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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #822E81 it is the complementary color #7DD17E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #822E81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #822E81: #872E7C, #98408F, #A952A2, #BA64B5 and #CB76C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #822E81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #822E81: #822E81, #711C6E, #600A5B, #4F0048 and #3E0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

Complementary color

CMYK 40 / 0 / 40 / 18

HEX #7DD17E

RGB 125 209 126

HSL 120.71, 0.48%, 0.65%

LAB 76.96, -42.23, 33.36

 

CMYK 0 / 66 / 8 / 47

HEX #872E7C

RGB 135 46 124

HSL 307.42, 0.49%, 0.35%

LAB 35.12, 47.46, -25.45

 

CMYK 0 / 58 / 6 / 40

HEX #98408F

RGB 152 64 143

HSL 306.14, 0.41%, 0.42%

LAB 41.73, 47.27, -26.62

 

CMYK 0 / 51 / 4 / 34

HEX #A952A2

RGB 169 82 162

HSL 304.83, 0.35%, 0.49%

LAB 48.36, 46.76, -27.48

 

CMYK 0 / 46 / 3 / 27

HEX #BA64B5

RGB 186 100 181

HSL 303.49, 0.38%, 0.56%

LAB 54.96, 46.09, -28.15

 

CMYK 0 / 42 / 1 / 20

HEX #CB76C8

RGB 203 118 200

HSL 302.12, 0.45%, 0.63%

LAB 61.5, 45.36, -28.7

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 75 / 3 / 56

HEX #711C6E

RGB 113 28 110

HSL 302.12, 0.6%, 0.28%

LAB 28.03, 46.59, -28.02

 

CMYK 0 / 90 / 5 / 62

HEX #600A5B

RGB 96 10 91

HSL 303.49, 0.81%, 0.21%

LAB 21.8, 44.86, -25.68

 

CMYK 0 / 100 / 9 / 69

HEX #4F0048

RGB 79 0 72

HSL 305.32, 1%, 0.15%

LAB 16.16, 40.85, -21.96

 

CMYK 0 / 100 / 15 / 76

HEX #3E0035

RGB 62 0 53

HSL 308.71, 1%, 0.12%

LAB 11.14, 34.22, -16.65

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 65 / 11 / 48

HEX #842E75

RGB 132 46 117

HSL 310.47, 0.48%, 0.35%

LAB 34.28, 45.45, -22.42

 

CMYK 0 / 65 / 22 / 48

HEX #842E67

RGB 132 46 103

HSL 320.23, 0.48%, 0.35%

LAB 33.64, 43.24, -14.53

 

CMYK 0 / 65 / 33 / 48

HEX #842E59

RGB 132 46 89

HSL 330, 0.48%, 0.35%

LAB 33.09, 41.27, -6.38

 

CMYK 0 / 65 / 44 / 48

HEX #842E4A

RGB 132 46 74

HSL 340.47, 0.48%, 0.35%

LAB 32.6, 39.45, 2.62

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 65 / 1 / 29

HEX #B540B4

RGB 181 64 180

HSL 300.51, 0.48%, 0.48%

LAB 47.99, 61.29, -38.52

 

CMYK 0 / 65 / 1 / 9

HEX #E852E6

RGB 232 82 230

HSL 300.8, 0.77%, 0.62%

LAB 60.7, 74.59, -46.55

 

CMYK 0 / 64 / 0 / 89

HEX #1C0A1C

RGB 28 10 28

HSL 300, 0.47%, 0.07%

LAB 4.95, 11.32, -7.92

 

CMYK 0 / 65 / 1 / 69

HEX #4F1C4E

RGB 79 28 78

HSL 301.18, 0.48%, 0.21%

LAB 20.21, 31.43, -19.66

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 52 / 65 / 48

HEX #843F2E

RGB 132 63 46

HSL 11.86, 0.48%, 0.35%

LAB 35.32, 28.14, 24.08

 

CMYK 65 / 0 / 27 / 48

HEX #2E8461

RGB 46 132 97

HSL 155.58, 0.48%, 0.35%

LAB 49.43, -34.48, 11.47

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 0 / 65 / 48

HEX #84842E

RGB 132 132 46

HSL 60, 0.48%, 0.35%

LAB 53.61, -11.52, 44.79

 

CMYK 65 / 0 / 0 / 48

HEX #2E8484

RGB 46 132 132

HSL 180, 0.48%, 0.35%

LAB 50.39, -25.02, -7.56

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 52 / 65 / 48

HEX #843F2E

RGB 132 63 46

HSL 11.86, 0.48%, 0.35%

LAB 35.32, 28.14, 24.08

 

CMYK 65 / 0 / 65 / 48

HEX #2E842E

RGB 46 132 46

HSL 120, 0.48%, 0.35%

LAB 48.61, -43.47, 37.92

 

CMYK 65 / 14 / 0 / 48

HEX #2E7284

RGB 46 114 132

HSL 192.56, 0.48%, 0.35%

LAB 44.63, -15.43, -16.26

 

CMYK 0 / 65 / 1 / 49

HEX #822E81

RGB 130 46 129

HSL 300.71, 0.48%, 0.35%

LAB 34.57, 47, -29.5

 

CMYK 0 / 33 / 65 / 48

HEX #84592E

RGB 132 89 46

HSL 30, 0.48%, 0.35%

LAB 41.61, 13.09, 31.57

 

CMYK 65 / 0 / 65 / 48

HEX #2E842E

RGB 46 132 46

HSL 120, 0.48%, 0.35%

LAB 48.61, -43.47, 37.92

 

CMYK 65 / 33 / 0 / 48

HEX #2E5984

RGB 46 89 132

HSL 210, 0.48%, 0.35%

LAB 36.73, -0.53, -28.5

 

Description

Color code: HEX #822E81 | qconv.com Color code: HEX #822E81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 46 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 46 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 1 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 1% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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