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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8288B7 it is the complementary color #7D7748. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8288B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8288B7 shade: #8788B2, #989AC5, #A9ACD8, #BABEEB and #CBD0FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8288B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8288B7 shade: #8288B7, #7176A4, #606491, #4F527E and #3E406B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8288B7 shade: #8187B6, #8981B6, #9881B6, #A681B6 and #B581B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8288B7 shade: #8187B6 and #8181B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8288B7 shade matches the following richer shades: #8187B6, #717AC6, #616ED7, #5061E7 and #4055F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8288B7 shade: #8187B6, #9193A6, #A1A096, #B1AC86 and #C1B976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8288B7 shade: #81A4B6, #8195B6, #8187B6, #8981B6 and #9781B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8288B7 shade: #535A91, #666EA7, #8187B6, #9BA0C5 and #B5B9D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8288B7 shade: #8288B7, #B681B2 and #9CB681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8288B7 shade: #8288B7, #B68187 and #87B681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8288B7 shade: #8288B7, #B681B2, #B6B081 and #81B685

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8288B7 shade: #8288B7, #B681A2, #B6B081 and #81B695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 26 / 0 / 28

HEX #8288B7

RGB 130 136 183

HSL 233.21, 0.27%, 0.61%

LAB 57.82, 8.68, -25.33

 

Complementary color

CMYK 0 / 5 / 42 / 51

HEX #7D7748

RGB 125 119 72

HSL 53.21, 0.27%, 0.39%

LAB 49.52, -5.06, 26.65

 

CMYK 24 / 24 / 0 / 30

HEX #8788B2

RGB 135 136 178

HSL 238.6, 0.22%, 0.61%

LAB 58.01, 8.98, -22.16

 

CMYK 23 / 22 / 0 / 23

HEX #989AC5

RGB 152 154 197

HSL 237.33, 0.28%, 0.68%

LAB 64.82, 8.6, -22.34

 

CMYK 22 / 20 / 0 / 15

HEX #A9ACD8

RGB 169 172 216

HSL 236.17, 0.38%, 0.75%

LAB 71.49, 8.25, -22.56

 

CMYK 21 / 19 / 0 / 8

HEX #BABEEB

RGB 186 190 235

HSL 235.1, 0.55%, 0.83%

LAB 78.03, 7.94, -22.79

 

CMYK 20 / 18 / 0 / 0

HEX #CBD0FE

RGB 203 208 254

HSL 234.12, 0.96%, 0.9%

LAB 84.47, 7.64, -23.04

 

CMYK 29 / 26 / 0 / 28

HEX #8288B7

RGB 130 136 183

HSL 233.21, 0.27%, 0.61%

LAB 57.82, 8.68, -25.33

 

CMYK 31 / 28 / 0 / 36

HEX #7176A4

RGB 113 118 164

HSL 234.12, 0.22%, 0.54%

LAB 50.86, 9.15, -25.24

 

CMYK 34 / 31 / 0 / 43

HEX #606491

RGB 96 100 145

HSL 235.1, 0.2%, 0.47%

LAB 43.72, 9.7, -25.21

 

CMYK 37 / 35 / 0 / 51

HEX #4F527E

RGB 79 82 126

HSL 236.17, 0.23%, 0.4%

LAB 36.37, 10.36, -25.23

 

CMYK 42 / 40 / 0 / 58

HEX #3E406B

RGB 62 64 107

HSL 237.33, 0.27%, 0.33%

LAB 28.78, 11.18, -25.35

 

CMYK 29 / 26 / 0 / 29

HEX #8187B6

RGB 129 135 182

HSL 233.21, 0.27%, 0.61%

LAB 57.44, 8.71, -25.36

 

CMYK 25 / 29 / 0 / 29

HEX #8981B6

RGB 137 129 182

HSL 249.06, 0.27%, 0.61%

LAB 56.48, 14.67, -26.78

 

