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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856D3E it is the complementary color #7A92C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856D3E shade: #8A6D39, #9B7F4C, #AC915F, #BDA372 and #CEB585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856D3E shade: #856D3E, #745B2B, #634918, #523705 and #412500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856D3E shade: #846C3E, #84593E, #84473E and #843E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856D3E shade: #846C3E, #847F3E, #76843E, #63843E and #50843E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856D3E shade matches the following richer shades: #846C3E, #93712E, #A3761F and #B37B0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856D3E shade: #846C3E, #74674E, #64625D, #555D6D and #45587D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856D3E shade: #84463E, #84593E, #846B3E, #847E3E and #77843E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856D3E shade: #4C3E24, #685531, #846C3E, #A0834B and #B49860

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856D3E shade: #856D3E, #48843E and #4F3E84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856D3E shade: #856D3E, #3E846B and #6B3E84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856D3E shade: #856D3E, #48843E, #3E5684 and #793E84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856D3E shade: #856D3E, #3E8448, #3E5684 and #843E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 53 / 48

HEX #856D3E

RGB 133 109 62

HSL 39.72, 0.36%, 0.38%

LAB 47.33, 3.17, 29.63

 

Complementary color

CMYK 37 / 24 / 0 / 24

HEX #7A92C1

RGB 122 146 193

HSL 219.72, 0.36%, 0.62%

LAB 60.38, 3.2, -27.1

 

CMYK 0 / 21 / 59 / 46

HEX #8A6D39

RGB 138 109 57

HSL 38.52, 0.42%, 0.38%

LAB 47.8, 4.99, 33.04

 

CMYK 0 / 18 / 51 / 39

HEX #9B7F4C

RGB 155 127 76

HSL 38.73, 0.34%, 0.45%

LAB 54.73, 4.03, 31.62

 

CMYK 0 / 16 / 45 / 33

HEX #AC915F

RGB 172 145 95

HSL 38.96, 0.32%, 0.52%

LAB 61.52, 3.25, 30.25

 

CMYK 0 / 14 / 40 / 26

HEX #BDA372

RGB 189 163 114

HSL 39.2, 0.36%, 0.59%

LAB 68.19, 2.6, 28.98

 

CMYK 0 / 12 / 35 / 19

HEX #CEB585

RGB 206 181 133

HSL 39.45, 0.43%, 0.66%

LAB 74.74, 2.05, 27.78

 

CMYK 0 / 18 / 53 / 48

HEX #856D3E

RGB 133 109 62

HSL 39.72, 0.36%, 0.38%

LAB 47.33, 3.17, 29.63

 

CMYK 0 / 22 / 63 / 55

HEX #745B2B

RGB 116 91 43

HSL 39.45, 0.46%, 0.31%

LAB 40.2, 4.21, 31.07

 

CMYK 0 / 26 / 76 / 61

HEX #634918

RGB 99 73 24

HSL 39.2, 0.61%, 0.24%

LAB 32.88, 5.58, 32.38

 

CMYK 0 / 33 / 94 / 68

HEX #523705

RGB 82 55 5

HSL 38.96, 0.89%, 0.17%

LAB 25.37, 7.42, 32.84

 

CMYK 0 / 43 / 100 / 75

HEX #412500

RGB 65 37 0

HSL 34.15, 1%, 0.13%

LAB 17.68, 10.02, 25.86

 

CMYK 0 / 18 / 53 / 48

HEX #846C3E

RGB 132 108 62

HSL 39.43, 0.36%, 0.38%

LAB 46.95, 3.3, 29.13

 

CMYK 0 / 33 / 53 / 48

HEX #84593E

RGB 132 89 62

HSL 23.14, 0.36%, 0.38%

LAB 41.84, 14.47, 22.72

 

CMYK 0 / 46 / 53 / 48

HEX #84473E

RGB 132 71 62

HSL 7.71, 0.36%, 0.38%

LAB 37.41, 25, 16.94

 

