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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74724B it is the complementary color #8B8DB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74724B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #74724B: #797246, #8A8459, #9B966C, #ACA87F and #BDBA92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74724B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #74724B: #74724B, #636038, #524E25, #413C12 and #302A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

Complementary color

CMYK 23 / 22 / 0 / 29

HEX #8B8DB4

RGB 139 141 180

HSL 237.07, 0.21%, 0.63%

LAB 59.74, 7.85, -20.63

 

CMYK 0 / 6 / 42 / 53

HEX #797246

RGB 121 114 70

HSL 51.76, 0.27%, 0.37%

LAB 47.68, -4.22, 25.34

 

CMYK 0 / 4 / 36 / 46

HEX #8A8459

RGB 138 132 89

HSL 52.65, 0.22%, 0.45%

LAB 54.69, -4.65, 24.06

 

CMYK 0 / 3 / 30 / 39

HEX #9B966C

RGB 155 150 108

HSL 53.62, 0.19%, 0.52%

LAB 61.54, -5, 22.87

 

CMYK 0 / 2 / 26 / 33

HEX #ACA87F

RGB 172 168 127

HSL 54.67, 0.21%, 0.59%

LAB 68.25, -5.28, 21.76

 

CMYK 0 / 2 / 23 / 26

HEX #BDBA92

RGB 189 186 146

HSL 55.81, 0.25%, 0.66%

LAB 74.83, -5.51, 20.71

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 0 / 3 / 43 / 61

HEX #636038

RGB 99 96 56

HSL 55.81, 0.28%, 0.3%

LAB 40.09, -5.38, 23.25

 

CMYK 0 / 5 / 55 / 68

HEX #524E25

RGB 82 78 37

HSL 54.67, 0.38%, 0.23%

LAB 32.65, -4.82, 24.64

 

CMYK 0 / 8 / 72 / 75

HEX #413C12

RGB 65 60 18

HSL 53.62, 0.57%, 0.16%

LAB 24.95, -3.98, 25.9

 

CMYK 0 / 13 / 100 / 81

HEX #302A00

RGB 48 42 0

HSL 52.5, 1%, 0.09%

LAB 16.91, -2.76, 24.4

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 4 / 0 / 35 / 55

HEX #6D724A

RGB 109 114 74

HSL 67.5, 0.21%, 0.37%

LAB 46.68, -8.93, 21.57

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 16 / 0 / 35 / 55

HEX #60724A

RGB 96 114 74

HSL 87, 0.21%, 0.37%

LAB 45.66, -14.39, 20.03

 

CMYK 22 / 0 / 35 / 55

HEX #59724A

RGB 89 114 74

HSL 97.5, 0.21%, 0.37%

LAB 45.16, -17.21, 19.27

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 0 / 2 / 35 / 35

HEX #A7A46C

RGB 167 164 108

HSL 56.95, 0.25%, 0.54%

LAB 66.4, -7.65, 29.49

 

CMYK 0 / 2 / 35 / 15

HEX #DAD68D

RGB 218 214 141

HSL 56.88, 0.51%, 0.7%

LAB 84.44, -9.41, 36.59

 

CMYK 0 / 0 / 36 / 95

HEX #0E0E09

RGB 14 14 9

HSL 60, 0.22%, 0.05%

LAB 3.86, -0.76, 2.07

 

CMYK 0 / 2 / 35 / 75

HEX #41402A

RGB 65 64 42

HSL 57.39, 0.21%, 0.21%

LAB 26.61, -3.73, 13.65

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 35 / 0 / 30 / 55

HEX #4A7250

RGB 74 114 80

HSL 129, 0.21%, 0.37%

LAB 44.33, -21.76, 14.51

 

CMYK 16 / 35 / 0 / 55

HEX #604A72

RGB 96 74 114

HSL 273, 0.21%, 0.37%

LAB 35.2, 17.76, -19.49

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 35 / 0 / 2 / 55

HEX #4A7270

RGB 74 114 112

HSL 177, 0.21%, 0.37%

LAB 45.17, -14.45, -3.36

 

CMYK 2 / 35 / 0 / 55

HEX #704A72

RGB 112 74 114

HSL 297, 0.21%, 0.37%

LAB 37.04, 23.4, -16.51

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 35 / 0 / 30 / 55

HEX #4A7250

RGB 74 114 80

HSL 129, 0.21%, 0.37%

LAB 44.33, -21.76, 14.51

 

CMYK 35 / 33 / 0 / 55

HEX #4A4C72

RGB 74 76 114

HSL 237, 0.21%, 0.37%

LAB 33.65, 9.12, -22.07

 

CMYK 0 / 35 / 5 / 55

HEX #724A6C

RGB 114 74 108

HSL 309, 0.21%, 0.37%

LAB 37.04, 22.89, -12.75

 

CMYK 0 / 2 / 35 / 55

HEX #74724B

RGB 116 114 75

HSL 57.07, 0.21%, 0.37%

LAB 47.31, -5.78, 21.93

 

CMYK 35 / 0 / 19 / 55

HEX #4A725C

RGB 74 114 92

HSL 147, 0.21%, 0.37%

LAB 44.61, -19.27, 7.79

 

CMYK 35 / 33 / 0 / 55

HEX #4A4C72

RGB 74 76 114

HSL 237, 0.21%, 0.37%

LAB 33.65, 9.12, -22.07

 

CMYK 0 / 35 / 16 / 55

HEX #724A60

RGB 114 74 96

HSL 327, 0.21%, 0.37%

LAB 36.59, 20.61, -5.9

 

Description

Color code: HEX #74724B | qconv.com Color code: HEX #74724B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 114 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 114 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 35 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 35% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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