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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A1A00 it is the complementary color #85E5FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A1A00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7A1A00: #7F1A00, #902C0E, #A13E21, #B25034 and #C36247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A1A00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7A1A00: #7A1A00, #690800, #580000, #470000 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

Complementary color

CMYK 48 / 10 / 0 / 0

HEX #85E5FF

RGB 133 229 255

HSL 192.79, 1%, 0.76%

LAB 86.13, -21.69, -21.41

 

CMYK 0 / 80 / 100 / 50

HEX #7F1A00

RGB 127 26 0

HSL 12.28, 1%, 0.25%

LAB 27.44, 41.69, 39.69

 

CMYK 0 / 69 / 90 / 44

HEX #902C0E

RGB 144 44 14

HSL 13.85, 0.82%, 0.31%

LAB 33.48, 40.86, 40.13

 

CMYK 0 / 61 / 80 / 37

HEX #A13E21

RGB 161 62 33

HSL 13.59, 0.66%, 0.38%

LAB 39.8, 39.49, 37.83

 

CMYK 0 / 55 / 71 / 30

HEX #B25034

RGB 178 80 52

HSL 13.33, 0.55%, 0.45%

LAB 46.24, 37.99, 35.32

 

CMYK 0 / 50 / 64 / 24

HEX #C36247

RGB 195 98 71

HSL 13.06, 0.51%, 0.52%

LAB 52.72, 36.52, 33.01

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 0 / 92 / 100 / 59

HEX #690800

RGB 105 8 0

HSL 4.57, 1%, 0.21%

LAB 20.74, 39.76, 31.44

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 0 / 64 / 100 / 52

HEX #7A2C00

RGB 122 44 0

HSL 21.64, 1%, 0.24%

LAB 29.26, 32.2, 40.78

 

CMYK 0 / 47 / 100 / 52

HEX #7A4100

RGB 122 65 0

HSL 31.97, 1%, 0.24%

LAB 33.81, 20.68, 43.92

 

CMYK 0 / 30 / 100 / 52

HEX #7A5500

RGB 122 85 0

HSL 41.8, 1%, 0.24%

LAB 38.96, 8.78, 47.26

 

CMYK 0 / 13 / 100 / 52

HEX #7A6A00

RGB 122 106 0

HSL 52.13, 1%, 0.24%

LAB 44.87, -3.55, 51.36

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 0 / 79 / 100 / 32

HEX #AD2500

RGB 173 37 0

HSL 12.83, 1%, 0.34%

LAB 38.21, 52.9, 51.21

 

CMYK 0 / 79 / 100 / 12

HEX #E03000

RGB 224 48 0

HSL 12.86, 1%, 0.44%

LAB 49.45, 64.99, 61.98

 

CMYK 0 / 80 / 100 / 92

HEX #140400

RGB 20 4 0

HSL 12, 1%, 0.04%

LAB 2.13, 4.42, 3.27

 

CMYK 0 / 79 / 100 / 72

HEX #470F00

RGB 71 15 0

HSL 12.68, 1%, 0.14%

LAB 13.72, 25.77, 21.1

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 40 / 0 / 100 / 52

HEX #497A00

RGB 73 122 0

HSL 84.1, 1%, 0.24%

LAB 46.09, -33.91, 50.6

 

CMYK 100 / 80 / 0 / 52

HEX #00187A

RGB 0 24 122

HSL 228.2, 1%, 0.24%

LAB 15.79, 34.53, -56.17

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 100 / 0 / 80 / 52

HEX #007A18

RGB 0 122 24

HSL 131.8, 1%, 0.24%

LAB 44.21, -48.71, 42.17

 

CMYK 80 / 100 / 0 / 52

HEX #18007A

RGB 24 0 122

HSL 251.8, 1%, 0.24%

LAB 13.23, 46.33, -60.42

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 40 / 0 / 100 / 52

HEX #497A00

RGB 73 122 0

HSL 84.1, 1%, 0.24%

LAB 46.09, -33.91, 50.6

 

CMYK 100 / 20 / 0 / 52

HEX #00617A

RGB 0 97 122

HSL 192.3, 1%, 0.24%

LAB 37.76, -14.56, -20.85

 

CMYK 61 / 100 / 0 / 52

HEX #30007A

RGB 48 0 122

HSL 263.61, 1%, 0.24%

LAB 15.66, 47.46, -56.29

 

CMYK 0 / 79 / 100 / 52

HEX #7A1A00

RGB 122 26 0

HSL 12.79, 1%, 0.24%

LAB 26.38, 40, 38.35

 

CMYK 70 / 0 / 100 / 52

HEX #247A00

RGB 36 122 0

HSL 102.3, 1%, 0.24%

LAB 44.65, -45.2, 48.86

 

CMYK 100 / 20 / 0 / 52

HEX #00617A

RGB 0 97 122

HSL 192.3, 1%, 0.24%

LAB 37.76, -14.56, -20.85

 

CMYK 30 / 100 / 0 / 52

HEX #55007A

RGB 85 0 122

HSL 281.8, 1%, 0.24%

LAB 21.34, 51.17, -46.73

 

Description

Color code: HEX #7A1A00 | qconv.com Color code: HEX #7A1A00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 26 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 26 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 100 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 100% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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