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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #766B05 it is the complementary color #8994FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #766B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #766B05 shade: #7B6B00, #8C7D13, #9D8F26, #AEA139 and #BFB34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #766B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #766B05 shade: #766B05, #655900, #544700, #433500 and #322300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #766B05 shade: #766B05, #764C05, #762E05, #760F05 and #760505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #766B05 shade: #766B05, #627605, #447605, #257605 and #077605

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #766B05 shade matches the following richer shades: #766B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #766B05 shade: #766B05, #6C630F, #625B19, #585323 and #4E4B2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #766B05 shade: #762E05, #764C05, #766A05, #637605 and #457605

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #766B05 shade: #262302, #4E4703, #766B05, #9D8E07 and #C5B208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #766B05 shade: #766B05, #057610 and #3D0576

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #766B05 shade: #766B05, #05766A and #6A0576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #766B05 shade: #766B05, #057610, #051076 and #76056A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #766B05 shade: #766B05, #057632, #051076 and #760548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

Complementary color

CMYK 45 / 41 / 0 / 2

HEX #8994FA

RGB 137 148 250

HSL 234.16, 0.92%, 0.76%

LAB 64.48, 21.95, -52.26

 

CMYK 0 / 13 / 100 / 52

HEX #7B6B00

RGB 123 107 0

HSL 52.2, 1%, 0.24%

LAB 45.26, -3.64, 51.69

 

CMYK 0 / 11 / 86 / 45

HEX #8C7D13

RGB 140 125 19

HSL 52.56, 0.76%, 0.31%

LAB 52.16, -5.27, 53.51

 

CMYK 0 / 9 / 76 / 38

HEX #9D8F26

RGB 157 143 38

HSL 52.94, 0.61%, 0.38%

LAB 58.93, -6.61, 54.08

 

CMYK 0 / 7 / 67 / 32

HEX #AEA139

RGB 174 161 57

HSL 53.33, 0.51%, 0.45%

LAB 65.58, -7.69, 53.68

 

CMYK 0 / 6 / 60 / 25

HEX #BFB34C

RGB 191 179 76

HSL 53.74, 0.47%, 0.52%

LAB 72.12, -8.57, 52.83

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 0 / 12 / 100 / 60

HEX #655900

RGB 101 89 0

HSL 52.87, 1%, 0.2%

LAB 37.68, -4.01, 45.24

 

CMYK 0 / 15 / 100 / 67

HEX #544700

RGB 84 71 0

HSL 50.71, 1%, 0.16%

LAB 30.38, -1.83, 39.19

 

CMYK 0 / 21 / 100 / 74

HEX #433500

RGB 67 53 0

HSL 47.46, 1%, 0.13%

LAB 22.79, 0.52, 31.68

 

CMYK 0 / 30 / 100 / 80

HEX #322300

RGB 50 35 0

HSL 42, 1%, 0.1%

LAB 14.85, 3.13, 21.85

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 0 / 36 / 96 / 54

HEX #764C05

RGB 118 76 5

HSL 37.7, 0.92%, 0.24%

LAB 36.04, 12.36, 43.38

 

CMYK 0 / 61 / 96 / 54

HEX #762E05

RGB 118 46 5

HSL 21.77, 0.92%, 0.24%

LAB 28.94, 29.65, 38.18

 

CMYK 0 / 87 / 96 / 54

HEX #760F05

RGB 118 15 5

HSL 5.31, 0.92%, 0.24%

LAB 24.34, 42.2, 34.08

 

CMYK 0 / 96 / 96 / 54

HEX #760505

RGB 118 5 5

HSL 0, 0.92%, 0.24%

LAB 23.58, 44.38, 33.32

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 17 / 0 / 96 / 54

HEX #627605

RGB 98 118 5

HSL 70.62, 0.92%, 0.24%

LAB 46.4, -21.35, 50.44

 

CMYK 42 / 0 / 96 / 54

HEX #447605

RGB 68 118 5

HSL 86.55, 0.92%, 0.24%

LAB 44.51, -33.87, 48.14

 

CMYK 69 / 0 / 96 / 54

HEX #257605

RGB 37 118 5

HSL 103.01, 0.92%, 0.24%

LAB 43.3, -43.38, 46.64

 

CMYK 94 / 0 / 96 / 54

HEX #077605

RGB 7 118 5

HSL 118.94, 0.92%, 0.24%

LAB 42.78, -47.93, 46

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 0 / 8 / 86 / 58

HEX #6C630F

RGB 108 99 15

HSL 54.19, 0.76%, 0.24%

LAB 41.45, -5.95, 44.32

 

