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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CB9FABF it is the complementary color #834605BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CB9FABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CB9FABF shade: #81B9F5BF, #92CBFFBF, #A3DDFFBF, #B4EFFFBF and #C5FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CB9FABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CB9FABF shade: #7CB9FABF, #6BA7E7BF, #5A95D4BF, #4983C1BF and #3871AEBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CB9FABF shade: #7AB8FA, #7A96FA, #817AFA, #A47AFA and #C67AFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CB9FABF shade: #7AB8FA, #7A96FA and #7A7AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CB9FABF shade matches the following richer shades: #7AB8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CB9FABF shade: #7AB8FA, #85B8EF, #90B9E4, #9CB9D9 and #A7BACE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CB9FABF shade: #7AFAF6, #7ADCFA, #7ABAFA, #7A98FA and #7E7AFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CB9FABF shade: #2A8EF7, #52A3F9, #7AB8FA, #A2CDFC and #CAE3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CB9FABF shade: #7CB9FA, #D47AFA and #EDFA7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CB9FABF shade: #7CB9FA, #FA7ABA and #BAFA7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CB9FABF shade: #7CB9FA, #D47AFA, #FABA7A and #A1FA7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CB9FABF shade: #7CB9FA, #FA7AFA, #FABA7A and #7AFA7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 20 / 0 / 1

HEX #7CB9FABF

RGBA 124 185 250 0.75

HSLA 210.95, 0.93%, 0.73%, 0.75

LABA 73.47, -2.06, -38.21, 0.75

 

Complementary color

CMYK 0 / 35 / 72 / 36

HEX #834605BF

RGBA 131 70 5 0.75

HSLA 30.95, 0.93%, 0.27%, 0.75

LABA 36.4, 22, 44.49, 0.75

 

CMYK 36 / 18 / 0 / 3

HEX #81B9F5BF

RGBA 129 185 245 0.75

HSLA 211.03, 0.85%, 0.73%, 0.75

LABA 73.52, -2.36, -35.42, 0.75

 

CMYK 32 / 15 / 0 / 0

HEX #92CBFFBF

RGBA 146 203 255 0.75

HSLA 208.62, 1%, 0.79%, 0.75

LABA 79.64, -5.24, -31.26, 0.75

 

CMYK 27 / 10 / 0 / 0

HEX #A3DDFFBF

RGBA 163 221 255 0.75

HSLA 202.17, 1%, 0.82%, 0.75

LABA 85.36, -10.36, -22.44, 0.75

 

CMYK 22 / 5 / 0 / 0

HEX #B4EFFFBF

RGBA 180 239 255 0.75

HSLA 192.8, 1%, 0.85%, 0.75

LABA 91.08, -14.93, -13.74, 0.75

 

CMYK 17 / 0 / 0 / 0

HEX #C5FFFFBF

RGBA 197 255 255 0.75

HSLA 180, 1%, 0.89%, 0.75

LABA 96.25, -18.06, -5.95, 0.75

 

CMYK 38 / 20 / 0 / 1

HEX #7CB9FABF

RGBA 124 185 250 0.75

HSLA 210.95, 0.93%, 0.73%, 0.75

LABA 73.47, -2.06, -38.21, 0.75

 

CMYK 40 / 21 / 0 / 7

HEX #6BA7E7BF

RGBA 107 167 231 0.75

HSLA 210.97, 0.72%, 0.66%, 0.75

LABA 66.92, -1.44, -38.13, 0.75

 

CMYK 43 / 22 / 0 / 13

HEX #5A95D4BF

RGBA 90 149 212 0.75

HSLA 210.98, 0.59%, 0.59%, 0.75

LABA 60.27, -0.68, -38.07, 0.75

 

CMYK 47 / 24 / 0 / 18

HEX #4983C1BF

RGBA 73 131 193 0.75

HSLA 211, 0.49%, 0.52%, 0.75

LABA 53.49, 0.27, -38.03, 0.75

 

