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882D9F shade: #882D9F, #9F2D2F, #469F2D and #2D9F9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882D9F shade: #882D9F, #9F4D2D, #469F2D and #2D7F9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

Complementary color

CMYK 43 / 0 / 54 / 18

HEX #77D260

RGB 119 210 96

HSL 107.89, 0.56%, 0.6%

LAB 76.59, -48.52, 47.58

 

CMYK 8 / 71 / 0 / 40

HEX #8D2D9A

RGB 141 45 154

HSL 292.84, 0.55%, 0.39%

LAB 37.61, 54.74, -39.9

 

CMYK 9 / 64 / 0 / 32

HEX #9E3FAD

RGB 158 63 173

HSL 291.82, 0.47%, 0.46%

LAB 44, 54.83, -40.94

 

CMYK 9 / 58 / 0 / 25

HEX #AF51C0

RGB 175 81 192

HSL 290.81, 0.47%, 0.54%

LAB 50.46, 54.49, -41.66

 

CMYK 9 / 53 / 0 / 17

HEX #C063D3

RGB 192 99 211

HSL 289.82, 0.56%, 0.61%

LAB 56.91, 53.93, -42.19

 

CMYK 9 / 49 / 0 / 10

HEX #D175E6

RGB 209 117 230

HSL 288.85, 0.69%, 0.68%

LAB 63.34, 53.25, -42.6

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 15 / 81 / 0 / 45

HEX #771B8C

RGB 119 27 140

HSL 288.85, 0.68%, 0.33%

LAB 30.88, 53.79, -42.32

 

CMYK 16 / 93 / 0 / 53

HEX #660979

RGB 102 9 121

HSL 289.82, 0.86%, 0.25%

LAB 24.95, 51.61, -40.09

 

CMYK 17 / 100 / 0 / 60

HEX #550066

RGB 85 0 102

HSL 290, 1%, 0.2%

LAB 19.6, 47.22, -36.61

 

CMYK 18 / 100 / 0 / 67

HEX #440053

RGB 68 0 83

HSL 289.16, 1%, 0.16%

LAB 14.7, 40.8, -31.99

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 0 / 72 / 5 / 38

HEX #9F2D97

RGB 159 45 151

HSL 304.21, 0.56%, 0.4%

LAB 40.38, 58.4, -33.51

 

CMYK 0 / 72 / 24 / 38

HEX #9F2D79

RGB 159 45 121

HSL 320, 0.56%, 0.4%

LAB 38.95, 53.9, -17.33

 

CMYK 0 / 72 / 43 / 38

HEX #9F2D5A

RGB 159 45 90

HSL 336.32, 0.56%, 0.4%

LAB 37.82, 50.19, 0.49

 

CMYK 0 / 72 / 63 / 38

HEX #9F2D3B

RGB 159 45 59

HSL 352.63, 0.56%, 0.4%

LAB 37.05, 47.57, 19.18

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 34 / 72 / 0 / 38

HEX #692D9F

RGB 105 45 159

HSL 271.58, 0.56%, 0.4%

LAB 32.66, 48, -51.17

 

CMYK 53 / 72 / 0 / 38

HEX #4A2D9F

RGB 74 45 159

HSL 255.26, 0.56%, 0.4%

LAB 28.99, 42.26, -57.31

 

CMYK 72 / 72 / 0 / 38

HEX #2D2D9F

RGB 45 45 159

HSL 240, 0.56%, 0.4%

LAB 26.56, 38.2, -61.4

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 17 / 84 / 0 / 31

HEX #921CB0

RGB 146 28 176

HSL 287.84, 0.73%, 0.4%

LAB 37.98, 65.25, -52.47

 

CMYK 19 / 94 / 0 / 25

HEX #9C0CC0

RGB 156 12 192

HSL 288, 0.88%, 0.4%

LAB 39.81, 72.62, -58.88

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 12 / 57 / 0 / 44

HEX #7E3D8F

RGB 126 61 143

HSL 287.56, 0.4%, 0.4%

LAB 37.4, 41.4, -33.68

 

CMYK 8 / 38 / 0 / 51

HEX #744E7E

RGB 116 78 126

HSL 287.5, 0.24%, 0.4%

LAB 39.02, 24.98, -20.84

 

CMYK 3 / 15 / 0 / 57

HEX #6B5E6E

RGB 107 94 110

HSL 288.75, 0.08%, 0.4%

LAB 41.62, 8.45, -7.15

 

