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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82A2DB it is the complementary color #7D5D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82A2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82A2DB shade: #87A2D6, #98B4E9, #A9C6FC, #BAD8FF and #CBEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82A2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82A2DB shade: #82A2DB, #7190C8, #607EB5, #4F6CA2 and #3E5A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82A2DB shade: #81A1DA, #8189DA, #9181DA, #A981DA and #C181DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82A2DB shade: #81A1DA, #8189DA and #8181DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82A2DB shade matches the following richer shades: #81A1DA, #739DE7 and #6699F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82A2DB shade: #81A1DA, #8EA4CD, #9BA8C0, #A8ACB3 and #B5B0A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82A2DB shade: #81D1DA, #81B9DA, #81A1DA, #8189DA and #8F81DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82A2DB shade: #4171C8, #6189D1, #81A1DA, #A0B9E4 and #C0D0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82A2DB shade: #82A2DB, #CB81DA and #C5DA81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82A2DB shade: #82A2DB, #DA81A1 and #A1DA81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82A2DB shade: #82A2DB, #CB81DA, #DAB981 and #8FDA81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82A2DB shade: #82A2DB, #DA81CE, #DAB981 and #81DA8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 26 / 0 / 14

HEX #82A2DB

RGB 130 162 219

HSL 218.43, 0.55%, 0.68%

LAB 66.29, 3.38, -32.42

 

Complementary color

CMYK 0 / 26 / 71 / 51

HEX #7D5D24

RGB 125 93 36

HSL 38.43, 0.55%, 0.32%

LAB 41.71, 6.79, 36.67

 

CMYK 37 / 24 / 0 / 16

HEX #87A2D6

RGB 135 162 214

HSL 219.49, 0.49%, 0.68%

LAB 66.4, 3.37, -29.46

 

CMYK 35 / 23 / 0 / 9

HEX #98B4E9

RGB 152 180 233

HSL 219.26, 0.65%, 0.75%

LAB 73.02, 3, -29.57

 

CMYK 33 / 21 / 0 / 1

HEX #A9C6FC

RGB 169 198 252

HSL 219.04, 0.93%, 0.83%

LAB 79.53, 2.68, -29.72

 

CMYK 27 / 15 / 0 / 0

HEX #BAD8FF

RGB 186 216 255

HSL 213.91, 1%, 0.86%

LAB 85.39, -1.4, -22.27

 

CMYK 20 / 8 / 0 / 0

HEX #CBEAFF

RGB 203 234 255

HSL 204.23, 1%, 0.9%

LAB 91.13, -5.75, -13.52

 

CMYK 41 / 26 / 0 / 14

HEX #82A2DB

RGB 130 162 219

HSL 218.43, 0.55%, 0.68%

LAB 66.29, 3.38, -32.42

 

CMYK 44 / 28 / 0 / 22

HEX #7190C8

RGB 113 144 200

HSL 218.62, 0.44%, 0.61%

LAB 59.55, 3.88, -32.37

 

CMYK 47 / 30 / 0 / 29

HEX #607EB5

RGB 96 126 181

HSL 218.82, 0.36%, 0.54%

LAB 52.67, 4.48, -32.36

 

CMYK 51 / 33 / 0 / 36

HEX #4F6CA2

RGB 79 108 162

HSL 219.04, 0.34%, 0.47%

LAB 45.63, 5.21, -32.4

 

CMYK 57 / 37 / 0 / 44

HEX #3E5A8F

RGB 62 90 143

HSL 219.26, 0.4%, 0.4%

LAB 38.41, 6.15, -32.49

 

CMYK 41 / 26 / 0 / 15

HEX #81A1DA

RGB 129 161 218

HSL 218.43, 0.55%, 0.68%

LAB 65.92, 3.41, -32.45

 

CMYK 41 / 37 / 0 / 15

HEX #8189DA

RGB 129 137 218

HSL 234.61, 0.55%, 0.68%

LAB 59.54, 17.27, -42.4

 

