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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D4B80 it is the complementary color #82B47F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D4B80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7D4B80: #824B7B, #935D8E, #A46FA1, #B581B4 and #C693C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D4B80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7D4B80: #7D4B80, #6C396D, #5B275A, #4A1547 and #390334

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

Complementary color

CMYK 28 / 0 / 29 / 29

HEX #82B47F

RGB 130 180 127

HSL 116.6, 0.26%, 0.6%

LAB 68.69, -27.07, 21.87

 

CMYK 0 / 42 / 5 / 49

HEX #824B7B

RGB 130 75 123

HSL 307.64, 0.27%, 0.4%

LAB 39.93, 30.9, -17.44

 

CMYK 0 / 37 / 3 / 42

HEX #935D8E

RGB 147 93 142

HSL 305.56, 0.23%, 0.47%

LAB 46.95, 30.1, -18

 

CMYK 0 / 32 / 2 / 36

HEX #A46FA1

RGB 164 111 161

HSL 303.4, 0.23%, 0.54%

LAB 53.85, 29.33, -18.48

 

CMYK 0 / 29 / 1 / 29

HEX #B581B4

RGB 181 129 180

HSL 301.15, 0.26%, 0.61%

LAB 60.62, 28.61, -18.93

 

CMYK 1 / 26 / 0 / 22

HEX #C693C7

RGB 198 147 199

HSL 298.85, 0.32%, 0.68%

LAB 67.27, 27.94, -19.34

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 1 / 48 / 0 / 57

HEX #6C396D

RGB 108 57 109

HSL 298.85, 0.31%, 0.33%

LAB 32.3, 31.02, -20.73

 

CMYK 0 / 57 / 1 / 64

HEX #5B275A

RGB 91 39 90

HSL 301.15, 0.4%, 0.25%

LAB 24.99, 31.74, -20.04

 

CMYK 0 / 72 / 4 / 71

HEX #4A1547

RGB 74 21 71

HSL 303.4, 0.56%, 0.19%

LAB 17.68, 32.02, -18.92

 

CMYK 0 / 95 / 9 / 78

HEX #390334

RGB 57 3 52

HSL 305.56, 0.9%, 0.12%

LAB 10.43, 31.52, -17.12

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 0 / 41 / 4 / 50

HEX #804B7B

RGB 128 75 123

HSL 305.66, 0.26%, 0.4%

LAB 39.67, 30.22, -17.87

 

CMYK 0 / 41 / 11 / 50

HEX #804B72

RGB 128 75 114

HSL 315.85, 0.26%, 0.4%

LAB 39.3, 28.51, -12.87

 

CMYK 0 / 41 / 18 / 50

HEX #804B69

RGB 128 75 105

HSL 326.04, 0.26%, 0.4%

LAB 38.97, 26.92, -7.78

 

CMYK 0 / 41 / 25 / 50

HEX #804B60

RGB 128 75 96

HSL 336.23, 0.26%, 0.4%

LAB 38.67, 25.44, -2.62

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 2 / 41 / 0 / 30

HEX #AF69B3

RGB 175 105 179

HSL 296.76, 0.33%, 0.56%

LAB 54.52, 39.7, -27.78

 

CMYK 2 / 41 / 0 / 10

HEX #E187E6

RGB 225 135 230

HSL 296.84, 0.66%, 0.72%

LAB 68.79, 48.65, -33.95

 

CMYK 4 / 42 / 0 / 90

HEX #190F1A

RGB 25 15 26

HSL 294.55, 0.27%, 0.08%

LAB 5.63, 6.81, -5.38

 

CMYK 3 / 42 / 0 / 70

HEX #4B2D4D

RGB 75 45 77

HSL 296.25, 0.26%, 0.24%

LAB 23.37, 19.88, -14.12

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 0 / 36 / 41 / 50

HEX #80524B

RGB 128 82 75

HSL 7.92, 0.26%, 0.4%

LAB 39.8, 18.34, 12.06

 

CMYK 41 / 0 / 20 / 50

HEX #4B8067

RGB 75 128 103

HSL 151.7, 0.26%, 0.4%

LAB 49.39, -23.79, 8.09

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 0 / 3 / 41 / 50

HEX #807C4B

RGB 128 124 75

HSL 55.47, 0.26%, 0.4%

LAB 51.28, -6.21, 27.28

 

CMYK 41 / 0 / 3 / 50

HEX #4B807C

RGB 75 128 124

HSL 175.47, 0.26%, 0.4%

LAB 49.97, -18.66, -3.39

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 0 / 36 / 41 / 50

HEX #80524B

RGB 128 82 75

HSL 7.92, 0.26%, 0.4%

LAB 39.8, 18.34, 12.06

 

CMYK 38 / 0 / 41 / 50

HEX #4F804B

RGB 79 128 75

HSL 115.47, 0.26%, 0.4%

LAB 49.02, -27.94, 23.67

 

CMYK 41 / 5 / 0 / 50

HEX #4B7980

RGB 75 121 128

HSL 187.92, 0.26%, 0.4%

LAB 47.92, -13.76, -8.79

 

CMYK 2 / 41 / 0 / 50

HEX #7D4B80

RGB 125 75 128

HSL 296.6, 0.26%, 0.4%

LAB 39.5, 30.21, -21.23

 

CMYK 0 / 23 / 41 / 50

HEX #80624B

RGB 128 98 75

HSL 26.04, 0.26%, 0.4%

LAB 43.99, 8.82, 17.76

 

CMYK 38 / 0 / 41 / 50

HEX #4F804B

RGB 79 128 75

HSL 115.47, 0.26%, 0.4%

LAB 49.02, -27.94, 23.67

 

CMYK 41 / 18 / 0 / 50

HEX #4B6980

RGB 75 105 128

HSL 206.04, 0.26%, 0.4%

LAB 43, -4.53, -16.23

 

Description

Color code: HEX #7D4B80 | qconv.com Color code: HEX #7D4B80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 75 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 75 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 41 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 41% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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