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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83721A it is the complementary color #7C8DE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83721A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83721A shade: #887215, #998428, #AA963B, #BBA84E and #CCBA61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83721A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83721A shade: #83721A, #726007, #614E00, #503C00 and #3F2A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83721A shade: #84731A, #84561A, #843A1A, #841D1A and #841A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83721A shade: #84731A, #79841A, #5C841A, #3F841A and #23841A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83721A shade matches the following richer shades: #84731A, #917C0D and #9E8401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83721A shade: #84731A, #776A27, #6A6234, #5E5940 and #51504D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83721A shade: #843A1A, #84561A, #84721A, #79841A and #5D841A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83721A shade: #3F370C, #625513, #84731A, #A69121 and #C9AF28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83721A shade: #83721A, #1A841E and #481A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83721A shade: #83721A, #1A8472 and #721A84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83721A shade: #83721A, #1A841E, #1A2C84 and #841A80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83721A shade: #83721A, #1A843D, #1A2C84 and #841A61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 80 / 49

HEX #83721A

RGB 131 114 26

HSL 50.29, 0.67%, 0.31%

LAB 48.18, -3.08, 47.51

 

Complementary color

CMYK 46 / 38 / 0 / 10

HEX #7C8DE5

RGB 124 141 229

HSL 230.29, 0.67%, 0.69%

LAB 60.77, 16.84, -46.61

 

CMYK 0 / 16 / 85 / 47

HEX #887215

RGB 136 114 21

HSL 48.52, 0.73%, 0.31%

LAB 48.66, -0.9, 49.81

 

CMYK 0 / 14 / 74 / 40

HEX #998428

RGB 153 132 40

HSL 48.85, 0.59%, 0.38%

LAB 55.51, -2.31, 49.89

 

CMYK 0 / 12 / 65 / 33

HEX #AA963B

RGB 170 150 59

HSL 49.19, 0.48%, 0.45%

LAB 62.23, -3.43, 49.18

 

CMYK 0 / 10 / 58 / 27

HEX #BBA84E

RGB 187 168 78

HSL 49.54, 0.44%, 0.52%

LAB 68.84, -4.35, 48.12

 

CMYK 0 / 9 / 52 / 20

HEX #CCBA61

RGB 204 186 97

HSL 49.91, 0.51%, 0.59%

LAB 75.34, -5.11, 46.95

 

CMYK 0 / 13 / 80 / 49

HEX #83721A

RGB 131 114 26

HSL 50.29, 0.67%, 0.31%

LAB 48.18, -3.08, 47.51

 

CMYK 0 / 16 / 94 / 55

HEX #726007

RGB 114 96 7

HSL 49.91, 0.88%, 0.24%

LAB 41.15, -1.49, 46.47

 

CMYK 0 / 20 / 100 / 62

HEX #614E00

RGB 97 78 0

HSL 48.25, 1%, 0.19%

LAB 33.96, 0.56, 42.4

 

CMYK 0 / 25 / 100 / 69

HEX #503C00

RGB 80 60 0

HSL 45, 1%, 0.16%

LAB 26.56, 2.97, 35.87

 

CMYK 0 / 33 / 100 / 75

HEX #3F2A00

RGB 63 42 0

HSL 40, 1%, 0.12%

LAB 18.85, 5.61, 27.19

 

CMYK 0 / 13 / 80 / 48

HEX #84731A

RGB 132 115 26

HSL 50.38, 0.67%, 0.31%

LAB 48.56, -3.18, 47.9

 

CMYK 0 / 35 / 80 / 48

HEX #84561A

RGB 132 86 26

HSL 33.96, 0.67%, 0.31%

LAB 40.63, 13.71, 40.52

 

CMYK 0 / 56 / 80 / 48

HEX #843A1A

RGB 132 58 26

HSL 18.11, 0.67%, 0.31%

LAB 34, 29.74, 34.04

 

CMYK 0 / 78 / 80 / 48

HEX #841D1A

RGB 132 29 26

HSL 1.7, 0.67%, 0.31%

LAB 29.05, 42.95, 28.96

 

CMYK 0 / 80 / 80 / 48

HEX #841A1A

RGB 132 26 26

HSL 0, 0.67%, 0.31%

LAB 28.69, 43.97, 28.58

 

CMYK 0 / 13 / 80 / 48

HEX #84731A

RGB 132 115 26

HSL 50.38, 0.67%, 0.31%

LAB 48.56, -3.18, 47.9

 

CMYK 8 / 0 / 80 / 48

HEX #79841A

RGB 121 132 26

HSL 66.23, 0.67%, 0.31%

LAB 52.56, -17.58, 51.16

 

CMYK 30 / 0 / 80 / 48

HEX #5C841A

RGB 92 132 26

HSL 82.64, 0.67%, 0.31%

LAB 50.51, -30.07, 48.53

 

CMYK 52 / 0 / 80 / 48

HEX #3F841A

RGB 63 132 26

HSL 99.06, 0.67%, 0.31%

LAB 49.05, -40.57, 46.63

 

CMYK 73 / 0 / 80 / 48

HEX #23841A

RGB 35 132 26

HSL 114.91, 0.67%, 0.31%

LAB 48.18, -47.63, 45.49

 

CMYK 0 / 13 / 80 / 48

HEX #84731A

RGB 132 115 26

HSL 50.38, 0.67%, 0.31%

LAB 48.56, -3.18, 47.9

 

CMYK 0 / 14 / 91 / 43

HEX #917C0D

RGB 145 124 13

HSL 50.45, 0.84%, 0.31%

LAB 52.36, -2.51, 55.3

 

CMYK 0 / 16 / 99 / 38

HEX #9E8401

RGB 158 132 1

HSL 50.06, 0.99%, 0.31%

LAB 55.86, -1.1, 60.68

 

