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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81ACBD it is the complementary color #7E5342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81ACBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #81ACBD: #86ACB8, #97BECB, #A8D0DE, #B9E2F1 and #CAF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81ACBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #81ACBD: #81ACBD, #709AAA, #5F8897, #4E7684 and #3D6471

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

Complementary color

CMYK 0 / 34 / 48 / 51

HEX #7E5342

RGB 126 83 66

HSL 17, 0.31%, 0.38%

LAB 39.61, 15.81, 17.26

 

CMYK 27 / 7 / 0 / 28

HEX #86ACB8

RGB 134 172 184

HSL 194.4, 0.26%, 0.62%

LAB 68.05, -10.01, -10.35

 

CMYK 26 / 6 / 0 / 20

HEX #97BECB

RGB 151 190 203

HSL 195, 0.33%, 0.69%

LAB 74.65, -10.02, -10.81

 

CMYK 24 / 6 / 0 / 13

HEX #A8D0DE

RGB 168 208 222

HSL 195.56, 0.45%, 0.76%

LAB 81.13, -10.03, -11.26

 

CMYK 23 / 6 / 0 / 5

HEX #B9E2F1

RGB 185 226 241

HSL 196.07, 0.67%, 0.84%

LAB 87.51, -10.04, -11.7

 

CMYK 21 / 4 / 0 / 0

HEX #CAF4FF

RGB 202 244 255

HSL 192.45, 1%, 0.9%

LAB 93.66, -11.12, -9.76

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 34 / 9 / 0 / 33

HEX #709AAA

RGB 112 154 170

HSL 196.55, 0.25%, 0.55%

LAB 61.18, -10.24, -12.94

 

CMYK 37 / 10 / 0 / 41

HEX #5F8897

RGB 95 136 151

HSL 196.07, 0.23%, 0.48%

LAB 54.32, -10.18, -12.52

 

CMYK 41 / 11 / 0 / 48

HEX #4E7684

RGB 78 118 132

HSL 195.56, 0.26%, 0.41%

LAB 47.29, -10.11, -12.09

 

CMYK 46 / 12 / 0 / 56

HEX #3D6471

RGB 61 100 113

HSL 195, 0.3%, 0.34%

LAB 40.08, -9.99, -11.65

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 32 / 14 / 0 / 26

HEX #80A1BC

RGB 128 161 188

HSL 207, 0.31%, 0.62%

LAB 64.73, -4.83, -17.6

 

CMYK 32 / 20 / 0 / 26

HEX #8097BC

RGB 128 151 188

HSL 217, 0.31%, 0.62%

LAB 61.96, 0.76, -21.83

 

CMYK 32 / 25 / 0 / 26

HEX #808DBC

RGB 128 141 188

HSL 227, 0.31%, 0.62%

LAB 59.22, 6.48, -26.02

 

CMYK 32 / 30 / 0 / 26

HEX #8083BC

RGB 128 131 188

HSL 237, 0.31%, 0.62%

LAB 56.54, 12.31, -30.18

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 32 / 9 / 0 / 6

HEX #A4DAF0

RGB 164 218 240

HSL 197.37, 0.72%, 0.79%

LAB 84.14, -12.18, -16.36

 

CMYK 31 / 8 / 0 / 86

HEX #192124

RGB 25 33 36

HSL 196.36, 0.18%, 0.12%

LAB 12.1, -2.69, -3.21

 

CMYK 32 / 9 / 0 / 66

HEX #3B4F57

RGB 59 79 87

HSL 197.14, 0.19%, 0.29%

LAB 32.28, -5.54, -7.22

 

CMYK 32 / 9 / 0 / 46

HEX #5E7E8A

RGB 94 126 138

HSL 196.36, 0.19%, 0.45%

LAB 50.85, -8.28, -10.18

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 16 / 32 / 0 / 26

HEX #9D80BC

RGB 157 128 188

HSL 269, 0.31%, 0.62%

LAB 58.26, 22.97, -27.31

 

CMYK 0 / 4 / 32 / 26

HEX #BCB580

RGB 188 181 128

HSL 53, 0.31%, 0.62%

LAB 73.09, -5.72, 27.95

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 0 / 32 / 9 / 26

HEX #BC80AB

RGB 188 128 171

HSL 317, 0.31%, 0.62%

LAB 60.84, 29.9, -13.39

 

CMYK 9 / 0 / 32 / 26

HEX #ABBC80

RGB 171 188 128

HSL 77, 0.31%, 0.62%

LAB 73.66, -15.98, 28.48

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 16 / 32 / 0 / 26

HEX #9D80BC

RGB 157 128 188

HSL 269, 0.31%, 0.62%

LAB 58.26, 22.97, -27.31

 

CMYK 0 / 23 / 32 / 26

HEX #BC9180

RGB 188 145 128

HSL 17, 0.31%, 0.62%

LAB 63.75, 13.79, 15.26

 

CMYK 15 / 0 / 32 / 26

HEX #9FBC80

RGB 159 188 128

HSL 89, 0.31%, 0.62%

LAB 72.82, -20.5, 27.21

 

CMYK 32 / 9 / 0 / 26

HEX #81ACBD

RGB 129 172 189

HSL 197, 0.31%, 0.62%

LAB 67.91, -10.28, -13.36

 

CMYK 7 / 32 / 0 / 26

HEX #AF80BC

RGB 175 128 188

HSL 287, 0.31%, 0.62%

LAB 60.05, 28.76, -24.4

 

CMYK 0 / 23 / 32 / 26

HEX #BC9180

RGB 188 145 128

HSL 17, 0.31%, 0.62%

LAB 63.75, 13.79, 15.26

 

CMYK 25 / 0 / 32 / 26

HEX #8DBC80

RGB 141 188 128

HSL 107, 0.31%, 0.62%

LAB 71.68, -27, 25.49

 

Description

Color code: HEX #81ACBD | qconv.com Color code: HEX #81ACBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 172 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 172 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 9 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 9% 0% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - the Mighty Sparrow |...
Link: http://mightysparrow.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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