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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #759696 it is the complementary color #8A6969. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #759696. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #759696: #7A9691, #8BA8A4, #9CBAB7, #ADCCCA and #BEDEDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #759696. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #759696: #759696, #648483, #537270, #42605D and #314E4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

Complementary color

CMYK 0 / 24 / 24 / 46

HEX #8A6969

RGB 138 105 105

HSL 0, 0.14%, 0.48%

LAB 47.66, 13.18, 5.1

 

CMYK 19 / 0 / 3 / 41

HEX #7A9691

RGB 122 150 145

HSL 169.29, 0.12%, 0.53%

LAB 59.88, -10.87, -0.63

 

CMYK 17 / 0 / 2 / 34

HEX #8BA8A4

RGB 139 168 164

HSL 171.72, 0.14%, 0.6%

LAB 66.65, -10.8, -1.27

 

CMYK 16 / 0 / 2 / 27

HEX #9CBAB7

RGB 156 186 183

HSL 174, 0.18%, 0.67%

LAB 73.29, -10.74, -1.89

 

CMYK 15 / 0 / 1 / 20

HEX #ADCCCA

RGB 173 204 202

HSL 176.13, 0.23%, 0.74%

LAB 79.8, -10.7, -2.48

 

CMYK 14 / 0 / 0 / 13

HEX #BEDEDD

RGB 190 222 221

HSL 178.13, 0.33%, 0.81%

LAB 86.21, -10.68, -3.05

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 24 / 0 / 1 / 48

HEX #648483

RGB 100 132 131

HSL 178.13, 0.14%, 0.45%

LAB 52.79, -11.48, -3.17

 

CMYK 27 / 0 / 2 / 55

HEX #537270

RGB 83 114 112

HSL 176.13, 0.16%, 0.39%

LAB 45.69, -11.59, -2.52

 

CMYK 31 / 0 / 3 / 62

HEX #42605D

RGB 66 96 93

HSL 174, 0.19%, 0.32%

LAB 38.4, -11.72, -1.84

 

CMYK 37 / 0 / 5 / 69

HEX #314E4A

RGB 49 78 74

HSL 171.72, 0.23%, 0.25%

LAB 30.87, -11.88, -1.09

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 23 / 3 / 0 / 42

HEX #739095

RGB 115 144 149

HSL 188.82, 0.14%, 0.52%

LAB 57.81, -8.99, -6.02

 

CMYK 23 / 7 / 0 / 42

HEX #738A95

RGB 115 138 149

HSL 199.41, 0.14%, 0.52%

LAB 56.08, -5.64, -8.6

 

CMYK 23 / 11 / 0 / 42

HEX #738495

RGB 115 132 149

HSL 210, 0.14%, 0.52%

LAB 54.36, -2.24, -11.17

 

CMYK 23 / 15 / 0 / 42

HEX #737E95

RGB 115 126 149

HSL 220.59, 0.14%, 0.52%

LAB 52.66, 1.23, -13.73

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 22 / 0 / 0 / 21

HEX #9DC9C9

RGB 157 201 201

HSL 180, 0.29%, 0.7%

LAB 77.97, -14.38, -4.76

 

CMYK 22 / 0 / 0 / 1

HEX #C5FCFC

RGB 197 252 252

HSL 180, 0.9%, 0.88%

LAB 95.38, -17.21, -5.69

 

CMYK 23 / 0 / 0 / 81

HEX #253030

RGB 37 48 48

HSL 180, 0.13%, 0.17%

LAB 18.89, -4.65, -1.55

 

CMYK 22 / 0 / 0 / 61

HEX #4D6363

RGB 77 99 99

HSL 180, 0.13%, 0.35%

LAB 40.25, -8.2, -2.72

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 18 / 23 / 0 / 42

HEX #7A7395

RGB 122 115 149

HSL 252.35, 0.14%, 0.52%

LAB 50.18, 10.05, -17.45

 

CMYK 0 / 9 / 23 / 42

HEX #958873

RGB 149 136 115

HSL 37.06, 0.14%, 0.52%

LAB 57.3, 1.34, 13.06

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 0 / 23 / 0 / 42

HEX #957395

RGB 149 115 149

HSL 300, 0.14%, 0.52%

LAB 52.75, 19.46, -13.3

 

CMYK 0 / 0 / 23 / 42

HEX #959573

RGB 149 149 115

HSL 60, 0.14%, 0.52%

LAB 60.89, -5.86, 18.02

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 18 / 23 / 0 / 42

HEX #7A7395

RGB 122 115 149

HSL 252.35, 0.14%, 0.52%

LAB 50.18, 10.05, -17.45

 

CMYK 0 / 23 / 23 / 42

HEX #957373

RGB 149 115 115

HSL 0, 0.14%, 0.52%

LAB 51.71, 13.36, 5.14

 

CMYK 5 / 0 / 23 / 42

HEX #8E9573

RGB 142 149 115

HSL 72.35, 0.14%, 0.52%

LAB 60.32, -8.63, 17.15

 

CMYK 22 / 0 / 0 / 41

HEX #759696

RGB 117 150 150

HSL 180, 0.14%, 0.52%

LAB 59.7, -11.4, -3.77

 

CMYK 11 / 23 / 0 / 42

HEX #847395

RGB 132 115 149

HSL 270, 0.14%, 0.52%

LAB 51.08, 13.48, -16

 

CMYK 0 / 23 / 23 / 42

HEX #957373

RGB 149 115 115

HSL 0, 0.14%, 0.52%

LAB 51.71, 13.36, 5.14

 

CMYK 11 / 0 / 23 / 42

HEX #849573

RGB 132 149 115

HSL 90, 0.14%, 0.52%

LAB 59.56, -12.51, 15.98

 

Description

Color code: HEX #759696 | qconv.com Color code: HEX #759696 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 150 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 150 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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