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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B5FB5 it is the complementary color #84A04A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B5FB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B5FB5 shade: #805FB0, #9171C3, #A283D6, #B395E9 and #C4A7FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B5FB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B5FB5 shade: #7B5FB5, #6A4DA2, #593B8F, #48297C and #371769

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B5FB5 shade: #7B5EB5, #925EB5, #A95EB5, #B55EA9 and #B55E92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B5FB5 shade: #7B5EB5, #635EB5 and #5E5EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B5FB5 shade matches the following richer shades: #7B5EB5, #744BC8, #6D38DB and #6725EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B5FB5 shade: #7B5EB5, #8171A2, #88848F, #8E977C and #95AA69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B5FB5 shade: #5E71B5, #635EB5, #7A5EB5, #915EB5 and #A85EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B5FB5 shade: #543D84, #664AA0, #7B5EB5, #927BC2 and #A997CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B5FB5 shade: #7B5FB5, #B55E88 and #66B55E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B5FB5 shade: #7B5FB5, #B57A5E and #5EB57A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B5FB5 shade: #7B5FB5, #B55E88, #9AB55E and #5EB58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B5FB5 shade: #7B5FB5, #B55E6E, #9AB55E and #5EB5A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 48 / 0 / 29

HEX #7B5FB5

RGB 123 95 181

HSL 259.53, 0.37%, 0.54%

LAB 46.62, 30.43, -41.74

 

Complementary color

CMYK 18 / 0 / 54 / 37

HEX #84A04A

RGB 132 160 74

HSL 79.53, 0.37%, 0.46%

LAB 62.12, -23.69, 41.13

 

CMYK 27 / 46 / 0 / 31

HEX #805FB0

RGB 128 95 176

HSL 264.44, 0.34%, 0.53%

LAB 46.85, 30.54, -38.42

 

CMYK 26 / 42 / 0 / 24

HEX #9171C3

RGB 145 113 195

HSL 263.41, 0.41%, 0.6%

LAB 53.78, 29.64, -38.37

 

CMYK 24 / 39 / 0 / 16

HEX #A283D6

RGB 162 131 214

HSL 262.41, 0.5%, 0.68%

LAB 60.58, 28.83, -38.35

 

CMYK 23 / 36 / 0 / 9

HEX #B395E9

RGB 179 149 233

HSL 261.43, 0.66%, 0.75%

LAB 67.25, 28.09, -38.36

 

CMYK 22 / 34 / 0 / 1

HEX #C4A7FC

RGB 196 167 252

HSL 260.47, 0.93%, 0.82%

LAB 73.81, 27.42, -38.39

 

CMYK 32 / 48 / 0 / 29

HEX #7B5FB5

RGB 123 95 181

HSL 259.53, 0.37%, 0.54%

LAB 46.62, 30.43, -41.74

 

CMYK 35 / 52 / 0 / 36

HEX #6A4DA2

RGB 106 77 162

HSL 260.47, 0.36%, 0.47%

LAB 39.55, 31.49, -41.89

 

CMYK 38 / 59 / 0 / 44

HEX #593B8F

RGB 89 59 143

HSL 261.43, 0.42%, 0.4%

LAB 32.34, 32.64, -42.04

 

CMYK 42 / 67 / 0 / 51

HEX #48297C

RGB 72 41 124

HSL 262.41, 0.5%, 0.32%

LAB 25.01, 33.84, -42.12

 

CMYK 48 / 78 / 0 / 59

HEX #371769

RGB 55 23 105

HSL 263.41, 0.64%, 0.25%

LAB 17.67, 34.84, -41.93

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 19 / 48 / 0 / 29

HEX #925EB5

RGB 146 94 181

HSL 275.86, 0.37%, 0.54%

LAB 48.83, 37.47, -38.1

 

CMYK 7 / 48 / 0 / 29

HEX #A95EB5

RGB 169 94 181

HSL 291.72, 0.37%, 0.54%

LAB 51.58, 44.15, -33.57

 

CMYK 0 / 48 / 7 / 29

HEX #B55EA9

RGB 181 94 169

HSL 308.28, 0.37%, 0.54%

LAB 52.61, 45.52, -24.87

 

CMYK 0 / 48 / 19 / 29

HEX #B55E92

RGB 181 94 146

HSL 324.14, 0.37%, 0.54%

LAB 51.73, 41.73, -12.71

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 45 / 48 / 0 / 29

HEX #635EB5

RGB 99 94 181

HSL 243.45, 0.37%, 0.54%

LAB 44.22, 24.8, -45.68

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 42 / 63 / 0 / 22

HEX #744BC8

RGB 116 75 200

HSL 259.68, 0.53%, 0.54%

LAB 42.64, 45.37, -59.22

 

CMYK 50 / 74 / 0 / 14

HEX #6D38DB

RGB 109 56 219

HSL 259.51, 0.69%, 0.54%

LAB 39.91, 58.92, -74.65

 

CMYK 57 / 84 / 0 / 7

HEX #6725EE

RGB 103 37 238

HSL 259.7, 0.86%, 0.54%

LAB 38.52, 70.55, -87.78

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 20 / 30 / 0 / 36

HEX #8171A2

RGB 129 113 162

HSL 259.59, 0.21%, 0.54%

LAB 50.79, 16.68, -24.08

 

