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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F9C2B it is the complementary color #8063D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F9C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F9C2B shade: #849C26, #95AE39, #A6C04C, #B7D25F and #C8E472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F9C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F9C2B shade: #7F9C2B, #6E8A18, #5D7805, #4C6600 and #3B5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F9C2B shade: #7F9C2B, #9C9B2B, #9C7C2B, #9C5E2B and #9C3F2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F9C2B shade: #7F9C2B, #609C2B, #429C2B, #2B9C32 and #2B9C51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F9C2B shade matches the following richer shades: #7F9C2B, #87AC1B and #8FBC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F9C2B shade: #7F9C2B, #778C3B, #6F7C4B, #686C5B and #605C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F9C2B shade: #9C7C2B, #9C9A2B, #809C2B, #629C2B and #439C2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F9C2B shade: #4A5B19, #657C22, #7F9C2B, #99BD34 and #ACCE4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F9C2B shade: #7F9C2B, #2B9C5E and #8B2B9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F9C2B shade: #7F9C2B, #2B809C and #9C2B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F9C2B shade: #7F9C2B, #2B9C5E, #472B9C and #9C2B69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F9C2B shade: #7F9C2B, #2B9C80, #472B9C and #9C2B47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

Complementary color

CMYK 40 / 53 / 0 / 17

HEX #8063D4

RGB 128 99 212

HSL 255.4, 0.57%, 0.61%

LAB 49.82, 37.72, -54.48

 

CMYK 15 / 0 / 76 / 39

HEX #849C26

RGB 132 156 38

HSL 72.2, 0.61%, 0.38%

LAB 60.62, -24.43, 54.96

 

CMYK 14 / 0 / 67 / 32

HEX #95AE39

RGB 149 174 57

HSL 72.82, 0.51%, 0.45%

LAB 67.24, -25.06, 54.78

 

CMYK 14 / 0 / 60 / 25

HEX #A6C04C

RGB 166 192 76

HSL 73.45, 0.48%, 0.53%

LAB 73.76, -25.53, 54.08

 

CMYK 13 / 0 / 55 / 18

HEX #B7D25F

RGB 183 210 95

HSL 74.09, 0.56%, 0.6%

LAB 80.17, -25.88, 53.13

 

CMYK 12 / 0 / 50 / 11

HEX #C8E472

RGB 200 228 114

HSL 74.74, 0.68%, 0.67%

LAB 86.49, -26.14, 52.07

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 20 / 0 / 83 / 46

HEX #6E8A18

RGB 110 138 24

HSL 74.74, 0.7%, 0.32%

LAB 53.55, -25.56, 52.35

 

CMYK 23 / 0 / 96 / 53

HEX #5D7805

RGB 93 120 5

HSL 74.09, 0.92%, 0.25%

LAB 46.67, -24.59, 50.51

 

CMYK 25 / 0 / 100 / 60

HEX #4C6600

RGB 76 102 0

HSL 75.29, 1%, 0.2%

LAB 39.65, -23.21, 45.73

 

CMYK 30 / 0 / 100 / 67

HEX #3B5400

RGB 59 84 0

HSL 77.86, 1%, 0.16%

LAB 32.41, -21.66, 39.71

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 0 / 1 / 72 / 39

HEX #9C9B2B

RGB 156 155 43

HSL 59.47, 0.57%, 0.39%

LAB 62.24, -13.22, 55.37

 

CMYK 0 / 21 / 72 / 39

HEX #9C7C2B

RGB 156 124 43

HSL 43.01, 0.57%, 0.39%

LAB 53.66, 3.69, 46.9

 

CMYK 0 / 40 / 72 / 39

HEX #9C5E2B

RGB 156 94 43

HSL 27.08, 0.57%, 0.39%

LAB 45.97, 20.8, 38.89

 

CMYK 0 / 60 / 72 / 39

HEX #9C3F2B

RGB 156 63 43

HSL 10.62, 0.57%, 0.39%

LAB 39.24, 37.55, 31.46

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 38 / 0 / 72 / 39

HEX #609C2B

RGB 96 156 43

HSL 91.86, 0.57%, 0.39%

LAB 58.45, -38.38, 50.26

 

CMYK 58 / 0 / 72 / 39

HEX #429C2B

RGB 66 156 43

HSL 107.79, 0.57%, 0.39%

LAB 57.18, -47.84, 48.56

 

CMYK 72 / 0 / 68 / 39

HEX #2B9C32

RGB 43 156 50

HSL 123.72, 0.57%, 0.39%

LAB 56.61, -52.33, 44.9

 

CMYK 72 / 0 / 48 / 39

HEX #2B9C51

RGB 43 156 81

HSL 140.18, 0.57%, 0.39%

LAB 56.96, -48.13, 30.36

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 22 / 0 / 84 / 33

HEX #87AC1B

RGB 135 172 27

HSL 75.31, 0.73%, 0.39%

LAB 65.54, -31.36, 62.72

 

