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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E5D54 it is the complementary color #81A2AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E5D54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E5D54 shade: #835D4F, #946F62, #A58175, #B69388 and #C7A59B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E5D54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E5D54 shade: #7E5D54, #6D4B41, #5C392E, #4B271B and #3A1508

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E5D54 shade: #7D5D54 and #7D5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E5D54 shade: #7D5D54, #7D6854, #7D7354, #7C7D54 and #717D54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E5D54 shade matches the following richer shades: #7D5D54, #8E5343, #9F4932, #B04021 and #C13610

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E5D54 shade: #7D5D54, #6D6665, #5C7075, #4B7A86 and #3A8397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E5D54 shade: #7D5462, #7D5456, #7D5C54, #7D6754 and #7D7254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E5D54 shade: #4C3833, #654A43, #7D5D54, #966F64 and #A8857C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E5D54 shade: #7E5D54, #6D7D54 and #545C7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E5D54 shade: #7E5D54, #547D5C and #5C547D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E5D54 shade: #7E5D54, #6D7D54, #54757D and #64547D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E5D54 shade: #7E5D54, #607D54, #54757D and #71547D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 33 / 51

HEX #7E5D54

RGB 126 93 84

HSL 12.86, 0.2%, 0.41%

LAB 42.62, 12.14, 10.43

 

Complementary color

CMYK 25 / 5 / 0 / 33

HEX #81A2AB

RGB 129 162 171

HSL 192.86, 0.2%, 0.59%

LAB 64.52, -9.22, -8.4

 

CMYK 0 / 29 / 40 / 49

HEX #835D4F

RGB 131 93 79

HSL 16.15, 0.25%, 0.41%

LAB 43.09, 13.6, 14.2

 

CMYK 0 / 25 / 34 / 42

HEX #946F62

RGB 148 111 98

HSL 15.6, 0.2%, 0.48%

LAB 50.15, 12.76, 12.93

 

CMYK 0 / 22 / 29 / 35

HEX #A58175

RGB 165 129 117

HSL 15, 0.21%, 0.55%

LAB 57.06, 12.05, 11.8

 

CMYK 0 / 19 / 25 / 29

HEX #B69388

RGB 182 147 136

HSL 14.35, 0.24%, 0.62%

LAB 63.83, 11.44, 10.78

 

CMYK 0 / 17 / 22 / 22

HEX #C7A59B

RGB 199 165 155

HSL 13.64, 0.28%, 0.69%

LAB 70.47, 10.9, 9.84

 

CMYK 0 / 26 / 33 / 51

HEX #7E5D54

RGB 126 93 84

HSL 12.86, 0.2%, 0.41%

LAB 42.62, 12.14, 10.43

 

CMYK 0 / 31 / 40 / 57

HEX #6D4B41

RGB 109 75 65

HSL 13.64, 0.25%, 0.34%

LAB 35.33, 13.02, 11.73

 

CMYK 0 / 38 / 50 / 64

HEX #5C392E

RGB 92 57 46

HSL 14.35, 0.33%, 0.27%

LAB 27.84, 14.12, 13.29

 

CMYK 0 / 48 / 64 / 71

HEX #4B271B

RGB 75 39 27

HSL 15, 0.47%, 0.2%

LAB 20.15, 15.53, 15.25

 

CMYK 0 / 64 / 86 / 77

HEX #3A1508

RGB 58 21 8

HSL 15.6, 0.76%, 0.13%

LAB 12.31, 17.32, 15.47

 

CMYK 0 / 26 / 33 / 51

HEX #7D5D54

RGB 125 93 84

HSL 13.17, 0.2%, 0.41%

LAB 42.5, 11.71, 10.25

 

CMYK 0 / 33 / 33 / 51

HEX #7D5454

RGB 125 84 84

HSL 0, 0.2%, 0.41%

LAB 40.15, 17.09, 6.94

 