CMYK 0 / 53 / 53 / 48

HEX #843E3E

RGB 132 62 62

HSL 0, 0.36%, 0.38%

LAB 35.4, 30.04, 14.25

 

CMYK 0 / 18 / 53 / 48

HEX #846C3E

RGB 132 108 62

HSL 39.43, 0.36%, 0.38%

LAB 46.95, 3.3, 29.13

 

CMYK 0 / 4 / 53 / 48

HEX #847F3E

RGB 132 127 62

HSL 55.71, 0.36%, 0.38%

LAB 52.32, -7.5, 35.62

 

CMYK 11 / 0 / 53 / 48

HEX #76843E

RGB 118 132 62

HSL 72, 0.36%, 0.38%

LAB 52.62, -16.34, 35.68

 

CMYK 25 / 0 / 53 / 48

HEX #63843E

RGB 99 132 62

HSL 88.29, 0.36%, 0.38%

LAB 51.27, -24.24, 33.75

 

CMYK 39 / 0 / 53 / 48

HEX #50843E

RGB 80 132 62

HSL 104.57, 0.36%, 0.38%

LAB 50.16, -31.4, 32.15

 

CMYK 0 / 18 / 53 / 48

HEX #846C3E

RGB 132 108 62

HSL 39.43, 0.36%, 0.38%

LAB 46.95, 3.3, 29.13

 

CMYK 0 / 23 / 69 / 42

HEX #93712E

RGB 147 113 46

HSL 39.8, 0.52%, 0.38%

LAB 49.75, 6, 41.14

 

CMYK 0 / 28 / 81 / 36

HEX #A3761F

RGB 163 118 31

HSL 39.55, 0.68%, 0.38%

LAB 52.78, 9.75, 51.17

 

CMYK 0 / 31 / 92 / 30

HEX #B37B0F

RGB 179 123 15

HSL 39.51, 0.85%, 0.38%

LAB 55.87, 13.78, 59.22

 

CMYK 0 / 18 / 53 / 48

HEX #846C3E

RGB 132 108 62

HSL 39.43, 0.36%, 0.38%

LAB 46.95, 3.3, 29.13

 

CMYK 0 / 11 / 33 / 55

HEX #74674E

RGB 116 103 78

HSL 39.47, 0.2%, 0.38%

LAB 44.18, 1.01, 16.01

 

CMYK 0 / 2 / 7 / 61

HEX #64625D

RGB 100 98 93

HSL 42.86, 0.04%, 0.38%

LAB 41.59, -0.21, 3.12

 

CMYK 22 / 15 / 0 / 57

HEX #555D6D

RGB 85 93 109

HSL 220, 0.12%, 0.38%

LAB 39.35, 0.73, -10.14

 

CMYK 45 / 30 / 0 / 51

HEX #45587D

RGB 69 88 125

HSL 219.64, 0.29%, 0.38%

LAB 37.34, 3.29, -23.16

 

CMYK 0 / 47 / 53 / 48

HEX #84463E

RGB 132 70 62

HSL 6.86, 0.36%, 0.38%

LAB 37.18, 25.57, 16.63

 

CMYK 0 / 33 / 53 / 48

HEX #84593E

RGB 132 89 62

HSL 23.14, 0.36%, 0.38%

LAB 41.84, 14.47, 22.72

 

CMYK 0 / 19 / 53 / 48

HEX #846B3E

RGB 132 107 62

HSL 38.57, 0.36%, 0.38%

LAB 46.67, 3.88, 28.79

 

CMYK 0 / 5 / 53 / 48

HEX #847E3E

RGB 132 126 62

HSL 54.86, 0.36%, 0.38%

LAB 52.03, -6.94, 35.28

 

CMYK 10 / 0 / 53 / 48

HEX #77843E

RGB 119 132 62

HSL 71.14, 0.36%, 0.38%

LAB 52.7, -15.91, 35.79

 

