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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77C9FABF it is the complementary color #883605BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77C9FABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77C9FABF shade: #7CC9F5BF, #8DDBFFBF, #9EEDFFBF, #AFFFFFBF and #C0FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77C9FABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77C9FABF shade: #77C9FABF, #66B7E7BF, #55A5D4BF, #4493C1BF and #3381AEBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77C9FABF shade: #75C8FA, #75A5FA, #7581FA, #8E75FA and #B175FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77C9FABF shade: #75C8FA, #75A5FA, #7581FA and #7575FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77C9FABF shade matches the following richer shades: #75C8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77C9FABF shade: #75C8FA, #81C5EE, #8CC3E3, #98C0D7 and #A3BDCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77C9FABF shade: #75FAE4, #75EDFA, #75C9FA, #75A6FA and #7582FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77C9FABF shade: #26A9F7, #4DB9F9, #75C8FA, #9DD8FB and #C5E8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77C9FABF shade: #77C9FA, #C075FA and #FAF675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77C9FABF shade: #77C9FA, #FA75C9 and #C9FA75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77C9FABF shade: #77C9FA, #C075FA, #FAA675 and #AFFA75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77C9FABF shade: #77C9FA, #E875FA, #FAA675 and #87FA75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 15 / 0 / 1

HEX #77C9FABF

RGBA 119 201 250 0.75

HSLA 202.44, 0.93%, 0.72%, 0.75

LABA 77.64, -11.76, -31.78, 0.75

 

Complementary color

CMYK 0 / 45 / 72 / 35

HEX #883605BF

RGBA 136 54 5 0.75

HSLA 22.44, 0.93%, 0.28%, 0.75

LABA 33.74, 32.91, 43.06, 0.75

 

CMYK 37 / 13 / 0 / 3

HEX #7CC9F5BF

RGBA 124 201 245 0.75

HSLA 201.82, 0.86%, 0.72%, 0.75

LABA 77.67, -12.09, -29.04, 0.75

 

CMYK 34 / 11 / 0 / 0

HEX #8DDBFFBF

RGBA 141 219 255 0.75

HSLA 198.95, 1%, 0.78%, 0.75

LABA 83.73, -14.82, -25.02, 0.75

 

CMYK 29 / 5 / 0 / 0

HEX #9EEDFFBF

RGBA 158 237 255 0.75

HSLA 191.13, 1%, 0.81%, 0.75

LABA 89.42, -19.75, -16.34, 0.75

 

CMYK 24 / 0 / 0 / 0

HEX #AFFFFFBF

RGBA 175 255 255 0.75

HSLA 180, 1%, 0.84%, 0.75

LABA 95.1, -24.16, -7.78, 0.75

 

CMYK 19 / 0 / 0 / 0

HEX #C0FFFFBF

RGBA 192 255 255 0.75

HSLA 180, 1%, 0.88%, 0.75

LABA 95.97, -19.49, -6.39, 0.75

 

CMYK 39 / 15 / 0 / 1

HEX #77C9FABF

RGBA 119 201 250 0.75

HSLA 202.44, 0.93%, 0.72%, 0.75

LABA 77.64, -11.76, -31.78, 0.75

 

CMYK 42 / 16 / 0 / 7

HEX #66B7E7BF

RGBA 102 183 231 0.75

HSLA 202.33, 0.73%, 0.65%, 0.75

LABA 71.19, -11.26, -31.53, 0.75

 

CMYK 45 / 17 / 0 / 13

HEX #55A5D4BF

RGBA 85 165 212 0.75

HSLA 202.2, 0.6%, 0.58%, 0.75

LABA 64.64, -10.65, -31.28, 0.75

 

CMYK 49 / 18 / 0 / 18

HEX #4493C1BF

RGBA 68 147 193 0.75

HSLA 202.08, 0.5%, 0.51%, 0.75

LABA 57.99, -9.86, -31.02, 0.75

 

