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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #857B6C it is the complementary color #7A8493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #857B6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #857B6C: #8A7B67, #9B8D7A, #AC9F8D, #BDB1A0 and #CEC3B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #857B6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #857B6C: #857B6C, #746959, #635746, #524533 and #413320

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

Complementary color

CMYK 17 / 10 / 0 / 42

HEX #7A8493

RGB 122 132 147

HSL 216, 0.1%, 0.53%

LAB 54.81, -0.36, -9.29

 

CMYK 0 / 11 / 25 / 46

HEX #8A7B67

RGB 138 123 103

HSL 34.29, 0.15%, 0.47%

LAB 52.45, 2.41, 13.05

 

CMYK 0 / 9 / 21 / 39

HEX #9B8D7A

RGB 155 141 122

HSL 34.55, 0.14%, 0.54%

LAB 59.36, 2.02, 12.04

 

CMYK 0 / 8 / 18 / 33

HEX #AC9F8D

RGB 172 159 141

HSL 34.84, 0.16%, 0.61%

LAB 66.13, 1.7, 11.1

 

CMYK 0 / 6 / 15 / 26

HEX #BDB1A0

RGB 189 177 160

HSL 35.17, 0.18%, 0.68%

LAB 72.76, 1.41, 10.23

 

CMYK 0 / 5 / 13 / 19

HEX #CEC3B3

RGB 206 195 179

HSL 35.56, 0.22%, 0.75%

LAB 79.27, 1.15, 9.41

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 0 / 9 / 23 / 55

HEX #746959

RGB 116 105 89

HSL 35.56, 0.13%, 0.4%

LAB 44.99, 1.51, 10.58

 

CMYK 0 / 12 / 29 / 61

HEX #635746

RGB 99 87 70

HSL 35.17, 0.17%, 0.33%

LAB 37.68, 1.94, 11.69

 

CMYK 0 / 16 / 38 / 68

HEX #524533

RGB 82 69 51

HSL 34.84, 0.23%, 0.26%

LAB 30.13, 2.49, 12.95

 

CMYK 0 / 22 / 51 / 75

HEX #413320

RGB 65 51 32

HSL 34.55, 0.34%, 0.19%

LAB 22.29, 3.26, 14.42

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 0 / 4 / 18 / 49

HEX #837E6B

RGB 131 126 107

HSL 47.5, 0.1%, 0.47%

LAB 52.74, -1.52, 11.03

 

CMYK 0 / 1 / 18 / 49

HEX #83826B

RGB 131 130 107

HSL 57.5, 0.1%, 0.47%

LAB 53.87, -3.78, 12.61

 

CMYK 2 / 0 / 18 / 49

HEX #81836B

RGB 129 131 107

HSL 65, 0.1%, 0.47%

LAB 53.99, -5.15, 12.75

 

CMYK 5 / 0 / 18 / 49

HEX #7D836B

RGB 125 131 107

HSL 75, 0.1%, 0.47%

LAB 53.66, -6.73, 12.25

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 0 / 8 / 19 / 28

HEX #B8AA95

RGB 184 170 149

HSL 36, 0.2%, 0.65%

LAB 70.25, 1.56, 12.65

 

CMYK 0 / 8 / 19 / 8

HEX #EBD9BF

RGB 235 217 191

HSL 35.45, 0.52%, 0.84%

LAB 87.51, 2.08, 15.05

 

CMYK 0 / 6 / 19 / 88

HEX #1F1D19

RGB 31 29 25

HSL 40, 0.11%, 0.11%

LAB 10.85, 0.04, 3.1

 

CMYK 0 / 7 / 18 / 68

HEX #524C43

RGB 82 76 67

HSL 36, 0.1%, 0.29%

LAB 32.63, 0.74, 6.25

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 15 / 0 / 18 / 49

HEX #70836B

RGB 112 131 107

HSL 107.5, 0.1%, 0.47%

LAB 52.66, -11.77, 10.7

 

CMYK 15 / 18 / 0 / 49

HEX #706B83

RGB 112 107 131

HSL 252.5, 0.1%, 0.47%

LAB 46.44, 7.13, -12.54

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 18 / 0 / 7 / 49

HEX #6B837A

RGB 107 131 122

HSL 157.5, 0.1%, 0.47%

LAB 52.69, -10.59, 1.99

 

CMYK 7 / 18 / 0 / 49

HEX #7A6B83

RGB 122 107 131

HSL 277.5, 0.1%, 0.47%

LAB 47.35, 10.72, -11.08

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 15 / 0 / 18 / 49

HEX #70836B

RGB 112 131 107

HSL 107.5, 0.1%, 0.47%

LAB 52.66, -11.77, 10.7

 

CMYK 18 / 11 / 0 / 49

HEX #6B7583

RGB 107 117 131

HSL 215, 0.1%, 0.47%

LAB 48.87, -0.56, -8.93

 

CMYK 3 / 18 / 0 / 49

HEX #7F6B83

RGB 127 107 131

HSL 290, 0.1%, 0.47%

LAB 47.84, 12.54, -10.3

 

CMYK 0 / 8 / 19 / 48

HEX #857B6C

RGB 133 123 108

HSL 36, 0.1%, 0.47%

LAB 52.1, 1.16, 9.58

 

CMYK 18 / 0 / 16 / 49

HEX #6B836E

RGB 107 131 110

HSL 127.5, 0.1%, 0.47%

LAB 52.38, -13.06, 8.52

 

CMYK 18 / 11 / 0 / 49

HEX #6B7583

RGB 107 117 131

HSL 215, 0.1%, 0.47%

LAB 48.87, -0.56, -8.93

 

CMYK 0 / 18 / 2 / 49

HEX #836B81

RGB 131 107 129

HSL 305, 0.1%, 0.47%

LAB 48.17, 13.61, -8.58

 

Description

Color code: HEX #857B6C | qconv.com Color code: HEX #857B6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 123 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 123 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 19 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 19% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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