CMYK 51 / 26 / 0 / 24

HEX #3871AEBF

RGBA 56 113 174 0.75

HSLA 211.02, 0.51%, 0.45%, 0.75

LABA 46.59, 1.48, -38, 0.75

 

CMYK 51 / 26 / 0 / 2

HEX #7AB8FA

RGB 122 184 250

HSL 210.94, 0.93%, 0.73%

LAB 73.1, -1.95, -38.79

 

CMYK 51 / 40 / 0 / 2

HEX #7A96FA

RGB 122 150 250

HSL 226.88, 0.93%, 0.73%

LAB 64.04, 17.39, -53.03

 

CMYK 48 / 51 / 0 / 2

HEX #817AFA

RGB 129 122 250

HSL 243.28, 0.93%, 0.73%

LAB 57.55, 35.35, -63.37

 

CMYK 34 / 51 / 0 / 2

HEX #A47AFA

RGB 164 122 250

HSL 259.69, 0.93%, 0.73%

LAB 60.53, 43.34, -58.43

 

CMYK 21 / 51 / 0 / 2

HEX #C67AFA

RGB 198 122 250

HSL 275.63, 0.93%, 0.73%

LAB 64.02, 51.88, -52.66

 

CMYK 51 / 26 / 0 / 2

HEX #7AB8FA

RGB 122 184 250

HSL 210.94, 0.93%, 0.73%

LAB 73.1, -1.95, -38.79

 

CMYK 51 / 40 / 0 / 2

HEX #7A96FA

RGB 122 150 250

HSL 226.88, 0.93%, 0.73%

LAB 64.04, 17.39, -53.03

 

CMYK 51 / 51 / 0 / 2

HEX #7A7AFA

RGB 122 122 250

HSL 240, 0.93%, 0.73%

LAB 57.04, 33.9, -64.22

 

CMYK 51 / 26 / 0 / 2

HEX #7AB8FA

RGB 122 184 250

HSL 210.94, 0.93%, 0.73%

LAB 73.1, -1.95, -38.79

 

CMYK 51 / 26 / 0 / 2

HEX #7AB8FA

RGB 122 184 250

HSL 210.94, 0.93%, 0.73%

LAB 73.1, -1.95, -38.79

 

CMYK 44 / 23 / 0 / 6

HEX #85B8EF

RGB 133 184 239

HSL 211.13, 0.77%, 0.73%

LAB 73.22, -2.54, -32.62

 

CMYK 37 / 19 / 0 / 11

HEX #90B9E4

RGB 144 185 228

HSL 210.71, 0.61%, 0.73%

LAB 73.69, -3.21, -25.87

 

CMYK 28 / 15 / 0 / 15

HEX #9CB9D9

RGB 156 185 217

HSL 211.48, 0.45%, 0.73%

LAB 74.05, -2.56, -19.29

 

CMYK 19 / 10 / 0 / 19

HEX #A7BACE

RGB 167 186 206

HSL 210.77, 0.28%, 0.73%

LAB 74.69, -2.27, -12.26

 

CMYK 51 / 0 / 2 / 2

HEX #7AFAF6

RGB 122 250 246

HSL 178.13, 0.93%, 0.73%

LAB 91.31, -36.38, -8.98

 

CMYK 51 / 12 / 0 / 2

HEX #7ADCFA

RGB 122 220 250

HSL 194.06, 0.93%, 0.73%

LAB 83.03, -20.9, -23.51

 

CMYK 51 / 26 / 0 / 2

HEX #7ABAFA

RGB 122 186 250

HSL 210, 0.93%, 0.73%

LAB 73.65, -3.05, -37.94

 

CMYK 51 / 39 / 0 / 2

HEX #7A98FA

RGB 122 152 250

HSL 225.94, 0.93%, 0.73%

LAB 64.56, 16.22, -52.2

 

CMYK 50 / 51 / 0 / 2

HEX #7E7AFA

RGB 126 122 250

HSL 241.88, 0.93%, 0.73%

LAB 57.32, 34.72, -63.74

 