CMYK 53 / 19 / 0 / 24

HEX #3381AEBF

RGBA 51 129 174 0.75

HSLA 201.95, 0.55%, 0.44%, 0.75

LABA 51.22, -8.84, -30.74, 0.75

 

CMYK 53 / 20 / 0 / 2

HEX #75C8FA

RGB 117 200 250

HSL 202.56, 0.93%, 0.72%

LAB 77.28, -11.65, -32.34

 

CMYK 53 / 34 / 0 / 2

HEX #75A5FA

RGB 117 165 250

HSL 218.35, 0.93%, 0.72%

LAB 67.72, 7.63, -47.23

 

CMYK 53 / 48 / 0 / 2

HEX #7581FA

RGB 117 129 250

HSL 234.59, 0.93%, 0.72%

LAB 58.4, 28.74, -62.04

 

CMYK 43 / 53 / 0 / 2

HEX #8E75FA

RGB 142 117 250

HSL 251.28, 0.93%, 0.72%

LAB 57.44, 41.05, -63.48

 

CMYK 29 / 53 / 0 / 2

HEX #B175FA

RGB 177 117 250

HSL 267.07, 0.93%, 0.72%

LAB 60.76, 49.23, -57.99

 

CMYK 53 / 20 / 0 / 2

HEX #75C8FA

RGB 117 200 250

HSL 202.56, 0.93%, 0.72%

LAB 77.28, -11.65, -32.34

 

CMYK 53 / 34 / 0 / 2

HEX #75A5FA

RGB 117 165 250

HSL 218.35, 0.93%, 0.72%

LAB 67.72, 7.63, -47.23

 

CMYK 53 / 48 / 0 / 2

HEX #7581FA

RGB 117 129 250

HSL 234.59, 0.93%, 0.72%

LAB 58.4, 28.74, -62.04

 

CMYK 53 / 53 / 0 / 2

HEX #7575FA

RGB 117 117 250

HSL 240, 0.93%, 0.72%

LAB 55.49, 35.86, -66.73

 

CMYK 53 / 20 / 0 / 2

HEX #75C8FA

RGB 117 200 250

HSL 202.56, 0.93%, 0.72%

LAB 77.28, -11.65, -32.34

 

CMYK 53 / 20 / 0 / 2

HEX #75C8FA

RGB 117 200 250

HSL 202.56, 0.93%, 0.72%

LAB 77.28, -11.65, -32.34

 

CMYK 46 / 17 / 0 / 7

HEX #81C5EE

RGB 129 197 238

HSL 202.57, 0.76%, 0.72%

LAB 76.54, -10.77, -26.99

 

CMYK 38 / 14 / 0 / 11

HEX #8CC3E3

RGB 140 195 227

HSL 202.07, 0.61%, 0.72%

LAB 76.16, -9.89, -21.59

 

CMYK 29 / 11 / 0 / 16

HEX #98C0D7

RGB 152 192 215

HSL 201.9, 0.44%, 0.72%

LAB 75.63, -7.96, -15.85

 

CMYK 20 / 7 / 0 / 20

HEX #A3BDCC

RGB 163 189 204

HSL 201.95, 0.29%, 0.72%

LAB 75.17, -5.58, -10.5

 

CMYK 53 / 0 / 9 / 2

HEX #75FAE4

RGB 117 250 228

HSL 170.08, 0.93%, 0.72%

LAB 90.67, -41.8, -0.59

 

CMYK 53 / 5 / 0 / 2

HEX #75EDFA

RGB 117 237 250

HSL 185.86, 0.93%, 0.72%

LAB 87.61, -30.24, -16.61

 

CMYK 53 / 20 / 0 / 2

HEX #75C9FA

RGB 117 201 250

HSL 202.11, 0.93%, 0.72%

LAB 77.55, -12.17, -31.91

 

CMYK 53 / 34 / 0 / 2

HEX #75A6FA

RGB 117 166 250

HSL 217.89, 0.93%, 0.72%

LAB 67.99, 7.06, -46.81

 