CMYK 0 / 26 / 33 / 51

HEX #7D5D54

RGB 125 93 84

HSL 13.17, 0.2%, 0.41%

LAB 42.5, 11.71, 10.25

 

CMYK 0 / 17 / 33 / 51

HEX #7D6854

RGB 125 104 84

HSL 29.27, 0.2%, 0.41%

LAB 45.5, 5.17, 14.4

 

CMYK 0 / 8 / 33 / 51

HEX #7D7354

RGB 125 115 84

HSL 45.37, 0.2%, 0.41%

LAB 48.59, -1.24, 18.59

 

CMYK 1 / 0 / 33 / 51

HEX #7C7D54

RGB 124 125 84

HSL 61.46, 0.2%, 0.41%

LAB 51.37, -7.34, 22.28

 

CMYK 10 / 0 / 33 / 51

HEX #717D54

RGB 113 125 84

HSL 77.56, 0.2%, 0.41%

LAB 50.47, -11.93, 20.93

 

CMYK 0 / 26 / 33 / 51

HEX #7D5D54

RGB 125 93 84

HSL 13.17, 0.2%, 0.41%

LAB 42.5, 11.71, 10.25

 

CMYK 0 / 42 / 53 / 44

HEX #8E5343

RGB 142 83 67

HSL 12.8, 0.36%, 0.41%

LAB 41.76, 22.82, 19.89

 

CMYK 0 / 54 / 69 / 38

HEX #9F4932

RGB 159 73 50

HSL 12.66, 0.52%, 0.41%

LAB 41.79, 34.02, 30.52

 

CMYK 0 / 64 / 81 / 31

HEX #B04021

RGB 176 64 33

HSL 13.01, 0.68%, 0.41%

LAB 42.77, 44.12, 41.64

 

CMYK 0 / 72 / 92 / 24

HEX #C13610

RGB 193 54 16

HSL 12.88, 0.85%, 0.41%

LAB 44.25, 53.69, 51.45

 

CMYK 0 / 26 / 33 / 51

HEX #7D5D54

RGB 125 93 84

HSL 13.17, 0.2%, 0.41%

LAB 42.5, 11.71, 10.25

 

CMYK 0 / 6 / 7 / 57

HEX #6D6665

RGB 109 102 101

HSL 7.5, 0.04%, 0.41%

LAB 43.79, 2.56, 1.55

 

CMYK 21 / 4 / 0 / 54

HEX #5C7075

RGB 92 112 117

HSL 192, 0.12%, 0.41%

LAB 45.84, -6.18, -5.24

 

CMYK 44 / 9 / 0 / 47

HEX #4B7A86

RGB 75 122 134

HSL 192.2, 0.28%, 0.41%

LAB 48.43, -12.63, -11.57

 

CMYK 62 / 13 / 0 / 41

HEX #3A8397

RGB 58 131 151

HSL 192.9, 0.44%, 0.41%

LAB 51.11, -16.42, -17.54

 

CMYK 0 / 33 / 22 / 51

HEX #7D5462

RGB 125 84 98

HSL 339.51, 0.2%, 0.41%

LAB 40.54, 19.27, -1.15

 

CMYK 0 / 33 / 31 / 51

HEX #7D5456

RGB 125 84 86

HSL 357.07, 0.2%, 0.41%

LAB 40.2, 17.39, 5.78

 

CMYK 0 / 26 / 33 / 51

HEX #7D5C54

RGB 125 92 84

HSL 11.71, 0.2%, 0.41%

LAB 42.24, 12.31, 9.88

 

CMYK 0 / 18 / 33 / 51

HEX #7D6754

RGB 125 103 84

HSL 27.8, 0.2%, 0.41%

LAB 45.22, 5.76, 14.02

 

CMYK 0 / 9 / 33 / 51

HEX #7D7254

RGB 125 114 84

HSL 43.9, 0.2%, 0.41%

LAB 48.3, -0.66, 18.21

 

