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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807182 it is the complementary color #7F8E7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #807182: #85717D, #968390, #A795A3, #B8A7B6 and #C9B9C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #807182: #807182, #6F5F6F, #5E4D5C, #4D3B49 and #3C2936

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

Complementary color

CMYK 11 / 0 / 12 / 44

HEX #7F8E7D

RGB 127 142 125

HSL 112.94, 0.07%, 0.52%

LAB 57.4, -8.81, 7.23

 

CMYK 0 / 15 / 6 / 48

HEX #85717D

RGB 133 113 125

HSL 324, 0.08%, 0.48%

LAB 49.83, 10.03, -3.7

 

CMYK 0 / 13 / 4 / 41

HEX #968390

RGB 150 131 144

HSL 318.95, 0.08%, 0.55%

LAB 56.81, 9.6, -4.32

 

CMYK 0 / 11 / 2 / 35

HEX #A795A3

RGB 167 149 163

HSL 313.33, 0.09%, 0.62%

LAB 63.63, 9.21, -4.9

 

CMYK 0 / 9 / 1 / 28

HEX #B8A7B6

RGB 184 167 182

HSL 307.06, 0.11%, 0.69%

LAB 70.32, 8.86, -5.47

 

CMYK 0 / 8 / 0 / 21

HEX #C9B9C9

RGB 201 185 201

HSL 300, 0.13%, 0.76%

LAB 76.88, 8.54, -6.01

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 0 / 14 / 0 / 56

HEX #6F5F6F

RGB 111 95 111

HSL 300, 0.08%, 0.4%

LAB 42.33, 9.58, -6.67

 

CMYK 0 / 18 / 2 / 63

HEX #5E4D5C

RGB 94 77 92

HSL 307.06, 0.1%, 0.34%

LAB 34.92, 10.09, -6.11

 

CMYK 0 / 23 / 5 / 70

HEX #4D3B49

RGB 77 59 73

HSL 313.33, 0.13%, 0.27%

LAB 27.26, 10.69, -5.52

 

CMYK 0 / 32 / 10 / 76

HEX #3C2936

RGB 60 41 54

HSL 318.95, 0.19%, 0.2%

LAB 19.28, 11.42, -4.86

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 0 / 13 / 0 / 49

HEX #827182

RGB 130 113 130

HSL 300, 0.07%, 0.48%

LAB 49.7, 9.89, -6.89

 

CMYK 0 / 13 / 2 / 49

HEX #82717F

RGB 130 113 127

HSL 310.59, 0.07%, 0.48%

LAB 49.6, 9.28, -5.26

 

CMYK 0 / 13 / 5 / 49

HEX #82717C

RGB 130 113 124

HSL 321.18, 0.07%, 0.48%

LAB 49.51, 8.69, -3.62

 

CMYK 0 / 13 / 7 / 49

HEX #827179

RGB 130 113 121

HSL 331.76, 0.07%, 0.48%

LAB 49.42, 8.11, -1.97

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 2 / 13 / 0 / 29

HEX #B29DB5

RGB 178 157 181

HSL 292.5, 0.14%, 0.66%

LAB 67.21, 12.1, -9.58

 

CMYK 2 / 13 / 0 / 9

HEX #E4CAE8

RGB 228 202 232

HSL 292, 0.39%, 0.85%

LAB 84.26, 14.35, -11.47

 

CMYK 0 / 14 / 0 / 89

HEX #1C181C

RGB 28 24 28

HSL 300, 0.08%, 0.1%

LAB 8.86, 2.97, -2.08

 

CMYK 1 / 13 / 0 / 69

HEX #4E454F

RGB 78 69 79

HSL 294, 0.07%, 0.29%

LAB 30.5, 5.93, -4.59

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 0 / 12 / 13 / 49

HEX #827271

RGB 130 114 113

HSL 3.53, 0.07%, 0.48%

LAB 49.46, 6.04, 2.83

 

CMYK 13 / 0 / 7 / 49

HEX #718279

RGB 113 130 121

HSL 148.24, 0.07%, 0.48%

LAB 52.79, -8.09, 2.77

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 0 / 2 / 13 / 49

HEX #828071

RGB 130 128 113

HSL 52.94, 0.07%, 0.48%

LAB 53.36, -2.03, 8.41

 

CMYK 13 / 0 / 2 / 49

HEX #718280

RGB 113 130 128

HSL 172.94, 0.07%, 0.48%

LAB 52.99, -6.61, -1.02

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 0 / 12 / 13 / 49

HEX #827271

RGB 130 114 113

HSL 3.53, 0.07%, 0.48%

LAB 49.46, 6.04, 2.83

 

CMYK 11 / 0 / 13 / 49

HEX #748271

RGB 116 130 113

HSL 109.41, 0.07%, 0.48%

LAB 52.81, -8.57, 7.48

 

CMYK 13 / 1 / 0 / 49

HEX #718182

RGB 113 129 130

HSL 183.53, 0.07%, 0.48%

LAB 52.76, -5.61, -2.53

 

CMYK 2 / 13 / 0 / 49

HEX #807182

RGB 128 113 130

HSL 292.94, 0.07%, 0.48%

LAB 49.51, 9.14, -7.2

 

CMYK 0 / 8 / 13 / 49

HEX #827871

RGB 130 120 113

HSL 24.71, 0.07%, 0.48%

LAB 51.12, 2.55, 5.22

 

CMYK 11 / 0 / 13 / 49

HEX #748271

RGB 116 130 113

HSL 109.41, 0.07%, 0.48%

LAB 52.81, -8.57, 7.48

 

CMYK 13 / 5 / 0 / 49

HEX #717C82

RGB 113 124 130

HSL 201.18, 0.07%, 0.48%

LAB 51.31, -2.75, -4.66

 

Description

Color code: HEX #807182 | qconv.com Color code: HEX #807182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 113 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 113 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 13 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 13% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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