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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2FC6 it is the complementary color #84D039. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2FC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2FC6 shade: #802FC1, #9141D4, #A253E7, #B365FA and #C477FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2FC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2FC6 shade: #7B2FC6, #6A1DB3, #590BA0, #48008D and #37007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2FC6 shade: #7B2FC6, #A42FC6, #C62FC0, #C62F97 and #C62F6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2FC6 shade: #7B2FC6, #522FC6 and #2F2FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2FC6 shade matches the following richer shades: #7B2FC6, #7B1BDA and #7B07EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2FC6 shade: #7B2FC6, #7B42B2, #7B569F, #7B6A8B and #7A7E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2FC6 shade: #2F34C6, #522FC6, #7A2FC6, #A32FC6 and #C62FC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2FC6 shade: #511F83, #6627A5, #7B2FC6, #8F4AD4 and #A46BDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2FC6 shade: #7B2FC6, #C62F5C and #2FC63E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2FC6 shade: #7B2FC6, #C67A2F and #2FC67A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2FC6 shade: #7B2FC6, #C62F5C, #7AC62F and #2FC699

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2FC6 shade: #7B2FC6, #C62F2F, #7AC62F and #2FC6C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

Complementary color

CMYK 37 / 0 / 73 / 18

HEX #84D039

RGB 132 208 57

HSL 90.2, 0.62%, 0.52%

LAB 76.26, -46.93, 63.57

 

CMYK 34 / 76 / 0 / 24

HEX #802FC1

RGB 128 47 193

HSL 273.29, 0.61%, 0.47%

LAB 38.68, 59.44, -61.5

 

CMYK 32 / 69 / 0 / 17

HEX #9141D4

RGB 145 65 212

HSL 272.65, 0.63%, 0.54%

LAB 45.02, 59.27, -62.12

 

CMYK 30 / 64 / 0 / 9

HEX #A253E7

RGB 162 83 231

HSL 272.03, 0.76%, 0.62%

LAB 51.42, 58.72, -62.46

 

CMYK 28 / 60 / 0 / 2

HEX #B365FA

RGB 179 101 250

HSL 271.41, 0.94%, 0.69%

LAB 57.84, 57.97, -62.64

 

CMYK 23 / 53 / 0 / 0

HEX #C477FF

RGB 196 119 255

HSL 273.97, 1%, 0.73%

LAB 63.47, 54.01, -56.3

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 41 / 84 / 0 / 30

HEX #6A1DB3

RGB 106 29 179

HSL 270.8, 0.72%, 0.41%

LAB 32.25, 59.3, -63.85

 

CMYK 44 / 93 / 0 / 37

HEX #590BA0

RGB 89 11 160

HSL 271.41, 0.87%, 0.34%

LAB 26.45, 57.58, -62.02

 

CMYK 49 / 100 / 0 / 45

HEX #48008D

RGB 72 0 141

HSL 270.64, 1%, 0.28%

LAB 21.21, 53.88, -59.03

 

CMYK 55 / 100 / 0 / 52

HEX #37007A

RGB 55 0 122

HSL 267.05, 1%, 0.24%

LAB 16.59, 47.98, -54.73

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 17 / 76 / 0 / 22

HEX #A42FC6

RGB 164 47 198

HSL 286.49, 0.62%, 0.48%

LAB 44.24, 67.08, -55.16

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC0

RGB 198 47 192

HSL 302.38, 0.62%, 0.48%

LAB 49.31, 72.81, -43.26

 

CMYK 0 / 76 / 24 / 22

HEX #C62F97

RGB 198 47 151

HSL 318.68, 0.62%, 0.48%

LAB 47.33, 67.04, -22.16

 

CMYK 0 / 76 / 44 / 22

HEX #C62F6E

RGB 198 47 110

HSL 334.97, 0.62%, 0.48%

LAB 45.86, 62.54, 0.57

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 59 / 76 / 0 / 22

HEX #522FC6

RGB 82 47 198

HSL 253.91, 0.62%, 0.48%

LAB 33.78, 53.74, -72.65

 

CMYK 76 / 76 / 0 / 22

HEX #2F2FC6

RGB 47 47 198

HSL 240, 0.62%, 0.48%

LAB 31.15, 50.24, -77.09

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 44 / 88 / 0 / 15

HEX #7B1BDA

RGB 123 27 218

HSL 270.16, 0.78%, 0.48%

LAB 37.94, 70.78, -77.23

 

