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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #828D89 it is the complementary color #7D7276. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #828D89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #828D89: #878D84, #989F97, #A9B1AA, #BAC3BD and #CBD5D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #828D89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #828D89: #828D89, #717B76, #606963, #4F5750 and #3E453D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

Complementary color

CMYK 0 / 9 / 6 / 51

HEX #7D7276

RGB 125 114 118

HSL 338.18, 0.05%, 0.47%

LAB 49.13, 5.02, -0.67

 

CMYK 4 / 0 / 6 / 45

HEX #878D84

RGB 135 141 132

HSL 100, 0.04%, 0.54%

LAB 57.91, -3.95, 4.03

 

CMYK 4 / 0 / 5 / 38

HEX #989F97

RGB 152 159 151

HSL 112.5, 0.04%, 0.61%

LAB 64.73, -4.04, 3.3

 

CMYK 5 / 0 / 4 / 31

HEX #A9B1AA

RGB 169 177 170

HSL 127.5, 0.05%, 0.68%

LAB 71.41, -4.13, 2.6

 

CMYK 5 / 0 / 3 / 24

HEX #BAC3BD

RGB 186 195 189

HSL 140, 0.07%, 0.75%

LAB 77.96, -4.22, 1.93

 

CMYK 5 / 0 / 2 / 16

HEX #CBD5D0

RGB 203 213 208

HSL 150, 0.11%, 0.82%

LAB 84.4, -4.3, 1.29

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 8 / 0 / 4 / 52

HEX #717B76

RGB 113 123 118

HSL 150, 0.04%, 0.46%

LAB 50.67, -4.76, 1.45

 

CMYK 9 / 0 / 6 / 59

HEX #606963

RGB 96 105 99

HSL 140, 0.04%, 0.39%

LAB 43.49, -4.72, 2.19

 

CMYK 9 / 0 / 8 / 66

HEX #4F5750

RGB 79 87 80

HSL 127.5, 0.05%, 0.33%

LAB 36.1, -4.69, 2.98

 

CMYK 10 / 0 / 12 / 73

HEX #3E453D

RGB 62 69 61

HSL 112.5, 0.06%, 0.25%

LAB 28.43, -4.68, 3.86

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 9 / 0 / 2 / 45

HEX #818D8A

RGB 129 141 138

HSL 165, 0.05%, 0.53%

LAB 57.61, -4.96, 0.1

 

CMYK 9 / 0 / 1 / 45

HEX #818D8C

RGB 129 141 140

HSL 175, 0.05%, 0.53%

LAB 57.67, -4.54, -0.96

 

CMYK 9 / 1 / 0 / 45

HEX #818B8D

RGB 129 139 141

HSL 190, 0.05%, 0.53%

LAB 57.13, -3.21, -2.33

 

CMYK 9 / 3 / 0 / 45

HEX #81898D

RGB 129 137 141

HSL 200, 0.05%, 0.53%

LAB 56.57, -2.09, -3.15

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 8 / 0 / 3 / 25

HEX #B1C0BB

RGB 177 192 187

HSL 160, 0.11%, 0.72%

LAB 76.46, -6.1, 0.74

 

CMYK 8 / 0 / 3 / 5

HEX #E0F3EC

RGB 224 243 236

HSL 157.89, 0.44%, 0.92%

LAB 94.31, -7.51, 1.22

 

CMYK 8 / 0 / 3 / 85

HEX #242726

RGB 36 39 38

HSL 160, 0.04%, 0.15%

LAB 15.31, -1.6, 0.19

 

CMYK 8 / 0 / 3 / 65

HEX #535A57

RGB 83 90 87

HSL 154.29, 0.04%, 0.34%

LAB 37.55, -3.41, 0.78

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 9 / 7 / 0 / 45

HEX #81838D

RGB 129 131 141

HSL 230, 0.05%, 0.53%

LAB 54.89, 1.33, -5.63

 

CMYK 0 / 7 / 9 / 45

HEX #8D8381

RGB 141 131 129

HSL 10, 0.05%, 0.53%

LAB 55.56, 3.4, 2.43

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 4 / 9 / 0 / 45

HEX #88818D

RGB 136 129 141

HSL 275, 0.05%, 0.53%

LAB 54.93, 5.01, -5.51

 

CMYK 0 / 4 / 9 / 45

HEX #8D8881

RGB 141 136 129

HSL 35, 0.05%, 0.53%

LAB 56.93, 0.56, 4.41

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 9 / 7 / 0 / 45

HEX #81838D

RGB 129 131 141

HSL 230, 0.05%, 0.53%

LAB 54.89, 1.33, -5.63

 

CMYK 0 / 9 / 6 / 45

HEX #8D8185

RGB 141 129 133

HSL 340, 0.05%, 0.53%

LAB 55.13, 5.29, -0.52

 

CMYK 0 / 1 / 9 / 45

HEX #8D8B81

RGB 141 139 129

HSL 50, 0.05%, 0.53%

LAB 57.76, -1.13, 5.6

 

CMYK 8 / 0 / 3 / 45

HEX #828D89

RGB 130 141 137

HSL 158.18, 0.05%, 0.53%

LAB 57.66, -4.8, 0.75

 

CMYK 8 / 9 / 0 / 45

HEX #82818D

RGB 130 129 141

HSL 245, 0.05%, 0.53%

LAB 54.42, 2.84, -6.32

 

CMYK 0 / 9 / 6 / 45

HEX #8D8185

RGB 141 129 133

HSL 340, 0.05%, 0.53%

LAB 55.13, 5.29, -0.52

 

CMYK 1 / 0 / 9 / 45

HEX #8B8D81

RGB 139 141 129

HSL 70, 0.05%, 0.53%

LAB 58.15, -3.01, 6.14

 

Description

Color code: HEX #828D89 | qconv.com Color code: HEX #828D89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 141 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 141 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 3 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 3% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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