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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #726658 it is the complementary color #8D99A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #726658. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #726658: #776653, #887866, #998A79, #AA9C8C and #BBAE9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #726658. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #726658: #726658, #615445, #504232, #3F301F and #2E1E0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

Complementary color

CMYK 16 / 8 / 0 / 35

HEX #8D99A7

RGB 141 153 167

HSL 212.31, 0.13%, 0.6%

LAB 62.71, -1.29, -8.77

 

CMYK 0 / 14 / 30 / 53

HEX #776653

RGB 119 102 83

HSL 31.67, 0.18%, 0.4%

LAB 44.3, 3.63, 13.25

 

CMYK 0 / 12 / 25 / 47

HEX #887866

RGB 136 120 102

HSL 31.76, 0.14%, 0.47%

LAB 51.41, 3.15, 12.15

 

CMYK 0 / 10 / 21 / 40

HEX #998A79

RGB 153 138 121

HSL 31.88, 0.14%, 0.54%

LAB 58.35, 2.75, 11.15

 

CMYK 0 / 8 / 18 / 33

HEX #AA9C8C

RGB 170 156 140

HSL 32, 0.15%, 0.61%

LAB 65.13, 2.41, 10.23

 

CMYK 0 / 7 / 15 / 27

HEX #BBAE9F

RGB 187 174 159

HSL 32.14, 0.17%, 0.68%

LAB 71.79, 2.11, 9.37

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 0 / 13 / 29 / 62

HEX #615445

RGB 97 84 69

HSL 32.14, 0.17%, 0.33%

LAB 36.58, 2.73, 10.74

 

CMYK 0 / 18 / 38 / 69

HEX #504232

RGB 80 66 50

HSL 32, 0.23%, 0.25%

LAB 28.99, 3.31, 12

 

CMYK 0 / 24 / 51 / 75

HEX #3F301F

RGB 63 48 31

HSL 31.88, 0.34%, 0.18%

LAB 21.09, 4.12, 13.47

 

CMYK 0 / 35 / 74 / 82

HEX #2E1E0C

RGB 46 30 12

HSL 31.76, 0.59%, 0.11%

LAB 12.83, 5.37, 14.16

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 0 / 7 / 23 / 55

HEX #736B58

RGB 115 107 88

HSL 42.22, 0.13%, 0.4%

LAB 45.45, -0.25, 11.79

 

CMYK 0 / 3 / 23 / 55

HEX #736F58

RGB 115 111 88

HSL 51.11, 0.13%, 0.4%

LAB 46.6, -2.58, 13.39

 

CMYK 1 / 0 / 23 / 55

HEX #727358

RGB 114 115 88

HSL 62.22, 0.13%, 0.4%

LAB 47.68, -5.29, 14.86

 

CMYK 5 / 0 / 23 / 55

HEX #6D7358

RGB 109 115 88

HSL 73.33, 0.13%, 0.4%

LAB 47.26, -7.36, 14.21

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 0 / 10 / 23 / 35

HEX #A5947F

RGB 165 148 127

HSL 33.16, 0.17%, 0.57%

LAB 62.26, 2.85, 13.41

 

CMYK 0 / 11 / 23 / 15

HEX #D8C1A7

RGB 216 193 167

HSL 31.84, 0.39%, 0.75%

LAB 79.34, 4.07, 16.06

 

CMYK 0 / 8 / 25 / 95

HEX #0C0B09

RGB 12 11 9

HSL 40, 0.14%, 0.04%

LAB 3.05, 0, 0.87

 

CMYK 0 / 11 / 22 / 75

HEX #3F3831

RGB 63 56 49

HSL 30, 0.13%, 0.22%

LAB 24.02, 1.68, 5.49

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 17 / 0 / 23 / 55

HEX #5F7358

RGB 95 115 88

HSL 104.44, 0.13%, 0.4%

LAB 46.18, -12.98, 12.55

 

CMYK 20 / 23 / 0 / 55

HEX #5C5873

RGB 92 88 115

HSL 248.89, 0.13%, 0.4%

LAB 38.71, 7.82, -14.75

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 23 / 0 / 11 / 55

HEX #587366

RGB 88 115 102

HSL 151.11, 0.13%, 0.4%

LAB 46.04, -12.77, 3.99

 

CMYK 11 / 23 / 0 / 55

HEX #665873

RGB 102 88 115

HSL 271.11, 0.13%, 0.4%

LAB 39.65, 11.4, -13.23

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 17 / 0 / 23 / 55

HEX #5F7358

RGB 95 115 88

HSL 104.44, 0.13%, 0.4%

LAB 46.18, -12.98, 12.55

 

CMYK 23 / 12 / 0 / 55

HEX #586573

RGB 88 101 115

HSL 211.11, 0.13%, 0.4%

LAB 42.18, -1.56, -9.52

 

CMYK 6 / 23 / 0 / 55

HEX #6C5873

RGB 108 88 115

HSL 284.44, 0.13%, 0.4%

LAB 40.26, 13.6, -12.26

 

CMYK 0 / 11 / 23 / 55

HEX #726658

RGB 114 102 88

HSL 32.31, 0.13%, 0.4%

LAB 43.92, 2.28, 9.65

 

CMYK 23 / 0 / 23 / 55

HEX #587359

RGB 88 115 89

HSL 122.22, 0.13%, 0.4%

LAB 45.71, -15.46, 11.24

 

CMYK 23 / 12 / 0 / 55

HEX #586573

RGB 88 101 115

HSL 211.11, 0.13%, 0.4%

LAB 42.18, -1.56, -9.52

 

CMYK 0 / 23 / 1 / 55

HEX #735872

RGB 115 88 114

HSL 302.22, 0.13%, 0.4%

LAB 40.96, 15.99, -10.51

 

Description

Color code: HEX #726658 | qconv.com Color code: HEX #726658 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 102 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 102 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 23 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 23% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

59% - Protectia - Banco de...
Link: http://protectia.com.ar

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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