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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F173B it is the complementary color #80E8C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F173B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7F173B: #841736, #952949, #A63B5C, #B74D6F and #C85F82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F173B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7F173B: #7F173B, #6E0528, #5D0015, #4C0002 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

Complementary color

CMYK 45 / 0 / 16 / 9

HEX #80E8C4

RGB 128 232 196

HSL 159.23, 0.69%, 0.71%

LAB 85.14, -38.56, 8.17

 

CMYK 0 / 83 / 59 / 48

HEX #841736

RGB 132 23 54

HSL 342.94, 0.7%, 0.3%

LAB 28.86, 46.45, 10.57

 

CMYK 0 / 72 / 51 / 42

HEX #952949

RGB 149 41 73

HSL 342.22, 0.57%, 0.37%

LAB 34.92, 47.02, 7

 

CMYK 0 / 64 / 45 / 35

HEX #A63B5C

RGB 166 59 92

HSL 341.5, 0.48%, 0.44%

LAB 41.23, 46.81, 4.32

 

CMYK 0 / 58 / 39 / 28

HEX #B74D6F

RGB 183 77 111

HSL 340.75, 0.42%, 0.51%

LAB 47.65, 46.21, 2.25

 

CMYK 0 / 53 / 35 / 22

HEX #C85F82

RGB 200 95 130

HSL 340, 0.49%, 0.58%

LAB 54.11, 45.44, 0.57

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 0 / 95 / 64 / 57

HEX #6E0528

RGB 110 5 40

HSL 340, 0.91%, 0.23%

LAB 22.22, 43.51, 10.32

 

CMYK 0 / 100 / 77 / 64

HEX #5D0015

RGB 93 0 21

HSL 346.45, 1%, 0.18%

LAB 17.37, 39.01, 16.74

 

CMYK 0 / 100 / 97 / 70

HEX #4C0002

RGB 76 0 2

HSL 358.42, 1%, 0.15%

LAB 12.87, 33.44, 19.36

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 0 / 82 / 67 / 51

HEX #7C1629

RGB 124 22 41

HSL 348.82, 0.7%, 0.29%

LAB 26.79, 43.46, 16.24

 

CMYK 0 / 82 / 81 / 51

HEX #7C1618

RGB 124 22 24

HSL 358.82, 0.7%, 0.29%

LAB 26.52, 42.61, 26.99

 

CMYK 0 / 69 / 82 / 51

HEX #7C2616

RGB 124 38 22

HSL 9.41, 0.7%, 0.29%

LAB 28.72, 36.4, 30.44

 

CMYK 0 / 56 / 82 / 51

HEX #7C3716

RGB 124 55 22

HSL 19.41, 0.7%, 0.29%

LAB 31.98, 27.84, 33.66

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 0 / 82 / 53 / 30

HEX #B22053

RGB 178 32 83

HSL 339.04, 0.7%, 0.41%

LAB 39.79, 59.09, 8.25

 

CMYK 0 / 82 / 54 / 10

HEX #E5296A

RGB 229 41 106

HSL 339.26, 0.78%, 0.53%

LAB 51.02, 71.91, 11.17

 

CMYK 0 / 80 / 52 / 90

HEX #19050C

RGB 25 5 12

HSL 339, 0.67%, 0.06%

LAB 3.09, 8.06, -0.2

 

CMYK 0 / 82 / 54 / 70

HEX #4C0E23

RGB 76 14 35

HSL 339.68, 0.69%, 0.18%

LAB 15.34, 30.32, 3.18

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 0 / 12 / 82 / 51

HEX #7C6D16

RGB 124 109 22

HSL 51.18, 0.7%, 0.29%

LAB 46.02, -3.72, 46.69

 

CMYK 82 / 20 / 0 / 51

HEX #16637C

RGB 22 99 124

HSL 194.71, 0.7%, 0.29%

LAB 38.81, -13.27, -20.43

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 53 / 0 / 82 / 51

HEX #3A7C16

RGB 58 124 22

HSL 98.82, 0.7%, 0.29%

LAB 46.14, -39.13, 45.12

 

CMYK 82 / 53 / 0 / 51

HEX #163A7C

RGB 22 58 124

HSL 218.82, 0.7%, 0.29%

LAB 25.72, 13.36, -41.15

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 0 / 12 / 82 / 51

HEX #7C6D16

RGB 124 109 22

HSL 51.18, 0.7%, 0.29%

LAB 46.02, -3.72, 46.69

 

CMYK 82 / 0 / 28 / 51

HEX #167C59

RGB 22 124 89

HSL 159.41, 0.7%, 0.29%

LAB 46.05, -36.72, 11.33

 

CMYK 82 / 69 / 0 / 51

HEX #16267C

RGB 22 38 124

HSL 230.59, 0.7%, 0.29%

LAB 20.09, 27.46, -50.32

 

CMYK 0 / 82 / 54 / 50

HEX #7F173B

RGB 127 23 59

HSL 339.23, 0.69%, 0.29%

LAB 27.95, 45.38, 5.78

 

CMYK 12 / 0 / 82 / 51

HEX #6D7C16

RGB 109 124 22

HSL 68.82, 0.7%, 0.29%

LAB 49.16, -18.97, 48.99

 

CMYK 82 / 0 / 28 / 51

HEX #167C59

RGB 22 124 89

HSL 159.41, 0.7%, 0.29%

LAB 46.05, -36.72, 11.33

 

CMYK 69 / 82 / 0 / 51

HEX #26167C

RGB 38 22 124

HSL 249.41, 0.7%, 0.29%

LAB 17.65, 38.79, -54.31

 

Description

Color code: HEX #7F173B | qconv.com Color code: HEX #7F173B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 23 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 23 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 54 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 54% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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