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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #785064 it is the complementary color #87AF9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #785064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #785064: #7D505F, #8E6272, #9F7485, #B08698 and #C198AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #785064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #785064: #785064, #673E51, #562C3E, #451A2B and #340818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

Complementary color

CMYK 23 / 0 / 11 / 31

HEX #87AF9B

RGB 135 175 155

HSL 150, 0.2%, 0.61%

LAB 68.15, -17.67, 5.86

 

CMYK 0 / 36 / 24 / 51

HEX #7D505F

RGB 125 80 95

HSL 340, 0.22%, 0.4%

LAB 39.45, 21.16, -0.89

 

CMYK 0 / 31 / 20 / 44

HEX #8E6272

RGB 142 98 114

HSL 338.18, 0.18%, 0.47%

LAB 46.58, 20.34, -1.81

 

CMYK 0 / 27 / 16 / 38

HEX #9F7485

RGB 159 116 133

HSL 336.28, 0.18%, 0.54%

LAB 53.55, 19.61, -2.62

 

CMYK 0 / 24 / 14 / 31

HEX #B08698

RGB 176 134 152

HSL 334.29, 0.21%, 0.61%

LAB 60.38, 18.96, -3.36

 

CMYK 0 / 21 / 11 / 24

HEX #C198AB

RGB 193 152 171

HSL 332.2, 0.25%, 0.68%

LAB 67.08, 18.38, -4.04

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 0 / 40 / 21 / 60

HEX #673E51

RGB 103 62 81

HSL 332.2, 0.25%, 0.32%

LAB 31.63, 20.9, -3.88

 

CMYK 0 / 49 / 28 / 66

HEX #562C3E

RGB 86 44 62

HSL 334.29, 0.32%, 0.25%

LAB 24.09, 21.85, -2.78

 

CMYK 0 / 62 / 38 / 73

HEX #451A2B

RGB 69 26 43

HSL 336.28, 0.45%, 0.19%

LAB 16.4, 22.81, -1.25

 

CMYK 0 / 85 / 54 / 80

HEX #340818

RGB 52 8 24

HSL 338.18, 0.73%, 0.12%

LAB 8.74, 23.31, 1.28

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 0 / 34 / 23 / 53

HEX #774F5C

RGB 119 79 92

HSL 340.5, 0.2%, 0.39%

LAB 38.35, 18.87, -0.72

 

CMYK 0 / 34 / 28 / 53

HEX #774F56

RGB 119 79 86

HSL 349.5, 0.2%, 0.39%

LAB 38.17, 17.9, 2.77

 

CMYK 0 / 34 / 34 / 53

HEX #774F4F

RGB 119 79 79

HSL 0, 0.2%, 0.39%

LAB 37.98, 16.85, 6.87

 

CMYK 0 / 28 / 34 / 53

HEX #77564F

RGB 119 86 79

HSL 10.5, 0.2%, 0.39%

LAB 39.82, 12.63, 9.45

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 0 / 33 / 16 / 33

HEX #AB728F

RGB 171 114 143

HSL 329.47, 0.25%, 0.56%

LAB 54.74, 26.88, -6.57

 

CMYK 0 / 33 / 17 / 13

HEX #DE94B9

RGB 222 148 185

HSL 330, 0.53%, 0.73%

LAB 69.62, 33.15, -7.75

 

CMYK 0 / 33 / 17 / 93

HEX #120C0F

RGB 18 12 15

HSL 330, 0.2%, 0.06%

LAB 3.85, 2.55, -0.65

 

CMYK 0 / 33 / 16 / 73

HEX #452E3A

RGB 69 46 58

HSL 328.7, 0.2%, 0.23%

LAB 22.03, 12.76, -3.38

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 0 / 10 / 34 / 53

HEX #776B4F

RGB 119 107 79

HSL 42, 0.2%, 0.39%

LAB 45.64, 0.11, 17.44

 

CMYK 34 / 3 / 0 / 53

HEX #4F7377

RGB 79 115 119

HSL 186, 0.2%, 0.39%

LAB 45.98, -11.65, -6.31

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 17 / 0 / 34 / 53

HEX #63774F

RGB 99 119 79

HSL 90, 0.2%, 0.39%

LAB 47.51, -15.12, 19.65

 

CMYK 34 / 17 / 0 / 53

HEX #4F6377

RGB 79 99 119

HSL 210, 0.2%, 0.39%

LAB 41.09, -2.28, -13.68

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 0 / 10 / 34 / 53

HEX #776B4F

RGB 119 107 79

HSL 42, 0.2%, 0.39%

LAB 45.64, 0.11, 17.44

 

CMYK 34 / 0 / 17 / 53

HEX #4F7763

RGB 79 119 99

HSL 150, 0.2%, 0.39%

LAB 46.65, -18.72, 6.58

 

CMYK 34 / 24 / 0 / 53

HEX #4F5B77

RGB 79 91 119

HSL 222, 0.2%, 0.39%

LAB 38.68, 2.64, -17.35

 

CMYK 0 / 33 / 17 / 53

HEX #785064

RGB 120 80 100

HSL 330, 0.2%, 0.39%

LAB 38.99, 20.04, -4.76

 

CMYK 0 / 0 / 34 / 53

HEX #77774F

RGB 119 119 79

HSL 60, 0.2%, 0.39%

LAB 49.11, -6.78, 22.06

 

CMYK 34 / 0 / 17 / 53

HEX #4F7763

RGB 79 119 99

HSL 150, 0.2%, 0.39%

LAB 46.65, -18.72, 6.58

 

CMYK 34 / 34 / 0 / 53

HEX #4F4F77

RGB 79 79 119

HSL 240, 0.2%, 0.39%

LAB 35.17, 10.23, -22.77

 

Description

Color code: HEX #785064 | qconv.com Color code: HEX #785064 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 80 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 80 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 17 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 17% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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