CMYK 0 / 26 / 33 / 70

HEX #4C3833

RGB 76 56 51

HSL 12, 0.2%, 0.25%

LAB 25.57, 8.05, 6.57

 

CMYK 0 / 27 / 34 / 60

HEX #654A43

RGB 101 74 67

HSL 12.35, 0.2%, 0.33%

LAB 34.13, 10.38, 8.65

 

CMYK 0 / 26 / 33 / 51

HEX #7D5D54

RGB 125 93 84

HSL 13.17, 0.2%, 0.41%

LAB 42.5, 11.71, 10.25

 

CMYK 0 / 26 / 33 / 41

HEX #966F64

RGB 150 111 100

HSL 13.2, 0.2%, 0.49%

LAB 50.42, 13.86, 12.16

 

CMYK 0 / 21 / 26 / 34

HEX #A8857C

RGB 168 133 124

HSL 12.27, 0.2%, 0.57%

LAB 58.56, 12, 9.94

 

CMYK 0 / 26 / 33 / 51

HEX #7E5D54

RGB 126 93 84

HSL 12.86, 0.2%, 0.41%

LAB 42.62, 12.14, 10.43

 

CMYK 13 / 0 / 33 / 51

HEX #6D7D54

RGB 109 125 84

HSL 83.41, 0.2%, 0.41%

LAB 50.17, -13.56, 20.46

 

CMYK 33 / 26 / 0 / 51

HEX #545C7D

RGB 84 92 125

HSL 228.29, 0.2%, 0.41%

LAB 39.61, 5.31, -19.56

 

CMYK 0 / 26 / 33 / 51

HEX #7E5D54

RGB 126 93 84

HSL 12.86, 0.2%, 0.41%

LAB 42.62, 12.14, 10.43

 

CMYK 33 / 0 / 26 / 51

HEX #547D5C

RGB 84 125 92

HSL 131.71, 0.2%, 0.41%

LAB 48.67, -21.64, 13.55

 

CMYK 26 / 33 / 0 / 51

HEX #5C547D

RGB 92 84 125

HSL 251.71, 0.2%, 0.41%

LAB 38.02, 12.93, -21.97

 

CMYK 0 / 26 / 33 / 51

HEX #7E5D54

RGB 126 93 84

HSL 12.86, 0.2%, 0.41%

LAB 42.62, 12.14, 10.43

 

CMYK 13 / 0 / 33 / 51

HEX #6D7D54

RGB 109 125 84

HSL 83.41, 0.2%, 0.41%

LAB 50.17, -13.56, 20.46

 

CMYK 33 / 6 / 0 / 51

HEX #54757D

RGB 84 117 125

HSL 191.71, 0.2%, 0.41%

LAB 47.09, -9.66, -8.2

 

CMYK 20 / 33 / 0 / 51

HEX #64547D

RGB 100 84 125

HSL 263.41, 0.2%, 0.41%

LAB 38.78, 15.6, -20.73

 

CMYK 0 / 26 / 33 / 51

HEX #7E5D54

RGB 126 93 84

HSL 12.86, 0.2%, 0.41%

LAB 42.62, 12.14, 10.43

 

CMYK 23 / 0 / 33 / 51

HEX #607D54

RGB 96 125 84

HSL 102.44, 0.2%, 0.41%

LAB 49.25, -18.7, 19.07

 

CMYK 33 / 6 / 0 / 51

HEX #54757D

RGB 84 117 125

HSL 191.71, 0.2%, 0.41%

LAB 47.09, -9.66, -8.2

 

CMYK 10 / 33 / 0 / 51

HEX #71547D

RGB 113 84 125

HSL 282.44, 0.2%, 0.41%

LAB 40.13, 20.09, -18.53

 

Description

Color code: HEX #7E5D54 | qconv.com Color code: HEX #7E5D54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 93 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 93 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 33 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 33% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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