CMYK 33 / 41 / 0 / 15

HEX #9181DA

RGB 145 129 218

HSL 250.79, 0.55%, 0.68%

LAB 58.77, 26.2, -43.53

 

CMYK 22 / 41 / 0 / 15

HEX #A981DA

RGB 169 129 218

HSL 266.97, 0.55%, 0.68%

LAB 60.96, 32.94, -39.95

 

CMYK 11 / 41 / 0 / 15

HEX #C181DA

RGB 193 129 218

HSL 283.15, 0.55%, 0.68%

LAB 63.43, 39.98, -35.91

 

CMYK 41 / 26 / 0 / 15

HEX #81A1DA

RGB 129 161 218

HSL 218.43, 0.55%, 0.68%

LAB 65.92, 3.41, -32.45

 

CMYK 41 / 37 / 0 / 15

HEX #8189DA

RGB 129 137 218

HSL 234.61, 0.55%, 0.68%

LAB 59.54, 17.27, -42.4

 

CMYK 41 / 41 / 0 / 15

HEX #8181DA

RGB 129 129 218

HSL 240, 0.55%, 0.68%

LAB 57.49, 21.98, -45.64

 

CMYK 41 / 26 / 0 / 15

HEX #81A1DA

RGB 129 161 218

HSL 218.43, 0.55%, 0.68%

LAB 65.92, 3.41, -32.45

 

CMYK 50 / 32 / 0 / 9

HEX #739DE7

RGB 115 157 231

HSL 218.28, 0.71%, 0.68%

LAB 64.59, 6.01, -41.76

 

CMYK 58 / 38 / 0 / 4

HEX #6699F5

RGB 102 153 245

HSL 218.6, 0.88%, 0.68%

LAB 63.51, 9.96, -51.2

 

CMYK 41 / 26 / 0 / 15

HEX #81A1DA

RGB 129 161 218

HSL 218.43, 0.55%, 0.68%

LAB 65.92, 3.41, -32.45

 

CMYK 31 / 20 / 0 / 20

HEX #8EA4CD

RGB 142 164 205

HSL 219.05, 0.39%, 0.68%

LAB 67.06, 1.9, -23.43

 

CMYK 19 / 13 / 0 / 25

HEX #9BA8C0

RGB 155 168 192

HSL 218.92, 0.23%, 0.68%

LAB 68.59, 0.58, -13.82

 

CMYK 6 / 4 / 0 / 30

HEX #A8ACB3

RGB 168 172 179

HSL 218.18, 0.07%, 0.68%

LAB 70.24, -0.04, -4.08

 

CMYK 0 / 3 / 9 / 29

HEX #B5B0A5

RGB 181 176 165

HSL 41.25, 0.1%, 0.68%

LAB 71.95, -0.18, 6.25

 

CMYK 41 / 4 / 0 / 15

HEX #81D1DA

RGB 129 209 218

HSL 186.07, 0.55%, 0.68%

LAB 79.23, -22.2, -12.17

 

CMYK 41 / 15 / 0 / 15

HEX #81B9DA

RGB 129 185 218

HSL 202.25, 0.55%, 0.68%

LAB 72.51, -9.79, -22.31

 

CMYK 41 / 26 / 0 / 15

HEX #81A1DA

RGB 129 161 218

HSL 218.43, 0.55%, 0.68%

LAB 65.92, 3.41, -32.45

 

CMYK 41 / 37 / 0 / 15

HEX #8189DA

RGB 129 137 218

HSL 234.61, 0.55%, 0.68%

LAB 59.54, 17.27, -42.4

 

CMYK 34 / 41 / 0 / 15

HEX #8F81DA

RGB 143 129 218

HSL 249.44, 0.55%, 0.68%

LAB 58.6, 25.66, -43.81

 

