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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812D1B it is the complementary color #7ED2E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812D1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #812D1B: #862D16, #973F29, #A8513C, #B9634F and #CA7562

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812D1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #812D1B: #812D1B, #701B08, #5F0900, #4E0000 and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

Complementary color

CMYK 45 / 8 / 0 / 11

HEX #7ED2E4

RGB 126 210 228

HSL 190.59, 0.65%, 0.69%

LAB 79.69, -20.87, -16.85

 

CMYK 0 / 66 / 84 / 47

HEX #862D16

RGB 134 45 22

HSL 12.32, 0.72%, 0.31%

LAB 31.81, 36.94, 34.12

 

CMYK 0 / 58 / 73 / 41

HEX #973F29

RGB 151 63 41

HSL 12, 0.57%, 0.38%

LAB 38.37, 35.51, 31.39

 

CMYK 0 / 52 / 64 / 34

HEX #A8513C

RGB 168 81 60

HSL 11.67, 0.47%, 0.45%

LAB 44.99, 34.03, 28.92

 

CMYK 0 / 46 / 57 / 27

HEX #B9634F

RGB 185 99 79

HSL 11.32, 0.43%, 0.52%

LAB 51.61, 32.64, 26.78

 

CMYK 0 / 42 / 51 / 21

HEX #CA7562

RGB 202 117 98

HSL 10.96, 0.5%, 0.59%

LAB 58.19, 31.37, 24.92

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 0 / 76 / 93 / 56

HEX #701B08

RGB 112 27 8

HSL 10.96, 0.87%, 0.24%

LAB 24.47, 36.32, 32.55

 

CMYK 0 / 91 / 100 / 63

HEX #5F0900

RGB 95 9 0

HSL 5.68, 1%, 0.19%

LAB 18.49, 36.37, 28.25

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 0 / 53 / 79 / 49

HEX #823D1B

RGB 130 61 27

HSL 19.81, 0.66%, 0.31%

LAB 34.32, 27.3, 33.73

 

CMYK 0 / 39 / 79 / 49

HEX #824F1B

RGB 130 79 27

HSL 30.29, 0.66%, 0.31%

LAB 38.58, 16.96, 37.99

 

CMYK 0 / 26 / 79 / 49

HEX #82601B

RGB 130 96 27

HSL 40.19, 0.66%, 0.31%

LAB 43.05, 6.91, 42.31

 

CMYK 0 / 13 / 79 / 49

HEX #82711B

RGB 130 113 27

HSL 50.1, 0.66%, 0.31%

LAB 47.8, -2.94, 46.76

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 0 / 65 / 79 / 29

HEX #B43F26

RGB 180 63 38

HSL 10.56, 0.65%, 0.43%

LAB 43.36, 46.18, 39.89

 

CMYK 0 / 65 / 79 / 9

HEX #E75130

RGB 231 81 48

HSL 10.82, 0.79%, 0.55%

LAB 55.16, 56.47, 49.52

 

CMYK 0 / 67 / 78 / 89

HEX #1B0906

RGB 27 9 6

HSL 8.57, 0.64%, 0.06%

LAB 3.99, 6.67, 3.63

 

CMYK 0 / 65 / 79 / 69

HEX #4E1B10

RGB 78 27 16

HSL 10.65, 0.66%, 0.18%

LAB 17.65, 23.3, 19.41

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 29 / 0 / 79 / 49

HEX #5C821B

RGB 92 130 27

HSL 82.14, 0.66%, 0.31%

LAB 49.88, -29.07, 47.61

 

CMYK 79 / 61 / 0 / 49

HEX #1B3382

RGB 27 51 130

HSL 226.02, 0.66%, 0.31%

LAB 24.36, 21.34, -47.12

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 79 / 0 / 66 / 49

HEX #1B822C

RGB 27 130 44

HSL 129.9, 0.66%, 0.31%

LAB 47.47, -46.62, 37.45

 

CMYK 66 / 79 / 0 / 49

HEX #2C1B82

RGB 44 27 130

HSL 249.9, 0.66%, 0.31%

LAB 19.77, 38.76, -54.61

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 29 / 0 / 79 / 49

HEX #5C821B

RGB 92 130 27

HSL 82.14, 0.66%, 0.31%

LAB 49.88, -29.07, 47.61

 

CMYK 79 / 13 / 0 / 49

HEX #1B7182

RGB 27 113 130

HSL 189.9, 0.66%, 0.31%

LAB 43.73, -18.43, -16.48

 

CMYK 50 / 79 / 0 / 49

HEX #411B82

RGB 65 27 130

HSL 262.14, 0.66%, 0.31%

LAB 22.01, 41.67, -50.83

 

CMYK 0 / 65 / 79 / 49

HEX #812D1B

RGB 129 45 27

HSL 10.59, 0.65%, 0.31%

LAB 30.93, 35.23, 30.18

 

CMYK 53 / 0 / 79 / 49

HEX #3D821B

RGB 61 130 27

HSL 100.19, 0.66%, 0.31%

LAB 48.31, -40.32, 45.56

 

CMYK 79 / 13 / 0 / 49

HEX #1B7182

RGB 27 113 130

HSL 189.9, 0.66%, 0.31%

LAB 43.73, -18.43, -16.48

 

CMYK 26 / 79 / 0 / 49

HEX #601B82

RGB 96 27 130

HSL 280.19, 0.66%, 0.31%

LAB 26.4, 47.2, -43.5

 

Description

Color code: HEX #812D1B | qconv.com Color code: HEX #812D1B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 45 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 45 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 79 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 79% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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