CMYK 16 / 29 / 0 / 29

HEX #9881B6

RGB 152 129 182

HSL 266.04, 0.27%, 0.61%

LAB 57.8, 19.43, -24.64

 

CMYK 9 / 29 / 0 / 29

HEX #A681B6

RGB 166 129 182

HSL 281.89, 0.27%, 0.61%

LAB 59.15, 24.01, -22.46

 

CMYK 1 / 29 / 0 / 29

HEX #B581B6

RGB 181 129 182

HSL 298.87, 0.27%, 0.61%

LAB 60.69, 28.99, -19.95

 

CMYK 29 / 26 / 0 / 29

HEX #8187B6

RGB 129 135 182

HSL 233.21, 0.27%, 0.61%

LAB 57.44, 8.71, -25.36

 

CMYK 29 / 29 / 0 / 29

HEX #8181B6

RGB 129 129 182

HSL 240, 0.27%, 0.61%

LAB 55.83, 12.22, -27.84

 

CMYK 29 / 26 / 0 / 29

HEX #8187B6

RGB 129 135 182

HSL 233.21, 0.27%, 0.61%

LAB 57.44, 8.71, -25.36

 

CMYK 43 / 38 / 0 / 22

HEX #717AC6

RGB 113 122 198

HSL 233.65, 0.43%, 0.61%

LAB 53.5, 16.3, -40.71

 

CMYK 55 / 49 / 0 / 16

HEX #616ED7

RGB 97 110 215

HSL 233.39, 0.6%, 0.61%

LAB 50.22, 25.13, -55.68

 

CMYK 65 / 58 / 0 / 9

HEX #5061E7

RGB 80 97 231

HSL 233.25, 0.76%, 0.61%

LAB 47.01, 35.45, -69.97

 

CMYK 74 / 66 / 0 / 3

HEX #4055F7

RGB 64 85 247

HSL 233.11, 0.92%, 0.61%

LAB 44.66, 46.22, -82.82

 

CMYK 29 / 26 / 0 / 29

HEX #8187B6

RGB 129 135 182

HSL 233.21, 0.27%, 0.61%

LAB 57.44, 8.71, -25.36

 

CMYK 13 / 11 / 0 / 35

HEX #9193A6

RGB 145 147 166

HSL 234.29, 0.11%, 0.61%

LAB 61.34, 3.21, -10.21

 

CMYK 0 / 1 / 7 / 37

HEX #A1A096

RGB 161 160 150

HSL 54.55, 0.06%, 0.61%

LAB 65.69, -1.48, 5.33

 

CMYK 0 / 3 / 24 / 31

HEX #B1AC86

RGB 177 172 134

HSL 53.02, 0.22%, 0.61%

LAB 69.88, -4.46, 20.24

 

CMYK 0 / 4 / 39 / 24

HEX #C1B976

RGB 193 185 118

HSL 53.6, 0.38%, 0.61%

LAB 74.41, -7.02, 35.01

 

CMYK 29 / 10 / 0 / 29

HEX #81A4B6

RGB 129 164 182

HSL 200.38, 0.27%, 0.61%

LAB 65.43, -7.67, -13.19

 

CMYK 29 / 18 / 0 / 29

HEX #8195B6

RGB 129 149 182

HSL 217.36, 0.27%, 0.61%

LAB 61.25, 0.66, -19.51

 

CMYK 29 / 26 / 0 / 29

HEX #8187B6

RGB 129 135 182

HSL 233.21, 0.27%, 0.61%

LAB 57.44, 8.71, -25.36

 

CMYK 25 / 29 / 0 / 29

HEX #8981B6

RGB 137 129 182

HSL 249.06, 0.27%, 0.61%

LAB 56.48, 14.67, -26.78

 

CMYK 17 / 29 / 0 / 29

HEX #9781B6

RGB 151 129 182

HSL 264.91, 0.27%, 0.61%

LAB 57.71, 19.11, -24.79

 