CMYK 13 / 0 / 16 / 56

HEX #616F5D

RGB 97 111 93

HSL 106.67, 0.09%, 0.4%

LAB 45.22, -9.01, 8.27

 

CMYK 54 / 72 / 0 / 38

HEX #492D9F

RGB 73 45 159

HSL 254.74, 0.56%, 0.4%

LAB 28.89, 42.1, -57.48

 

CMYK 35 / 72 / 0 / 38

HEX #682D9F

RGB 104 45 159

HSL 271.05, 0.56%, 0.4%

LAB 32.53, 47.8, -51.39

 

CMYK 16 / 72 / 0 / 38

HEX #862D9F

RGB 134 45 159

HSL 286.84, 0.56%, 0.4%

LAB 36.83, 54.14, -44.23

 

CMYK 0 / 72 / 4 / 38

HEX #9F2D99

RGB 159 45 153

HSL 303.16, 0.56%, 0.4%

LAB 40.49, 58.72, -34.55

 

CMYK 0 / 72 / 23 / 38

HEX #9F2D7B

RGB 159 45 123

HSL 318.95, 0.56%, 0.4%

LAB 39.03, 54.18, -18.44

 

CMYK 15 / 72 / 0 / 63

HEX #511B5F

RGB 81 27 95

HSL 287.65, 0.56%, 0.24%

LAB 21.43, 36.09, -29.08

 

CMYK 14 / 72 / 0 / 50

HEX #6D247F

RGB 109 36 127

HSL 288.13, 0.56%, 0.32%

LAB 29.53, 45.7, -36.47

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 14 / 72 / 0 / 25

HEX #A436BF

RGB 164 54 191

HSL 288.18, 0.56%, 0.48%

LAB 44.65, 63.29, -50.43

 

CMYK 12 / 61 / 0 / 19

HEX #B551CE

RGB 181 81 206

HSL 288, 0.56%, 0.56%

LAB 52.02, 58.71, -47.18

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 0 / 72 / 70 / 38

HEX #9F2D2F

RGB 159 45 47

HSL 358.95, 0.56%, 0.4%

LAB 36.84, 46.86, 26.42

 

CMYK 72 / 0 / 44 / 38

HEX #2D9F59

RGB 45 159 89

HSL 143.16, 0.56%, 0.4%

LAB 58.11, -47.54, 27.61

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 0 / 16 / 72 / 38

HEX #9F862D

RGB 159 134 45

HSL 46.84, 0.56%, 0.4%

LAB 56.69, -0.42, 49.21

 

CMYK 72 / 0 / 16 / 38

HEX #2D9F86

RGB 45 159 134

HSL 166.84, 0.56%, 0.4%

LAB 59.04, -37.49, 3.98

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 0 / 72 / 70 / 38

HEX #9F2D2F

RGB 159 45 47

HSL 358.95, 0.56%, 0.4%

LAB 36.84, 46.86, 26.42

 

CMYK 56 / 0 / 72 / 38

HEX #469F2D

RGB 70 159 45

HSL 106.84, 0.56%, 0.4%

LAB 58.31, -47.73, 48.98

 

CMYK 72 / 0 / 1 / 38

HEX #2D9F9D

RGB 45 159 157

HSL 178.95, 0.56%, 0.4%

LAB 59.7, -31.05, -8.08

 

CMYK 14 / 72 / 0 / 38

HEX #882D9F

RGB 136 45 159

HSL 287.89, 0.56%, 0.4%

LAB 37.14, 54.58, -43.72

 

CMYK 0 / 52 / 72 / 38

HEX #9F4D2D

RGB 159 77 45

HSL 16.84, 0.56%, 0.4%

LAB 42.56, 31.61, 34.22

 

CMYK 56 / 0 / 72 / 38

HEX #469F2D

RGB 70 159 45

HSL 106.84, 0.56%, 0.4%

LAB 58.31, -47.73, 48.98

 

CMYK 72 / 20 / 0 / 38

HEX #2D7F9F

RGB 45 127 159

HSL 196.84, 0.56%, 0.4%

LAB 49.79, -13.78, -24.27

 

Description

Color code: HEX #882D9F | qconv.com Color code: HEX #882D9F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 45 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 45 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 72 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 72% 0% 38% C M Y K

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Provide designers and agencies with accurate color values.

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