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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FB965 it is the complementary color #90469A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FB965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6FB965: #74B960, #85CB73, #96DD86, #A7EF99 and #B8FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FB965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6FB965: #6FB965, #5EA752, #4D953F, #3C832C and #2B7119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

Complementary color

CMYK 6 / 55 / 0 / 40

HEX #90469A

RGB 144 70 154

HSL 292.86, 0.38%, 0.44%

LAB 42.22, 44.07, -32.57

 

CMYK 37 / 0 / 48 / 27

HEX #74B960

RGB 116 185 96

HSL 106.52, 0.39%, 0.55%

LAB 68.94, -38.79, 38.25

 

CMYK 34 / 0 / 43 / 20

HEX #85CB73

RGB 133 203 115

HSL 107.73, 0.46%, 0.62%

LAB 75.41, -38.65, 37.02

 

CMYK 32 / 0 / 39 / 13

HEX #96DD86

RGB 150 221 134

HSL 108.97, 0.56%, 0.7%

LAB 81.79, -38.47, 35.82

 

CMYK 30 / 0 / 36 / 6

HEX #A7EF99

RGB 167 239 153

HSL 110.23, 0.73%, 0.77%

LAB 88.09, -38.27, 34.67

 

CMYK 28 / 0 / 33 / 0

HEX #B8FFAC

RGB 184 255 172

HSL 111.33, 1%, 0.84%

LAB 93.75, -37.17, 32.83

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 44 / 0 / 51 / 35

HEX #5EA752

RGB 94 167 82

HSL 111.53, 0.34%, 0.49%

LAB 62.19, -39.84, 36.73

 

CMYK 48 / 0 / 58 / 42

HEX #4D953F

RGB 77 149 63

HSL 110.23, 0.41%, 0.42%

LAB 55.51, -39.83, 37.99

 

CMYK 54 / 0 / 66 / 49

HEX #3C832C

RGB 60 131 44

HSL 108.97, 0.5%, 0.34%

LAB 48.73, -39.59, 39.1

 

CMYK 62 / 0 / 78 / 56

HEX #2B7119

RGB 43 113 25

HSL 107.73, 0.64%, 0.27%

LAB 41.84, -38.94, 39.72

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 46 / 0 / 44 / 27

HEX #64B967

RGB 100 185 103

HSL 122.12, 0.38%, 0.56%

LAB 68.3, -42.8, 33.75

 

CMYK 46 / 0 / 37 / 27

HEX #64B975

RGB 100 185 117

HSL 132, 0.38%, 0.56%

LAB 68.53, -40.54, 26.73

 

CMYK 46 / 0 / 29 / 27

HEX #64B983

RGB 100 185 131

HSL 141.88, 0.38%, 0.56%

LAB 68.78, -37.98, 19.6

 

CMYK 46 / 0 / 22 / 27

HEX #64B991

RGB 100 185 145

HSL 151.76, 0.38%, 0.56%

LAB 69.08, -35.15, 12.42

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 40 / 0 / 45 / 7

HEX #8EEC81

RGB 142 236 129

HSL 112.71, 0.74%, 0.72%

LAB 85.67, -48.2, 43.17

 

CMYK 41 / 0 / 47 / 87

HEX #132011

RGB 19 32 17

HSL 112, 0.31%, 0.1%

LAB 10.65, -9.61, 8.09

 

CMYK 40 / 0 / 46 / 67

HEX #32532D

RGB 50 83 45

HSL 112.11, 0.3%, 0.25%

LAB 31.93, -20.73, 18.52

 

CMYK 40 / 0 / 46 / 47

HEX #508649

RGB 80 134 73

HSL 113.11, 0.29%, 0.41%

LAB 50.96, -30.78, 27.28

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 46 / 3 / 0 / 27

HEX #64B3B9

RGB 100 179 185

HSL 184.24, 0.38%, 0.56%

LAB 68.35, -22.66, -10.63

 

CMYK 0 / 46 / 22 / 27

HEX #B96491

RGB 185 100 145

HSL 328.24, 0.38%, 0.56%

LAB 53.46, 39.79, -9.46

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 46 / 40 / 0 / 27

HEX #646FB9

RGB 100 111 185

HSL 232.24, 0.38%, 0.56%

LAB 48.98, 15.78, -40.44

 

CMYK 0 / 46 / 40 / 27

HEX #B9646F

RGB 185 100 111

HSL 352.24, 0.38%, 0.56%

LAB 52.48, 35.25, 9.2

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 46 / 3 / 0 / 27

HEX #64B3B9

RGB 100 179 185

HSL 184.24, 0.38%, 0.56%

LAB 68.35, -22.66, -10.63

 

CMYK 6 / 46 / 0 / 27

HEX #AE64B9

RGB 174 100 185

HSL 292.24, 0.38%, 0.56%

LAB 53.62, 43.25, -32.66

 

CMYK 0 / 43 / 46 / 27

HEX #B96964

RGB 185 105 100

HSL 3.53, 0.38%, 0.56%

LAB 53.32, 31.36, 16.83

 

CMYK 40 / 0 / 45 / 27

HEX #6FB965

RGB 111 185 101

HSL 112.86, 0.38%, 0.56%

LAB 68.76, -39.73, 35.45

 

CMYK 46 / 17 / 0 / 27

HEX #649AB9

RGB 100 154 185

HSL 201.88, 0.38%, 0.56%

LAB 61.07, -9.41, -21.65

 

CMYK 6 / 46 / 0 / 27

HEX #AE64B9

RGB 174 100 185

HSL 292.24, 0.38%, 0.56%

LAB 53.62, 43.25, -32.66

 

CMYK 0 / 29 / 46 / 27

HEX #B98364

RGB 185 131 100

HSL 21.88, 0.38%, 0.56%

LAB 59.4, 17.01, 25.01

 

Description

Color code: HEX #6FB965 | qconv.com Color code: HEX #6FB965 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 185 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 185 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 45 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 45% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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