CMYK 68 / 44 / 0 / 22

HEX #4171C8

RGB 65 113 200

HSL 218.67, 0.55%, 0.52%

LAB 48.39, 12.27, -50.14

 

CMYK 54 / 34 / 0 / 18

HEX #6189D1

RGB 97 137 209

HSL 218.57, 0.55%, 0.6%

LAB 57.11, 6.86, -41.32

 

CMYK 41 / 26 / 0 / 15

HEX #81A1DA

RGB 129 161 218

HSL 218.43, 0.55%, 0.68%

LAB 65.92, 3.41, -32.45

 

CMYK 30 / 19 / 0 / 11

HEX #A0B9E4

RGB 160 185 228

HSL 217.94, 0.56%, 0.76%

LAB 74.68, 1.27, -24.28

 

CMYK 19 / 12 / 0 / 7

HEX #C0D0ED

RGB 192 208 237

HSL 218.67, 0.56%, 0.84%

LAB 83.14, 0.57, -16.09

 

CMYK 41 / 26 / 0 / 14

HEX #82A2DB

RGB 130 162 219

HSL 218.43, 0.55%, 0.68%

LAB 66.29, 3.38, -32.42

 

CMYK 7 / 41 / 0 / 15

HEX #CB81DA

RGB 203 129 218

HSL 289.89, 0.55%, 0.68%

LAB 64.53, 42.97, -34.1

 

CMYK 10 / 0 / 41 / 15

HEX #C5DA81

RGB 197 218 129

HSL 74.16, 0.55%, 0.68%

LAB 83.76, -20.89, 41.42

 

CMYK 41 / 26 / 0 / 14

HEX #82A2DB

RGB 130 162 219

HSL 218.43, 0.55%, 0.68%

LAB 66.29, 3.38, -32.42

 

CMYK 0 / 41 / 26 / 15

HEX #DA81A1

RGB 218 129 161

HSL 338.43, 0.55%, 0.68%

LAB 64.31, 38.28, -2.16

 

CMYK 26 / 0 / 41 / 15

HEX #A1DA81

RGB 161 218 129

HSL 98.43, 0.55%, 0.68%

LAB 81.46, -34.08, 38.02

 

CMYK 41 / 26 / 0 / 14

HEX #82A2DB

RGB 130 162 219

HSL 218.43, 0.55%, 0.68%

LAB 66.29, 3.38, -32.42

 

CMYK 7 / 41 / 0 / 15

HEX #CB81DA

RGB 203 129 218

HSL 289.89, 0.55%, 0.68%

LAB 64.53, 42.97, -34.1

 

CMYK 0 / 15 / 41 / 15

HEX #DAB981

RGB 218 185 129

HSL 37.75, 0.55%, 0.68%

LAB 76.79, 4.26, 32.8

 

CMYK 34 / 0 / 41 / 15

HEX #8FDA81

RGB 143 218 129

HSL 110.56, 0.55%, 0.68%

LAB 80.5, -40.12, 36.59

 

CMYK 41 / 26 / 0 / 14

HEX #82A2DB

RGB 130 162 219

HSL 218.43, 0.55%, 0.68%

LAB 66.29, 3.38, -32.42

 

CMYK 0 / 41 / 6 / 15

HEX #DA81CE

RGB 218 129 206

HSL 308.09, 0.55%, 0.68%

LAB 65.8, 45.33, -25.31

 

CMYK 0 / 15 / 41 / 15

HEX #DAB981

RGB 218 185 129

HSL 37.75, 0.55%, 0.68%

LAB 76.79, 4.26, 32.8

 

CMYK 41 / 0 / 36 / 15

HEX #81DA8C

RGB 129 218 140

HSL 127.42, 0.55%, 0.68%

LAB 80.01, -42.75, 30.24

 

Description

Color code: HEX #82A2DB | qconv.com Color code: HEX #82A2DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 162 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 162 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 26 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 26% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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