CMYK 48 / 97 / 0 / 7

HEX #7B07EE

RGB 123 7 238

HSL 270.13, 0.94%, 0.48%

LAB 38.79, 78.45, -87.26

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 31 / 63 / 0 / 30

HEX #7B42B2

RGB 123 66 178

HSL 270.54, 0.46%, 0.48%

LAB 40.12, 46.06, -50.38

 

CMYK 23 / 46 / 0 / 38

HEX #7B569F

RGB 123 86 159

HSL 270.41, 0.3%, 0.48%

LAB 43.32, 30.15, -34.01

 

CMYK 12 / 24 / 0 / 45

HEX #7B6A8B

RGB 123 106 139

HSL 270.91, 0.13%, 0.48%

LAB 47.47, 13.45, -15.65

 

CMYK 3 / 0 / 6 / 51

HEX #7A7E77

RGB 122 126 119

HSL 94.29, 0.03%, 0.48%

LAB 52.28, -2.89, 3.28

 

CMYK 76 / 74 / 0 / 22

HEX #2F34C6

RGB 47 52 198

HSL 238.01, 0.62%, 0.48%

LAB 32.12, 47.5, -75.48

 

CMYK 59 / 76 / 0 / 22

HEX #522FC6

RGB 82 47 198

HSL 253.91, 0.62%, 0.48%

LAB 33.78, 53.74, -72.65

 

CMYK 38 / 76 / 0 / 22

HEX #7A2FC6

RGB 122 47 198

HSL 269.8, 0.62%, 0.48%

LAB 38.28, 59.58, -65.1

 

CMYK 18 / 76 / 0 / 22

HEX #A32FC6

RGB 163 47 198

HSL 286.09, 0.62%, 0.48%

LAB 44.08, 66.89, -55.42

 

CMYK 0 / 76 / 3 / 22

HEX #C62FC1

RGB 198 47 193

HSL 301.99, 0.62%, 0.48%

LAB 49.36, 72.97, -43.76

 

CMYK 38 / 76 / 0 / 49

HEX #511F83

RGB 81 31 131

HSL 270, 0.62%, 0.32%

LAB 24.85, 42.85, -46.74

 

CMYK 38 / 76 / 0 / 35

HEX #6627A5

RGB 102 39 165

HSL 270, 0.62%, 0.4%

LAB 31.79, 51.6, -56.24

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 33 / 65 / 0 / 17

HEX #8F4AD4

RGB 143 74 212

HSL 270, 0.62%, 0.56%

LAB 46.3, 54.62, -60.06

 

CMYK 25 / 51 / 0 / 14

HEX #A46BDC

RGB 164 107 220

HSL 270.27, 0.62%, 0.64%

LAB 55.66, 44.26, -49.47

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 0 / 76 / 54 / 22

HEX #C62F5C

RGB 198 47 92

HSL 342.12, 0.62%, 0.48%

LAB 45.37, 61.01, 11

 

CMYK 76 / 0 / 69 / 22

HEX #2FC63E

RGB 47 198 62

HSL 125.96, 0.62%, 0.48%

LAB 70.41, -64.38, 54.82

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 0 / 38 / 76 / 22

HEX #C67A2F

RGB 198 122 47

HSL 29.8, 0.62%, 0.48%

LAB 58.16, 23.63, 51.29

 

CMYK 76 / 0 / 38 / 22

HEX #2FC67A

RGB 47 198 122

HSL 149.8, 0.62%, 0.48%

LAB 71.14, -55.78, 27.32

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 0 / 76 / 54 / 22

HEX #C62F5C

RGB 198 47 92

HSL 342.12, 0.62%, 0.48%

LAB 45.37, 61.01, 11

 

CMYK 38 / 0 / 76 / 22

HEX #7AC62F

RGB 122 198 47

HSL 90.2, 0.62%, 0.48%

LAB 72.71, -46.82, 63.3

 

CMYK 76 / 0 / 23 / 22

HEX #2FC699

RGB 47 198 153

HSL 162.12, 0.62%, 0.48%

LAB 71.75, -49.09, 11.65

 

CMYK 38 / 76 / 0 / 22

HEX #7B2FC6

RGB 123 47 198

HSL 270.2, 0.62%, 0.48%

LAB 38.41, 59.74, -64.88

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 38 / 0 / 76 / 22

HEX #7AC62F

RGB 122 198 47

HSL 90.2, 0.62%, 0.48%

LAB 72.71, -46.82, 63.3

 

CMYK 76 / 0 / 0 / 22

HEX #2FC6C6

RGB 47 198 198

HSL 180, 0.62%, 0.48%

LAB 72.94, -37.12, -11.05

 

Description

Color code: HEX #7B2FC6 | qconv.com Color code: HEX #7B2FC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 47 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 47 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 76 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 76% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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