CMYK 83 / 43 / 0 / 3

HEX #2A8EF7

RGB 42 142 247

HSL 210.73, 0.93%, 0.57%

LAB 58.56, 8.99, -60.31

 

CMYK 67 / 35 / 0 / 2

HEX #52A3F9

RGB 82 163 249

HSL 210.9, 0.93%, 0.65%

LAB 65.61, 2.02, -50.11

 

CMYK 51 / 26 / 0 / 2

HEX #7AB8FA

RGB 122 184 250

HSL 210.94, 0.93%, 0.73%

LAB 73.1, -1.95, -38.79

 

CMYK 36 / 19 / 0 / 1

HEX #A2CDFC

RGB 162 205 252

HSL 211.33, 0.94%, 0.81%

LAB 80.95, -2.98, -27.58

 

CMYK 20 / 10 / 0 / 1

HEX #CAE3FD

RGB 202 227 253

HSL 210.59, 0.93%, 0.89%

LAB 89.2, -2.87, -15.37

 

CMYK 50 / 26 / 0 / 2

HEX #7CB9FA

RGB 124 185 250

HSL 210.95, 0.93%, 0.73%

LAB 73.47, -2.06, -38.21

 

CMYK 15 / 51 / 0 / 2

HEX #D47AFA

RGB 212 122 250

HSL 282.19, 0.93%, 0.73%

LAB 65.61, 55.52, -50.04

 

CMYK 5 / 0 / 51 / 2

HEX #EDFA7A

RGB 237 250 122

HSL 66.09, 0.93%, 0.73%

LAB 95.07, -21.64, 59.18

 

CMYK 50 / 26 / 0 / 2

HEX #7CB9FA

RGB 124 185 250

HSL 210.95, 0.93%, 0.73%

LAB 73.47, -2.06, -38.21

 

CMYK 0 / 51 / 26 / 2

HEX #FA7ABA

RGB 250 122 186

HSL 330, 0.93%, 0.73%

LAB 67.86, 55.79, -10.56

 

CMYK 26 / 0 / 51 / 2

HEX #BAFA7A

RGB 186 250 122

HSL 90, 0.93%, 0.73%

LAB 91.78, -40.6, 54.48

 

CMYK 50 / 26 / 0 / 2

HEX #7CB9FA

RGB 124 185 250

HSL 210.95, 0.93%, 0.73%

LAB 73.47, -2.06, -38.21

 

CMYK 15 / 51 / 0 / 2

HEX #D47AFA

RGB 212 122 250

HSL 282.19, 0.93%, 0.73%

LAB 65.61, 55.52, -50.04

 

CMYK 0 / 26 / 51 / 2

HEX #FABA7A

RGB 250 186 122

HSL 30, 0.93%, 0.73%

LAB 80.09, 15.9, 41.29

 

CMYK 36 / 0 / 51 / 2

HEX #A1FA7A

RGB 161 250 122

HSL 101.72, 0.93%, 0.73%

LAB 90.48, -49.01, 52.62

 

CMYK 50 / 26 / 0 / 2

HEX #7CB9FA

RGB 124 185 250

HSL 210.95, 0.93%, 0.73%

LAB 73.47, -2.06, -38.21

 

CMYK 0 / 51 / 0 / 2

HEX #FA7AFA

RGB 250 122 250

HSL 300, 0.93%, 0.73%

LAB 70.28, 65.53, -42.38

 

CMYK 0 / 26 / 51 / 2

HEX #FABA7A

RGB 250 186 122

HSL 30, 0.93%, 0.73%

LAB 80.09, 15.9, 41.29

 

CMYK 51 / 0 / 51 / 2

HEX #7AFA7A

RGB 122 250 122

HSL 120, 0.93%, 0.73%

LAB 88.88, -60.3, 50.3

 

Description

Color code: HEX #7CB9FABF | qconv.com Color code: HEX #7CB9FABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 185 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 185 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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