CMYK 43 / 38 / 0 / 43

HEX #535A91

RGB 83 90 145

HSL 233.23, 0.27%, 0.45%

LAB 39.91, 12.16, -31.24

 

CMYK 39 / 34 / 0 / 35

HEX #666EA7

RGB 102 110 167

HSL 232.62, 0.27%, 0.53%

LAB 47.96, 11.58, -31.56

 

CMYK 29 / 26 / 0 / 29

HEX #8187B6

RGB 129 135 182

HSL 233.21, 0.27%, 0.61%

LAB 57.44, 8.71, -25.36

 

CMYK 21 / 19 / 0 / 23

HEX #9BA0C5

RGB 155 160 197

HSL 232.86, 0.27%, 0.69%

LAB 66.63, 6.17, -19.56

 

CMYK 15 / 13 / 0 / 16

HEX #B5B9D5

RGB 181 185 213

HSL 232.5, 0.28%, 0.77%

LAB 75.65, 4.26, -14.52

 

CMYK 29 / 26 / 0 / 28

HEX #8288B7

RGB 130 136 183

HSL 233.21, 0.27%, 0.61%

LAB 57.82, 8.68, -25.33

 

CMYK 0 / 29 / 2 / 29

HEX #B681B2

RGB 182 129 178

HSL 304.53, 0.27%, 0.61%

LAB 60.66, 28.57, -17.72

 

CMYK 14 / 0 / 29 / 29

HEX #9CB681

RGB 156 182 129

HSL 89.43, 0.27%, 0.61%

LAB 70.95, -18.44, 24.13

 

CMYK 29 / 26 / 0 / 28

HEX #8288B7

RGB 130 136 183

HSL 233.21, 0.27%, 0.61%

LAB 57.82, 8.68, -25.33

 

CMYK 0 / 29 / 26 / 29

HEX #B68187

RGB 182 129 135

HSL 353.21, 0.27%, 0.61%

LAB 59.34, 21.34, 4.95

 

CMYK 26 / 0 / 29 / 29

HEX #87B681

RGB 135 182 129

HSL 113.21, 0.27%, 0.61%

LAB 69.61, -26, 22.09

 

CMYK 29 / 26 / 0 / 28

HEX #8288B7

RGB 130 136 183

HSL 233.21, 0.27%, 0.61%

LAB 57.82, 8.68, -25.33

 

CMYK 0 / 29 / 2 / 29

HEX #B681B2

RGB 182 129 178

HSL 304.53, 0.27%, 0.61%

LAB 60.66, 28.57, -17.72

 

CMYK 0 / 3 / 29 / 29

HEX #B6B081

RGB 182 176 129

HSL 53.21, 0.27%, 0.61%

LAB 71.27, -5.32, 24.9

 

CMYK 29 / 0 / 27 / 29

HEX #81B685

RGB 129 182 133

HSL 124.53, 0.27%, 0.61%

LAB 69.34, -27.35, 19.51

 

CMYK 29 / 26 / 0 / 28

HEX #8288B7

RGB 130 136 183

HSL 233.21, 0.27%, 0.61%

LAB 57.82, 8.68, -25.33

 

CMYK 0 / 29 / 11 / 29

HEX #B681A2

RGB 182 129 162

HSL 322.64, 0.27%, 0.61%

LAB 60.12, 25.67, -9.4

 

CMYK 0 / 3 / 29 / 29

HEX #B6B081

RGB 182 176 129

HSL 53.21, 0.27%, 0.61%

LAB 71.27, -5.32, 24.9

 

CMYK 29 / 0 / 18 / 29

HEX #81B695

RGB 129 182 149

HSL 142.64, 0.27%, 0.61%

LAB 69.68, -24.37, 11.28

 

Description

Color code: HEX #8288B7 | qconv.com Color code: HEX #8288B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 136 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 136 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 26 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 26% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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