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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #788CC8 it is the complementary color #877337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #788CC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #788CC8: #7D8CC3, #8E9ED6, #9FB0E9, #B0C2FC and #C1D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #788CC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #788CC8: #788CC8, #677AB5, #5668A2, #45568F and #34447C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

Complementary color

CMYK 0 / 15 / 59 / 47

HEX #877337

RGB 135 115 55

HSL 45, 0.42%, 0.37%

LAB 49.12, -0, 35.56

 

CMYK 36 / 28 / 0 / 24

HEX #7D8CC3

RGB 125 140 195

HSL 227.14, 0.37%, 0.63%

LAB 59.03, 8.05, -30.3

 

CMYK 34 / 26 / 0 / 16

HEX #8E9ED6

RGB 142 158 214

HSL 226.67, 0.47%, 0.7%

LAB 65.79, 7.58, -30.36

 

CMYK 32 / 24 / 0 / 9

HEX #9FB0E9

RGB 159 176 233

HSL 226.22, 0.63%, 0.77%

LAB 72.43, 7.17, -30.45

 

CMYK 30 / 23 / 0 / 1

HEX #B0C2FC

RGB 176 194 252

HSL 225.79, 0.93%, 0.84%

LAB 78.95, 6.8, -30.57

 

CMYK 24 / 17 / 0 / 0

HEX #C1D4FF

RGB 193 212 255

HSL 221.61, 1%, 0.88%

LAB 84.81, 2.75, -23.1

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 43 / 33 / 0 / 29

HEX #677AB5

RGB 103 122 181

HSL 225.38, 0.35%, 0.56%

LAB 51.99, 8.68, -33.38

 

CMYK 47 / 36 / 0 / 36

HEX #5668A2

RGB 86 104 162

HSL 225.79, 0.31%, 0.49%

LAB 44.92, 9.44, -33.47

 

CMYK 52 / 40 / 0 / 44

HEX #45568F

RGB 69 86 143

HSL 226.22, 0.35%, 0.42%

LAB 37.67, 10.39, -33.63

 

CMYK 58 / 45 / 0 / 51

HEX #34447C

RGB 52 68 124

HSL 226.67, 0.41%, 0.35%

LAB 30.2, 11.63, -33.86

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 40 / 37 / 0 / 22

HEX #797FC8

RGB 121 127 200

HSL 235.44, 0.42%, 0.63%

LAB 55.5, 15.99, -38.67

 

CMYK 37 / 40 / 0 / 22

HEX #7F79C8

RGB 127 121 200

HSL 244.56, 0.42%, 0.63%

LAB 54.4, 21.17, -40.36

 

CMYK 30 / 40 / 0 / 22

HEX #8C79C8

RGB 140 121 200

HSL 254.43, 0.42%, 0.63%

LAB 55.5, 24.8, -38.55

 

CMYK 23 / 40 / 0 / 22

HEX #9A79C8

RGB 154 121 200

HSL 265.06, 0.42%, 0.63%

LAB 56.8, 28.87, -36.43

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 40 / 30 / 0 / 2

HEX #97B0FB

RGB 151 176 251

HSL 225, 0.93%, 0.79%

LAB 72.62, 9.71, -39.95

 

CMYK 40 / 30 / 0 / 82

HEX #1C212F

RGB 28 33 47

HSL 224.21, 0.25%, 0.15%

LAB 12.86, 2.01, -10.01

 

CMYK 40 / 30 / 0 / 62

HEX #3B4562

RGB 59 69 98

HSL 224.62, 0.25%, 0.31%

LAB 29.58, 4.1, -18.36

 

CMYK 40 / 30 / 0 / 42

HEX #596895

RGB 89 104 149

HSL 225, 0.25%, 0.47%

LAB 44.51, 6.31, -26.4

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 2 / 40 / 0 / 22

HEX #C479C8

RGB 196 121 200

HSL 296.96, 0.42%, 0.63%

LAB 61.29, 41.63, -29.09

 

CMYK 14 / 0 / 40 / 22

HEX #ACC879

RGB 172 200 121

HSL 81.27, 0.42%, 0.63%

LAB 76.96, -22.52, 36.42

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 0 / 40 / 30 / 22

HEX #C8798C

RGB 200 121 140

HSL 345.57, 0.42%, 0.63%

LAB 59.75, 33.2, 2.94

 

CMYK 30 / 0 / 40 / 22

HEX #8CC879

RGB 140 200 121

HSL 105.57, 0.42%, 0.63%

LAB 74.99, -34.09, 33.5

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 2 / 40 / 0 / 22

HEX #C479C8

RGB 196 121 200

HSL 296.96, 0.42%, 0.63%

LAB 61.29, 41.63, -29.09

 

CMYK 0 / 10 / 40 / 22

HEX #C8B479

RGB 200 180 121

HSL 44.81, 0.42%, 0.63%

LAB 73.74, -1.23, 32.7

 

CMYK 38 / 0 / 40 / 22

HEX #7CC879

RGB 124 200 121

HSL 117.72, 0.42%, 0.63%

LAB 74.17, -39.34, 32.28

 

CMYK 40 / 30 / 0 / 22

HEX #788CC8

RGB 120 140 200

HSL 225, 0.42%, 0.63%

LAB 58.9, 8.05, -33.35

 

CMYK 0 / 40 / 10 / 22

HEX #C879B4

RGB 200 121 180

HSL 315.19, 0.42%, 0.63%

LAB 61, 39.31, -18.15

 

CMYK 0 / 10 / 40 / 22

HEX #C8B479

RGB 200 180 121

HSL 44.81, 0.42%, 0.63%

LAB 73.74, -1.23, 32.7

 

CMYK 40 / 0 / 30 / 22

HEX #79C88C

RGB 121 200 140

HSL 134.43, 0.42%, 0.63%

LAB 74.36, -37.1, 22.57

 

Description

Color code: HEX #788CC8 | qconv.com Color code: HEX #788CC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 140 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 140 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 30 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 30% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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