CMYK 0 / 7 / 74 / 62

HEX #625B19

RGB 98 91 25

HSL 54.25, 0.59%, 0.24%

LAB 38.11, -5.72, 37.16

 

CMYK 0 / 6 / 60 / 65

HEX #585323

RGB 88 83 35

HSL 54.34, 0.43%, 0.24%

LAB 34.77, -5.12, 28.38

 

CMYK 0 / 4 / 42 / 69

HEX #4E4B2D

RGB 78 75 45

HSL 54.55, 0.27%, 0.24%

LAB 31.44, -3.96, 18.33

 

CMYK 0 / 61 / 96 / 54

HEX #762E05

RGB 118 46 5

HSL 21.77, 0.92%, 0.24%

LAB 28.94, 29.65, 38.18

 

CMYK 0 / 36 / 96 / 54

HEX #764C05

RGB 118 76 5

HSL 37.7, 0.92%, 0.24%

LAB 36.04, 12.36, 43.38

 

CMYK 0 / 10 / 96 / 54

HEX #766A05

RGB 118 106 5

HSL 53.63, 0.92%, 0.24%

LAB 44.48, -5.37, 49.7

 

CMYK 16 / 0 / 96 / 54

HEX #637605

RGB 99 118 5

HSL 70.09, 0.92%, 0.24%

LAB 46.47, -20.9, 50.53

 

CMYK 42 / 0 / 96 / 54

HEX #457605

RGB 69 118 5

HSL 86.02, 0.92%, 0.24%

LAB 44.57, -33.5, 48.2

 

CMYK 0 / 8 / 95 / 85

HEX #262302

RGB 38 35 2

HSL 55, 0.9%, 0.08%

LAB 13.34, -3.58, 18.78

 

CMYK 0 / 9 / 96 / 69

HEX #4E4703

RGB 78 71 3

HSL 54.4, 0.93%, 0.16%

LAB 29.74, -4.82, 37.2

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 0 / 10 / 96 / 38

HEX #9D8E07

RGB 157 142 7

HSL 54, 0.91%, 0.32%

LAB 58.54, -6.94, 61.6

 

CMYK 0 / 10 / 96 / 23

HEX #C5B208

RGB 197 178 8

HSL 53.97, 0.92%, 0.4%

LAB 72.05, -8, 73.18

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 96 / 0 / 86 / 54

HEX #057610

RGB 5 118 16

HSL 125.84, 0.92%, 0.24%

LAB 42.8, -47.59, 43.39

 

CMYK 48 / 96 / 0 / 54

HEX #3D0576

RGB 61 5 118

HSL 269.73, 0.92%, 0.24%

LAB 17.5, 46.01, -50.62

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 96 / 0 / 10 / 54

HEX #05766A

RGB 5 118 106

HSL 173.63, 0.92%, 0.24%

LAB 44.28, -30.71, -1.31

 

CMYK 10 / 96 / 0 / 54

HEX #6A0576

RGB 106 5 118

HSL 293.63, 0.92%, 0.24%

LAB 25.2, 52.55, -37.74

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 96 / 0 / 86 / 54

HEX #057610

RGB 5 118 16

HSL 125.84, 0.92%, 0.24%

LAB 42.8, -47.59, 43.39

 

CMYK 96 / 86 / 0 / 54

HEX #051076

RGB 5 16 118

HSL 234.16, 0.92%, 0.24%

LAB 13.89, 37.79, -56.76

 

CMYK 0 / 96 / 10 / 54

HEX #76056A

RGB 118 5 106

HSL 306.37, 0.92%, 0.24%

LAB 26.74, 52.83, -27.42

 

CMYK 0 / 9 / 96 / 54

HEX #766B05

RGB 118 107 5

HSL 54.16, 0.92%, 0.24%

LAB 44.77, -5.94, 49.92

 

CMYK 96 / 0 / 58 / 54

HEX #057632

RGB 5 118 50

HSL 143.89, 0.92%, 0.24%

LAB 43.09, -43.97, 29.35

 

CMYK 96 / 86 / 0 / 54

HEX #051076

RGB 5 16 118

HSL 234.16, 0.92%, 0.24%

LAB 13.89, 37.79, -56.76

 

CMYK 0 / 96 / 39 / 54

HEX #760548

RGB 118 5 72

HSL 324.42, 0.92%, 0.24%

LAB 25.04, 48.4, -7.52

 

Description

Color code: HEX #766B05 | qconv.com Color code: HEX #766B05 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 107 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 107 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 96 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 96% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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