CMYK 0 / 13 / 80 / 48

HEX #84731A

RGB 132 115 26

HSL 50.38, 0.67%, 0.31%

LAB 48.56, -3.18, 47.9

 

CMYK 0 / 11 / 67 / 53

HEX #776A27

RGB 119 106 39

HSL 50.25, 0.51%, 0.31%

LAB 44.77, -3.47, 38.27

 

CMYK 0 / 8 / 51 / 58

HEX #6A6234

RGB 106 98 52

HSL 51.11, 0.34%, 0.31%

LAB 41.29, -3.79, 27.17

 

CMYK 0 / 5 / 32 / 63

HEX #5E5940

RGB 94 89 64

HSL 50, 0.19%, 0.31%

LAB 37.65, -2.41, 15.23

 

CMYK 0 / 1 / 5 / 68

HEX #51504D

RGB 81 80 77

HSL 45, 0.03%, 0.31%

LAB 34.03, -0.22, 1.91

 

CMYK 0 / 56 / 80 / 48

HEX #843A1A

RGB 132 58 26

HSL 18.11, 0.67%, 0.31%

LAB 34, 29.74, 34.04

 

CMYK 0 / 35 / 80 / 48

HEX #84561A

RGB 132 86 26

HSL 33.96, 0.67%, 0.31%

LAB 40.63, 13.71, 40.52

 

CMYK 0 / 14 / 80 / 48

HEX #84721A

RGB 132 114 26

HSL 49.81, 0.67%, 0.31%

LAB 48.28, -2.61, 47.64

 

CMYK 8 / 0 / 80 / 48

HEX #79841A

RGB 121 132 26

HSL 66.23, 0.67%, 0.31%

LAB 52.56, -17.58, 51.16

 

CMYK 30 / 0 / 80 / 48

HEX #5D841A

RGB 93 132 26

HSL 82.08, 0.67%, 0.31%

LAB 50.58, -29.66, 48.61

 

CMYK 0 / 13 / 81 / 75

HEX #3F370C

RGB 63 55 12

HSL 50.59, 0.68%, 0.15%

LAB 23.05, -2.26, 26.86

 

CMYK 0 / 13 / 81 / 62

HEX #625513

RGB 98 85 19

HSL 50.13, 0.68%, 0.23%

LAB 36.25, -2.49, 37.88

 

CMYK 0 / 13 / 80 / 48

HEX #84731A

RGB 132 115 26

HSL 50.38, 0.67%, 0.31%

LAB 48.56, -3.18, 47.9

 

CMYK 0 / 13 / 80 / 35

HEX #A69121

RGB 166 145 33

HSL 50.53, 0.67%, 0.39%

LAB 60.31, -3.82, 57.38

 

CMYK 0 / 13 / 80 / 21

HEX #C9AF28

RGB 201 175 40

HSL 50.31, 0.67%, 0.47%

LAB 71.71, -4, 66.58

 

CMYK 0 / 13 / 80 / 49

HEX #83721A

RGB 131 114 26

HSL 50.29, 0.67%, 0.31%

LAB 48.18, -3.08, 47.51

 

CMYK 80 / 0 / 77 / 48

HEX #1A841E

RGB 26 132 30

HSL 122.26, 0.67%, 0.31%

LAB 48.03, -48.83, 43.88

 

CMYK 45 / 80 / 0 / 48

HEX #481A84

RGB 72 26 132

HSL 266.04, 0.67%, 0.31%

LAB 22.94, 43.79, -50.54

 

CMYK 0 / 13 / 80 / 49

HEX #83721A

RGB 131 114 26

HSL 50.29, 0.67%, 0.31%

LAB 48.18, -3.08, 47.51

 

CMYK 80 / 0 / 14 / 48

HEX #1A8472

RGB 26 132 114

HSL 169.81, 0.67%, 0.31%

LAB 49.42, -33.15, 1.49

 

CMYK 14 / 80 / 0 / 48

HEX #721A84

RGB 114 26 132

HSL 289.81, 0.67%, 0.31%

LAB 29.37, 51.56, -39.81

 

CMYK 0 / 13 / 80 / 49

HEX #83721A

RGB 131 114 26

HSL 50.29, 0.67%, 0.31%

LAB 48.18, -3.08, 47.51

 

CMYK 80 / 0 / 77 / 48

HEX #1A841E

RGB 26 132 30

HSL 122.26, 0.67%, 0.31%

LAB 48.03, -48.83, 43.88

 

CMYK 80 / 67 / 0 / 48

HEX #1A2C84

RGB 26 44 132

HSL 229.81, 0.67%, 0.31%

LAB 22.61, 26.88, -51.24

 

CMYK 0 / 80 / 3 / 48

HEX #841A80

RGB 132 26 128

HSL 302.26, 0.67%, 0.31%

LAB 32.26, 54.64, -32.5

 

CMYK 0 / 13 / 80 / 49

HEX #83721A

RGB 131 114 26

HSL 50.29, 0.67%, 0.31%

LAB 48.18, -3.08, 47.51

 

CMYK 80 / 0 / 54 / 48

HEX #1A843D

RGB 26 132 61

HSL 139.81, 0.67%, 0.31%

LAB 48.33, -45.1, 30.02

 

CMYK 80 / 67 / 0 / 48

HEX #1A2C84

RGB 26 44 132

HSL 229.81, 0.67%, 0.31%

LAB 22.61, 26.88, -51.24

 

CMYK 0 / 80 / 27 / 48

HEX #841A61

RGB 132 26 97

HSL 319.81, 0.67%, 0.31%

LAB 30.66, 50.02, -15.26

 

Description

Color code: HEX #83721A | qconv.com Color code: HEX #83721A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 114 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 114 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 80 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 80% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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