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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8582B5 it is the complementary color #7A7D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8582B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8582B5 shade: #8A82B0, #9B94C3, #ACA6D6, #BDB8E9 and #CECAFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8582B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8582B5 shade: #8582B5, #7470A2, #635E8F, #524C7C and #413A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8582B5 shade: #8582B5, #9382B5, #A182B5, #AF82B5 and #B582AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8582B5 shade: #8582B5 and #8282B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8582B5 shade matches the following richer shades: #8582B5, #7772C5, #6862D6, #5A51E6 and #4C41F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8582B5 shade: #8582B5, #9392A5, #A1A295, #AFB285 and #BEC275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8582B5 shade: #829BB5, #828DB5, #8482B5, #9282B5 and #A082B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8582B5 shade: #585590, #6B68A6, #8582B5, #9E9CC5 and #B7B6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8582B5 shade: #8582B5, #B582A8 and #94B582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8582B5 shade: #8582B5, #B58482 and #82B584

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8582B5 shade: #8582B5, #B582A8, #B3B582 and #82B58F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8582B5 shade: #8582B5, #B58299, #B3B582 and #82B59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

Complementary color

CMYK 2 / 0 / 41 / 51

HEX #7A7D4A

RGB 122 125 74

HSL 63.53, 0.26%, 0.39%

LAB 51.04, -9.48, 27.41

 

CMYK 22 / 26 / 0 / 31

HEX #8A82B0

RGB 138 130 176

HSL 250.43, 0.23%, 0.6%

LAB 56.59, 12.94, -23.18

 

CMYK 21 / 24 / 0 / 24

HEX #9B94C3

RGB 155 148 195

HSL 248.94, 0.28%, 0.67%

LAB 63.42, 12.48, -23.35

 

CMYK 20 / 22 / 0 / 16

HEX #ACA6D6

RGB 172 166 214

HSL 247.5, 0.37%, 0.75%

LAB 70.1, 12.06, -23.55

 

CMYK 19 / 21 / 0 / 9

HEX #BDB8E9

RGB 189 184 233

HSL 246.12, 0.53%, 0.82%

LAB 76.67, 11.68, -23.76

 

CMYK 18 / 20 / 0 / 1

HEX #CECAFC

RGB 206 202 252

HSL 244.8, 0.89%, 0.89%

LAB 83.12, 11.33, -24

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 28 / 31 / 0 / 36

HEX #7470A2

RGB 116 112 162

HSL 244.8, 0.21%, 0.54%

LAB 49.39, 13.15, -26.34

 

CMYK 31 / 34 / 0 / 44

HEX #635E8F

RGB 99 94 143

HSL 246.12, 0.21%, 0.46%

LAB 42.22, 13.79, -26.33

 

CMYK 34 / 39 / 0 / 51

HEX #524C7C

RGB 82 76 124

HSL 247.5, 0.24%, 0.39%

LAB 34.84, 14.54, -26.38

 

CMYK 38 / 45 / 0 / 59

HEX #413A69

RGB 65 58 105

HSL 248.94, 0.29%, 0.32%

LAB 27.21, 15.47, -26.52

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 19 / 28 / 0 / 29

HEX #9382B5

RGB 147 130 181

HSL 260, 0.26%, 0.61%

LAB 57.56, 17.01, -24.47

 

CMYK 11 / 28 / 0 / 29

HEX #A182B5

RGB 161 130 181

HSL 276.47, 0.26%, 0.61%

LAB 58.86, 21.57, -22.37

 

CMYK 3 / 28 / 0 / 29

HEX #AF82B5

RGB 175 130 181

HSL 292.94, 0.26%, 0.61%

LAB 60.26, 26.23, -20.1

 

CMYK 0 / 28 / 4 / 29

HEX #B582AE

RGB 181 130 174

HSL 308.24, 0.26%, 0.61%

LAB 60.64, 26.92, -15.48

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 28 / 28 / 0 / 29

HEX #8282B5

RGB 130 130 181

HSL 240, 0.26%, 0.61%

LAB 56.14, 11.68, -26.79

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 40 / 42 / 0 / 23

HEX #7772C5

RGB 119 114 197

HSL 243.61, 0.42%, 0.61%

LAB 51.82, 22.38, -42.76

 

CMYK 51 / 54 / 0 / 16

HEX #6862D6

RGB 104 98 214

HSL 243.1, 0.59%, 0.61%

LAB 47.67, 33.56, -59.18

 

CMYK 61 / 65 / 0 / 10

HEX #5A51E6

RGB 90 81 230

HSL 243.62, 0.75%, 0.61%

LAB 43.9, 46.17, -74.43

 

