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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7378F2 it is the complementary color #8C870D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7378F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7378F2: #7878ED, #898AFF, #9A9CFF, #ABAEFF and #BCC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7378F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7378F2: #7378F2, #6266DF, #5154CC, #4042B9 and #2F30A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

Complementary color

CMYK 0 / 4 / 91 / 45

HEX #8C870D

RGB 140 135 13

HSL 57.64, 0.83%, 0.3%

LAB 55, -10.89, 57.19

 

CMYK 49 / 49 / 0 / 7

HEX #7878ED

RGB 120 120 237

HSL 240, 0.76%, 0.7%

LAB 55.62, 30.75, -59.28

 

CMYK 46 / 46 / 0 / 0

HEX #898AFF

RGB 137 138 255

HSL 239.49, 1%, 0.77%

LAB 62.27, 29.22, -58.53

 

CMYK 40 / 39 / 0 / 0

HEX #9A9CFF

RGB 154 156 255

HSL 238.81, 1%, 0.8%

LAB 67.92, 22.89, -49.48

 

CMYK 33 / 32 / 0 / 0

HEX #ABAEFF

RGB 171 174 255

HSL 237.86, 1%, 0.84%

LAB 73.64, 17.18, -40.42

 

CMYK 26 / 25 / 0 / 0

HEX #BCC0FF

RGB 188 192 255

HSL 236.42, 1%, 0.87%

LAB 79.39, 12.04, -31.42

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 56 / 54 / 0 / 13

HEX #6266DF

RGB 98 102 223

HSL 238.08, 0.66%, 0.63%

LAB 48.79, 32.78, -62.5

 

CMYK 60 / 59 / 0 / 20

HEX #5154CC

RGB 81 84 204

HSL 238.54, 0.55%, 0.56%

LAB 41.92, 34.58, -62.83

 

CMYK 65 / 64 / 0 / 27

HEX #4042B9

RGB 64 66 185

HSL 239.01, 0.49%, 0.49%

LAB 34.98, 36.67, -63.1

 

CMYK 72 / 71 / 0 / 35

HEX #2F30A6

RGB 47 48 166

HSL 239.5, 0.56%, 0.42%

LAB 28.04, 39.02, -63.2

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 46 / 52 / 0 / 5

HEX #8173F1

RGB 129 115 241

HSL 246.67, 0.82%, 0.7%

LAB 55.36, 36.82, -61.9

 

CMYK 38 / 52 / 0 / 5

HEX #9673F1

RGB 150 115 241

HSL 256.67, 0.82%, 0.7%

LAB 57.17, 41.58, -58.89

 

CMYK 29 / 52 / 0 / 5

HEX #AC73F1

RGB 172 115 241

HSL 267.14, 0.82%, 0.7%

LAB 59.33, 46.93, -55.32

 

CMYK 20 / 52 / 0 / 5

HEX #C173F1

RGB 193 115 241

HSL 277.14, 0.82%, 0.7%

LAB 61.61, 52.26, -51.55

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 53 / 50 / 0 / 85

HEX #121326

RGB 18 19 38

HSL 237, 0.36%, 0.11%

LAB 6.63, 5.5, -13.14

 

CMYK 53 / 51 / 0 / 65

HEX #2A2C59

RGB 42 44 89

HSL 237.45, 0.36%, 0.26%

LAB 20.1, 13.21, -27.51

 

CMYK 52 / 51 / 0 / 45

HEX #43458C

RGB 67 69 140

HSL 238.36, 0.35%, 0.41%

LAB 32.58, 20, -39.92

 

CMYK 52 / 50 / 0 / 25

HEX #5B5FBF

RGB 91 95 191

HSL 237.6, 0.44%, 0.55%

LAB 44.48, 25.45, -51.14

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 0 / 52 / 8 / 5

HEX #F173DE

RGB 241 115 222

HSL 309.05, 0.82%, 0.7%

LAB 66.7, 61.68, -32.6

 

CMYK 29 / 0 / 52 / 5

HEX #ACF173

RGB 172 241 115

HSL 92.86, 0.82%, 0.7%

LAB 88.41, -42.25, 53.48

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 0 / 52 / 50 / 5

HEX #F17379

RGB 241 115 121

HSL 357.14, 0.82%, 0.7%

LAB 63.63, 48.95, 20.08

 

CMYK 50 / 0 / 52 / 5

HEX #79F173

RGB 121 241 115

HSL 117.14, 0.82%, 0.7%

LAB 86.11, -57.99, 50.17

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 0 / 52 / 8 / 5

HEX #F173DE

RGB 241 115 222

HSL 309.05, 0.82%, 0.7%

LAB 66.7, 61.68, -32.6

 

CMYK 0 / 2 / 52 / 5

HEX #F1EB73

RGB 241 235 115

HSL 57.14, 0.82%, 0.7%

LAB 91.39, -13.37, 58.14

 

CMYK 52 / 0 / 44 / 5

HEX #73F186

RGB 115 241 134

HSL 129.05, 0.82%, 0.7%

LAB 86.14, -56.95, 41.13

 

CMYK 52 / 50 / 0 / 5

HEX #7378F2

RGB 115 120 242

HSL 237.64, 0.83%, 0.7%

LAB 55.57, 31.23, -62.16

 

CMYK 0 / 52 / 24 / 5

HEX #F173B8

RGB 241 115 184

HSL 327.14, 0.82%, 0.7%

LAB 65.3, 56.04, -13.41

 

CMYK 0 / 2 / 52 / 5

HEX #F1EB73

RGB 241 235 115

HSL 57.14, 0.82%, 0.7%

LAB 91.39, -13.37, 58.14

 

CMYK 52 / 0 / 29 / 5

HEX #73F1AC

RGB 115 241 172

HSL 147.14, 0.82%, 0.7%

LAB 86.77, -50.48, 22.86

 

Description

Color code: HEX #7378F2 | qconv.com Color code: HEX #7378F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 120 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 120 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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