CMYK 24 / 0 / 94 / 26

HEX #8FBC0B

RGB 143 188 11

HSL 75.25, 0.89%, 0.39%

LAB 70.75, -35.9, 70.06

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 15 / 0 / 58 / 45

HEX #778C3B

RGB 119 140 59

HSL 75.56, 0.41%, 0.39%

LAB 55.07, -20.39, 40.04

 

CMYK 10 / 0 / 40 / 51

HEX #6F7C4B

RGB 111 124 75

HSL 75.92, 0.25%, 0.39%

LAB 49.86, -13.48, 25.17

 

CMYK 4 / 0 / 16 / 58

HEX #686C5B

RGB 104 108 91

HSL 74.12, 0.09%, 0.39%

LAB 44.83, -4.87, 9

 

CMYK 10 / 14 / 0 / 58

HEX #605C6B

RGB 96 92 107

HSL 256, 0.08%, 0.39%

LAB 39.92, 4.86, -7.96

 

CMYK 0 / 21 / 72 / 39

HEX #9C7C2B

RGB 156 124 43

HSL 43.01, 0.57%, 0.39%

LAB 53.66, 3.69, 46.9

 

CMYK 0 / 1 / 72 / 39

HEX #9C9A2B

RGB 156 154 43

HSL 58.94, 0.57%, 0.39%

LAB 61.96, -12.7, 55.1

 

CMYK 18 / 0 / 72 / 39

HEX #809C2B

RGB 128 156 43

HSL 74.87, 0.57%, 0.39%

LAB 60.37, -25.84, 52.82

 

CMYK 37 / 0 / 72 / 39

HEX #629C2B

RGB 98 156 43

HSL 90.8, 0.57%, 0.39%

LAB 58.55, -37.66, 50.4

 

CMYK 57 / 0 / 72 / 39

HEX #439C2B

RGB 67 156 43

HSL 107.26, 0.57%, 0.39%

LAB 57.22, -47.57, 48.6

 

CMYK 19 / 0 / 73 / 64

HEX #4A5B19

RGB 74 91 25

HSL 75.45, 0.57%, 0.23%

LAB 36, -17.18, 34.34

 

CMYK 19 / 0 / 73 / 51

HEX #657C22

RGB 101 124 34

HSL 75.33, 0.57%, 0.31%

LAB 48.63, -21.88, 44

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 19 / 0 / 72 / 26

HEX #99BD34

RGB 153 189 52

HSL 75.77, 0.57%, 0.47%

LAB 71.84, -30.93, 61.37

 

CMYK 17 / 0 / 63 / 19

HEX #ACCE4C

RGB 172 206 76

HSL 75.69, 0.57%, 0.55%

LAB 78.13, -29.83, 58.95

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 72 / 0 / 40 / 39

HEX #2B9C5E

RGB 43 156 94

HSL 147.08, 0.57%, 0.39%

LAB 57.17, -45.76, 23.68

 

CMYK 11 / 72 / 0 / 39

HEX #8B2B9C

RGB 139 43 156

HSL 290.97, 0.57%, 0.39%

LAB 37.15, 55.44, -41.87

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 72 / 18 / 0 / 39

HEX #2B809C

RGB 43 128 156

HSL 194.87, 0.57%, 0.39%

LAB 49.92, -15.65, -22.32

 

CMYK 0 / 72 / 18 / 39

HEX #9C2B80

RGB 156 43 128

HSL 314.87, 0.57%, 0.39%

LAB 38.47, 54.82, -22.45

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 72 / 0 / 40 / 39

HEX #2B9C5E

RGB 43 156 94

HSL 147.08, 0.57%, 0.39%

LAB 57.17, -45.76, 23.68

 

CMYK 54 / 72 / 0 / 39

HEX #472B9C

RGB 71 43 156

HSL 254.87, 0.57%, 0.39%

LAB 28.03, 41.97, -57.07

 

CMYK 0 / 72 / 33 / 39

HEX #9C2B69

RGB 156 43 105

HSL 327.08, 0.57%, 0.39%

LAB 37.51, 51.75, -9.54

 

CMYK 19 / 0 / 72 / 39

HEX #7F9C2B

RGB 127 156 43

HSL 75.4, 0.57%, 0.39%

LAB 60.31, -26.26, 52.73

 

CMYK 72 / 0 / 18 / 39

HEX #2B9C80

RGB 43 156 128

HSL 165.13, 0.57%, 0.39%

LAB 57.89, -38.01, 5.71

 

CMYK 54 / 72 / 0 / 39

HEX #472B9C

RGB 71 43 156

HSL 254.87, 0.57%, 0.39%

LAB 28.03, 41.97, -57.07

 

CMYK 0 / 72 / 54 / 39

HEX #9C2B47

RGB 156 43 71

HSL 345.13, 0.57%, 0.39%

LAB 36.46, 48.28, 10.64

 

Description

Color code: HEX #7F9C2B | qconv.com Color code: HEX #7F9C2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 156 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 156 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 72 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 72% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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