CMYK 69 / 74 / 0 / 4

HEX #4C41F6

RGB 76 65 246

HSL 243.65, 0.91%, 0.61%

LAB 41.17, 58.25, -87.99

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 11 / 12 / 0 / 35

HEX #9392A5

RGB 147 146 165

HSL 243.16, 0.1%, 0.61%

LAB 61.2, 4.24, -9.84

 

CMYK 1 / 0 / 8 / 36

HEX #A1A295

RGB 161 162 149

HSL 64.62, 0.07%, 0.61%

LAB 66.2, -2.75, 6.63

 

CMYK 2 / 0 / 25 / 30

HEX #AFB285

RGB 175 178 133

HSL 64, 0.23%, 0.61%

LAB 71.32, -8.56, 22.72

 

CMYK 2 / 0 / 40 / 24

HEX #BEC275

RGB 190 194 117

HSL 63.12, 0.39%, 0.61%

LAB 76.57, -12.98, 38.23

 

CMYK 28 / 14 / 0 / 29

HEX #829BB5

RGB 130 155 181

HSL 210.59, 0.26%, 0.61%

LAB 62.95, -2.65, -16.37

 

CMYK 28 / 22 / 0 / 29

HEX #828DB5

RGB 130 141 181

HSL 227.06, 0.26%, 0.61%

LAB 59.1, 5.28, -22.24

 

CMYK 27 / 28 / 0 / 29

HEX #8482B5

RGB 132 130 181

HSL 242.35, 0.26%, 0.61%

LAB 56.29, 12.29, -26.53

 

CMYK 19 / 28 / 0 / 29

HEX #9282B5

RGB 146 130 181

HSL 258.82, 0.26%, 0.61%

LAB 57.48, 16.69, -24.61

 

CMYK 12 / 28 / 0 / 29

HEX #A082B5

RGB 160 130 181

HSL 275.29, 0.26%, 0.61%

LAB 58.77, 21.24, -22.52

 

CMYK 39 / 41 / 0 / 44

HEX #585590

RGB 88 85 144

HSL 243.05, 0.26%, 0.45%

LAB 38.87, 16.43, -32.24

 

CMYK 36 / 37 / 0 / 35

HEX #6B68A6

RGB 107 104 166

HSL 242.9, 0.26%, 0.53%

LAB 46.68, 16.39, -32.96

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 20 / 21 / 0 / 23

HEX #9E9CC5

RGB 158 156 197

HSL 242.93, 0.26%, 0.69%

LAB 65.81, 9.36, -20.79

 

CMYK 14 / 14 / 0 / 17

HEX #B7B6D4

RGB 183 182 212

HSL 242, 0.26%, 0.77%

LAB 75, 6.32, -14.95

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 0 / 28 / 7 / 29

HEX #B582A8

RGB 181 130 168

HSL 315.29, 0.26%, 0.61%

LAB 60.44, 25.82, -12.36

 

CMYK 18 / 0 / 28 / 29

HEX #94B582

RGB 148 181 130

HSL 98.82, 0.26%, 0.61%

LAB 70.14, -20.72, 22.42

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 0 / 27 / 28 / 29

HEX #B58482

RGB 181 132 130

HSL 2.35, 0.26%, 0.61%

LAB 59.83, 18.55, 8.51

 

CMYK 28 / 0 / 27 / 29

HEX #82B584

RGB 130 181 132

HSL 122.35, 0.26%, 0.61%

LAB 69.08, -26.7, 19.71

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 0 / 28 / 7 / 29

HEX #B582A8

RGB 181 130 168

HSL 315.29, 0.26%, 0.61%

LAB 60.44, 25.82, -12.36

 

CMYK 1 / 0 / 28 / 29

HEX #B3B582

RGB 179 181 130

HSL 62.35, 0.26%, 0.61%

LAB 72.39, -8.99, 25.83

 

CMYK 28 / 0 / 21 / 29

HEX #82B58F

RGB 130 181 143

HSL 135.29, 0.26%, 0.61%

LAB 69.31, -24.7, 14.05

 

CMYK 27 / 28 / 0 / 29

HEX #8582B5

RGB 133 130 181

HSL 243.53, 0.26%, 0.61%

LAB 56.38, 12.6, -26.4

 

CMYK 0 / 28 / 15 / 29

HEX #B58299

RGB 181 130 153

HSL 332.94, 0.26%, 0.61%

LAB 59.97, 23.22, -4.48

 

CMYK 1 / 0 / 28 / 29

HEX #B3B582

RGB 179 181 130

HSL 62.35, 0.26%, 0.61%

LAB 72.39, -8.99, 25.83

 

CMYK 28 / 0 / 13 / 29

HEX #82B59E

RGB 130 181 158

HSL 152.94, 0.26%, 0.61%

LAB 69.66, -21.73, 6.33

 

Description

Color code: HEX #8582B5 | qconv.com Color code: HEX #8582B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 130 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 130 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 28 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 28% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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