CMYK 53 / 48 / 0 / 2

HEX #7582FA

RGB 117 130 250

HSL 234.14, 0.93%, 0.72%

LAB 58.65, 28.14, -61.65

 

CMYK 85 / 32 / 0 / 3

HEX #26A9F7

RGB 38 169 247

HSL 202.39, 0.93%, 0.56%

LAB 66.14, -7.03, -48.26

 

CMYK 69 / 26 / 0 / 2

HEX #4DB9F9

RGB 77 185 249

HSL 202.33, 0.93%, 0.64%

LAB 71.63, -10.98, -40.67

 

CMYK 53 / 20 / 0 / 2

HEX #75C8FA

RGB 117 200 250

HSL 202.56, 0.93%, 0.72%

LAB 77.28, -11.65, -32.34

 

CMYK 37 / 14 / 0 / 2

HEX #9DD8FB

RGB 157 216 251

HSL 202.34, 0.92%, 0.8%

LAB 83.57, -10.34, -23.07

 

CMYK 22 / 8 / 0 / 1

HEX #C5E8FD

RGB 197 232 253

HSL 202.5, 0.93%, 0.88%

LAB 90.17, -6.94, -13.95

 

CMYK 52 / 20 / 0 / 2

HEX #77C9FA

RGB 119 201 250

HSL 202.44, 0.93%, 0.72%

LAB 77.64, -11.76, -31.78

 

CMYK 23 / 53 / 0 / 2

HEX #C075FA

RGB 192 117 250

HSL 273.83, 0.93%, 0.72%

LAB 62.36, 52.94, -55.33

 

CMYK 0 / 2 / 53 / 2

HEX #FAF675

RGB 250 246 117

HSL 58.2, 0.93%, 0.72%

LAB 94.96, -15.02, 61.54

 

CMYK 52 / 20 / 0 / 2

HEX #77C9FA

RGB 119 201 250

HSL 202.44, 0.93%, 0.72%

LAB 77.64, -11.76, -31.78

 

CMYK 0 / 53 / 20 / 2

HEX #FA75C9

RGB 250 117 201

HSL 322.11, 0.93%, 0.72%

LAB 67.47, 60.18, -19.57

 

CMYK 20 / 0 / 53 / 2

HEX #C9FA75

RGB 201 250 117

HSL 82.11, 0.93%, 0.72%

LAB 92.61, -35.71, 57.94

 

CMYK 52 / 20 / 0 / 2

HEX #77C9FA

RGB 119 201 250

HSL 202.44, 0.93%, 0.72%

LAB 77.64, -11.76, -31.78

 

CMYK 23 / 53 / 0 / 2

HEX #C075FA

RGB 192 117 250

HSL 273.83, 0.93%, 0.72%

LAB 62.36, 52.94, -55.33

 

CMYK 0 / 34 / 53 / 2

HEX #FAA675

RGB 250 166 117

HSL 22.11, 0.93%, 0.72%

LAB 75.38, 25.98, 37.92

 

CMYK 30 / 0 / 53 / 2

HEX #AFFA75

RGB 175 250 117

HSL 93.83, 0.93%, 0.72%

LAB 91.13, -44.92, 55.83

 

CMYK 52 / 20 / 0 / 2

HEX #77C9FA

RGB 119 201 250

HSL 202.44, 0.93%, 0.72%

LAB 77.64, -11.76, -31.78

 

CMYK 7 / 53 / 0 / 2

HEX #E875FA

RGB 232 117 250

HSL 291.88, 0.93%, 0.72%

LAB 67.11, 63.15, -47.51

 

CMYK 0 / 34 / 53 / 2

HEX #FAA675

RGB 250 166 117

HSL 22.11, 0.93%, 0.72%

LAB 75.38, 25.98, 37.92

 

CMYK 46 / 0 / 53 / 2

HEX #87FA75

RGB 135 250 117

HSL 111.88, 0.93%, 0.72%

LAB 89.3, -57.42, 53.22

 

Description

Color code: HEX #77C9FABF | qconv.com Color code: HEX #77C9FABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 201 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 201 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 15 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 15% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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