CMYK 0 / 18 / 53 / 70

HEX #4C3E24

RGB 76 62 36

HSL 39, 0.36%, 0.22%

LAB 27.04, 2.08, 18.21

 

CMYK 0 / 18 / 53 / 59

HEX #685531

RGB 104 85 49

HSL 39.27, 0.36%, 0.3%

LAB 37.23, 2.7, 23.83

 

CMYK 0 / 18 / 53 / 48

HEX #846C3E

RGB 132 108 62

HSL 39.43, 0.36%, 0.38%

LAB 46.95, 3.3, 29.13

 

CMYK 0 / 18 / 53 / 37

HEX #A0834B

RGB 160 131 75

HSL 39.53, 0.36%, 0.46%

LAB 56.3, 3.87, 34.21

 

CMYK 0 / 16 / 47 / 29

HEX #B49860

RGB 180 152 96

HSL 40, 0.36%, 0.54%

LAB 64.16, 2.89, 33.25

 

CMYK 0 / 18 / 53 / 48

HEX #856D3E

RGB 133 109 62

HSL 39.72, 0.36%, 0.38%

LAB 47.33, 3.17, 29.63

 

CMYK 45 / 0 / 53 / 48

HEX #48843E

RGB 72 132 62

HSL 111.43, 0.36%, 0.38%

LAB 49.77, -34.11, 31.58

 

CMYK 40 / 53 / 0 / 48

HEX #4F3E84

RGB 79 62 132

HSL 254.57, 0.36%, 0.38%

LAB 31.29, 25.02, -36.99

 

CMYK 0 / 18 / 53 / 48

HEX #856D3E

RGB 133 109 62

HSL 39.72, 0.36%, 0.38%

LAB 47.33, 3.17, 29.63

 

CMYK 53 / 0 / 19 / 48

HEX #3E846B

RGB 62 132 107

HSL 158.57, 0.36%, 0.38%

LAB 50.2, -28.45, 6.83

 

CMYK 19 / 53 / 0 / 48

HEX #6B3E84

RGB 107 62 132

HSL 278.57, 0.36%, 0.38%

LAB 34.47, 32.94, -31.73

 

CMYK 0 / 18 / 53 / 48

HEX #856D3E

RGB 133 109 62

HSL 39.72, 0.36%, 0.38%

LAB 47.33, 3.17, 29.63

 

CMYK 45 / 0 / 53 / 48

HEX #48843E

RGB 72 132 62

HSL 111.43, 0.36%, 0.38%

LAB 49.77, -34.11, 31.58

 

CMYK 53 / 35 / 0 / 48

HEX #3E5684

RGB 62 86 132

HSL 219.43, 0.36%, 0.38%

LAB 36.64, 4.97, -28.58

 

CMYK 8 / 53 / 0 / 48

HEX #793E84

RGB 121 62 132

HSL 290.57, 0.36%, 0.38%

LAB 36.32, 37.1, -28.69

 

CMYK 0 / 18 / 53 / 48

HEX #856D3E

RGB 133 109 62

HSL 39.72, 0.36%, 0.38%

LAB 47.33, 3.17, 29.63

 

CMYK 53 / 0 / 45 / 48

HEX #3E8448

RGB 62 132 72

HSL 128.57, 0.36%, 0.38%

LAB 49.49, -35.65, 25.78

 

CMYK 53 / 35 / 0 / 48

HEX #3E5684

RGB 62 86 132

HSL 219.43, 0.36%, 0.38%

LAB 36.64, 4.97, -28.58

 

CMYK 0 / 53 / 8 / 48

HEX #843E79

RGB 132 62 121

HSL 309.43, 0.36%, 0.38%

LAB 37.36, 38.34, -20.15

 

Description

Color code: HEX #856D3E | qconv.com Color code: HEX #856D3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 109 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 109 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 53 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 53% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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