CMYK 5 / 8 / 0 / 44

HEX #88848F

RGB 136 132 143

HSL 261.82, 0.05%, 0.54%

LAB 55.81, 3.7, -5.37

 

CMYK 6 / 0 / 18 / 41

HEX #8E977C

RGB 142 151 124

HSL 80, 0.11%, 0.54%

LAB 61.08, -8.25, 13.15

 

CMYK 12 / 0 / 38 / 33

HEX #95AA69

RGB 149 170 105

HSL 79.38, 0.28%, 0.54%

LAB 66.64, -18.38, 31.12

 

CMYK 48 / 38 / 0 / 29

HEX #5E71B5

RGB 94 113 181

HSL 226.9, 0.37%, 0.54%

LAB 48.92, 11.83, -38.26

 

CMYK 45 / 48 / 0 / 29

HEX #635EB5

RGB 99 94 181

HSL 243.45, 0.37%, 0.54%

LAB 44.22, 24.8, -45.68

 

CMYK 33 / 48 / 0 / 29

HEX #7A5EB5

RGB 122 94 181

HSL 259.31, 0.37%, 0.54%

LAB 46.28, 30.75, -42.28

 

CMYK 20 / 48 / 0 / 29

HEX #915EB5

RGB 145 94 181

HSL 275.17, 0.37%, 0.54%

LAB 48.71, 37.19, -38.28

 

CMYK 7 / 48 / 0 / 29

HEX #A85EB5

RGB 168 94 181

HSL 291.03, 0.37%, 0.54%

LAB 51.46, 43.86, -33.78

 

CMYK 36 / 54 / 0 / 48

HEX #543D84

RGB 84 61 132

HSL 259.44, 0.37%, 0.38%

LAB 31.55, 27, -36.54

 

CMYK 36 / 54 / 0 / 37

HEX #664AA0

RGB 102 74 160

HSL 259.53, 0.37%, 0.46%

LAB 38.31, 31.69, -42.7

 

CMYK 32 / 48 / 0 / 29

HEX #7B5EB5

RGB 123 94 181

HSL 260, 0.37%, 0.54%

LAB 46.38, 31.02, -42.12

 

CMYK 25 / 37 / 0 / 24

HEX #927BC2

RGB 146 123 194

HSL 259.44, 0.37%, 0.62%

LAB 56.26, 23.88, -33.91

 

CMYK 18 / 27 / 0 / 19

HEX #A997CF

RGB 169 151 207

HSL 259.29, 0.37%, 0.7%

LAB 65.81, 17.95, -26.28

 

CMYK 32 / 48 / 0 / 29

HEX #7B5FB5

RGB 123 95 181

HSL 259.53, 0.37%, 0.54%

LAB 46.62, 30.43, -41.74

 

CMYK 0 / 48 / 25 / 29

HEX #B55E88

RGB 181 94 136

HSL 331.03, 0.37%, 0.54%

LAB 51.39, 40.24, -7.3

 

CMYK 44 / 0 / 48 / 29

HEX #66B55E

RGB 102 181 94

HSL 114.48, 0.37%, 0.54%

LAB 67.04, -41.78, 36.75

 

CMYK 32 / 48 / 0 / 29

HEX #7B5FB5

RGB 123 95 181

HSL 259.53, 0.37%, 0.54%

LAB 46.62, 30.43, -41.74

 

CMYK 0 / 33 / 48 / 29

HEX #B57A5E

RGB 181 122 94

HSL 19.31, 0.37%, 0.54%

LAB 56.64, 19.75, 24.65

 

CMYK 48 / 0 / 33 / 29

HEX #5EB57A

RGB 94 181 122

HSL 139.31, 0.37%, 0.54%

LAB 67.15, -39.54, 22.18

 

CMYK 32 / 48 / 0 / 29

HEX #7B5FB5

RGB 123 95 181

HSL 259.53, 0.37%, 0.54%

LAB 46.62, 30.43, -41.74

 

CMYK 0 / 48 / 25 / 29

HEX #B55E88

RGB 181 94 136

HSL 331.03, 0.37%, 0.54%

LAB 51.39, 40.24, -7.3

 

CMYK 15 / 0 / 48 / 29

HEX #9AB55E

RGB 154 181 94

HSL 78.62, 0.37%, 0.54%

LAB 69.98, -23.25, 41.04

 

CMYK 48 / 0 / 23 / 29

HEX #5EB58B

RGB 94 181 139

HSL 151.03, 0.37%, 0.54%

LAB 67.5, -36.15, 13.43

 

CMYK 32 / 48 / 0 / 29

HEX #7B5FB5

RGB 123 95 181

HSL 259.53, 0.37%, 0.54%

LAB 46.62, 30.43, -41.74

 

CMYK 0 / 48 / 39 / 29

HEX #B55E6E

RGB 181 94 110

HSL 348.97, 0.37%, 0.54%

LAB 50.63, 36.83, 7.09

 

CMYK 15 / 0 / 48 / 29

HEX #9AB55E

RGB 154 181 94

HSL 78.62, 0.37%, 0.54%

LAB 69.98, -23.25, 41.04

 

CMYK 48 / 0 / 9 / 29

HEX #5EB5A5

RGB 94 181 165

HSL 168.97, 0.37%, 0.54%

LAB 68.13, -30.19, 0.05

 

Description

Color code: HEX #7B5FB5 | qconv.com Color code: HEX #7B5FB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 95 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 95 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 48 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 48% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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