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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85112E it is the complementary color #7AEED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85112E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #85112E: #8A1129, #9B233C, #AC354F, #BD4762 and #CE5975

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85112E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #85112E: #85112E, #74001B, #630008, #520000 and #410000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

Complementary color

CMYK 49 / 0 / 12 / 7

HEX #7AEED1

RGB 122 238 209

HSL 165, 0.77%, 0.71%

LAB 86.94, -39.8, 3.92

 

CMYK 0 / 88 / 70 / 46

HEX #8A1129

RGB 138 17 41

HSL 348.1, 0.78%, 0.3%

LAB 29.32, 48.91, 20.07

 

CMYK 0 / 77 / 61 / 39

HEX #9B233C

RGB 155 35 60

HSL 347.5, 0.63%, 0.37%

LAB 35, 49.99, 15.7

 

CMYK 0 / 69 / 54 / 33

HEX #AC354F

RGB 172 53 79

HSL 346.89, 0.53%, 0.44%

LAB 41.03, 50.08, 12.34

 

CMYK 0 / 62 / 48 / 26

HEX #BD4762

RGB 189 71 98

HSL 346.27, 0.47%, 0.51%

LAB 47.25, 49.64, 9.7

 

CMYK 0 / 57 / 43 / 19

HEX #CE5975

RGB 206 89 117

HSL 345.64, 0.54%, 0.58%

LAB 53.55, 48.92, 7.58

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 0 / 100 / 77 / 55

HEX #74001B

RGB 116 0 27

HSL 346.03, 1%, 0.23%

LAB 22.97, 45.52, 20.58

 

CMYK 0 / 100 / 92 / 61

HEX #630008

RGB 99 0 8

HSL 355.15, 1%, 0.19%

LAB 18.67, 40.24, 25.45

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 100 / 100 / 75

HEX #410000

RGB 65 0 0

HSL 0, 1%, 0.13%

LAB 9.98, 30.06, 15.75

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 0 / 87 / 80 / 49

HEX #82111A

RGB 130 17 26

HSL 355.22, 0.77%, 0.29%

LAB 27.36, 45.91, 27.03

 

CMYK 0 / 80 / 87 / 49

HEX #821A11

RGB 130 26 17

HSL 4.78, 0.77%, 0.29%

LAB 28.18, 43.03, 33.11

 

CMYK 0 / 65 / 87 / 49

HEX #822D11

RGB 130 45 17

HSL 14.87, 0.77%, 0.29%

LAB 31.03, 35.25, 35.65

 

CMYK 0 / 51 / 87 / 49

HEX #824011

RGB 130 64 17

HSL 24.96, 0.77%, 0.29%

LAB 34.91, 25.26, 39.05

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 0 / 87 / 65 / 28

HEX #B81840

RGB 184 24 64

HSL 345, 0.77%, 0.41%

LAB 39.94, 61.25, 20.73

 

CMYK 0 / 87 / 66 / 8

HEX #EB1E51

RGB 235 30 81

HSL 345.07, 0.84%, 0.52%

LAB 50.9, 74.09, 26.4

 

CMYK 0 / 87 / 65 / 88

HEX #1F040B

RGB 31 4 11

HSL 344.44, 0.77%, 0.07%

LAB 3.63, 11.74, 1.13

 

CMYK 0 / 88 / 66 / 68

HEX #520A1C

RGB 82 10 28

HSL 345, 0.78%, 0.18%

LAB 15.98, 33.11, 9.39

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 0 / 4 / 87 / 49

HEX #827D11

RGB 130 125 17

HSL 57.35, 0.77%, 0.29%

LAB 51.21, -10, 52.86

 

CMYK 87 / 30 / 0 / 49

HEX #115B82

RGB 17 91 130

HSL 200.71, 0.77%, 0.29%

LAB 36.39, -6.69, -27.87

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 65 / 0 / 87 / 49

HEX #2D8211

RGB 45 130 17

HSL 105.13, 0.77%, 0.29%

LAB 47.71, -45.3, 47.83

 

CMYK 87 / 65 / 0 / 49

HEX #112D82

RGB 17 45 130

HSL 225.13, 0.77%, 0.29%

LAB 22.33, 24.58, -50.45

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 0 / 4 / 87 / 49

HEX #827D11

RGB 130 125 17

HSL 57.35, 0.77%, 0.29%

LAB 51.21, -10, 52.86

 

CMYK 87 / 0 / 22 / 49

HEX #118266

RGB 17 130 102

HSL 165.13, 0.77%, 0.29%

LAB 48.32, -36.46, 6.91

 

CMYK 87 / 83 / 0 / 49

HEX #111682

RGB 17 22 130

HSL 237.35, 0.77%, 0.29%

LAB 17.01, 39.22, -59.23

 

CMYK 0 / 87 / 65 / 48

HEX #85112E

RGB 133 17 46

HSL 345, 0.77%, 0.29%

LAB 28.34, 47.77, 15.27

 

CMYK 22 / 0 / 87 / 49

HEX #668211

RGB 102 130 17

HSL 74.87, 0.77%, 0.29%

LAB 50.49, -25.3, 51.35

 

CMYK 87 / 0 / 22 / 49

HEX #118266

RGB 17 130 102

HSL 165.13, 0.77%, 0.29%

LAB 48.32, -36.46, 6.91

 

CMYK 65 / 87 / 0 / 49

HEX #2D1182

RGB 45 17 130

HSL 254.87, 0.77%, 0.29%

LAB 18.23, 43.6, -57.14

 

Description

Color code: HEX #85112E | qconv.com Color code: HEX #85112E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 17 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 17 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 65 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 65% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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