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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E5F4A it is the complementary color #91A0B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E5F4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6E5F4A: #735F45, #847158, #95836B, #A6957E and #B7A791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E5F4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6E5F4A: #6E5F4A, #5D4D37, #4C3B24, #3B2911 and #2A1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

Complementary color

CMYK 20 / 12 / 0 / 29

HEX #91A0B5

RGB 145 160 181

HSL 215, 0.2%, 0.64%

LAB 65.36, -0.72, -12.64

 

CMYK 0 / 17 / 40 / 55

HEX #735F45

RGB 115 95 69

HSL 33.91, 0.25%, 0.36%

LAB 41.62, 4.09, 17.91

 

CMYK 0 / 14 / 33 / 48

HEX #847158

RGB 132 113 88

HSL 34.09, 0.2%, 0.43%

LAB 48.79, 3.47, 16.64

 

CMYK 0 / 12 / 28 / 42

HEX #95836B

RGB 149 131 107

HSL 34.29, 0.17%, 0.5%

LAB 55.77, 2.97, 15.5

 

CMYK 0 / 10 / 24 / 35

HEX #A6957E

RGB 166 149 126

HSL 34.5, 0.18%, 0.57%

LAB 62.6, 2.55, 14.45

 

CMYK 0 / 9 / 21 / 28

HEX #B7A791

RGB 183 167 145

HSL 34.74, 0.21%, 0.64%

LAB 69.29, 2.19, 13.48

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 0 / 17 / 41 / 64

HEX #5D4D37

RGB 93 77 55

HSL 34.74, 0.26%, 0.29%

LAB 33.8, 3.18, 15.56

 

CMYK 0 / 22 / 53 / 70

HEX #4C3B24

RGB 76 59 36

HSL 34.5, 0.36%, 0.22%

LAB 26.13, 4.01, 17.06

 

CMYK 0 / 31 / 71 / 77

HEX #3B2911

RGB 59 41 17

HSL 34.29, 0.55%, 0.15%

LAB 18.17, 5.23, 18.72

 

CMYK 0 / 45 / 100 / 84

HEX #2A1700

RGB 42 23 0

HSL 32.86, 1%, 0.08%

LAB 9.84, 7.01, 14.86

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 0 / 9 / 34 / 57

HEX #6E6449

RGB 110 100 73

HSL 43.78, 0.2%, 0.36%

LAB 42.63, -0.56, 16.79

 

CMYK 0 / 3 / 34 / 57

HEX #6E6B49

RGB 110 107 73

HSL 55.14, 0.2%, 0.36%

LAB 44.68, -4.64, 19.52

 

CMYK 3 / 0 / 34 / 57

HEX #6B6E49

RGB 107 110 73

HSL 64.86, 0.2%, 0.36%

LAB 45.3, -7.67, 20.3

 

CMYK 9 / 0 / 34 / 57

HEX #646E49

RGB 100 110 73

HSL 76.22, 0.2%, 0.36%

LAB 44.72, -10.65, 19.42

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 0 / 14 / 33 / 37

HEX #A18B6C

RGB 161 139 108

HSL 35.09, 0.22%, 0.53%

LAB 59.09, 3.54, 19.66

 

CMYK 0 / 14 / 33 / 17

HEX #D4B78F

RGB 212 183 143

HSL 34.78, 0.45%, 0.7%

LAB 75.98, 4.59, 24.2

 

CMYK 0 / 13 / 37 / 97

HEX #080705

RGB 8 7 5

HSL 40, 0.23%, 0.03%

LAB 1.94, -0.02, 0.85

 

CMYK 0 / 14 / 32 / 77

HEX #3B3328

RGB 59 51 40

HSL 34.74, 0.19%, 0.19%

LAB 21.77, 1.49, 8.3

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 26 / 0 / 34 / 57

HEX #516E49

RGB 81 110 73

HSL 107.03, 0.2%, 0.36%

LAB 43.33, -18.36, 17.33

 

CMYK 27 / 34 / 0 / 57

HEX #50496E

RGB 80 73 110

HSL 251.35, 0.2%, 0.36%

LAB 33.13, 11.88, -20.33

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 34 / 0 / 15 / 57

HEX #496E5E

RGB 73 110 94

HSL 154.05, 0.2%, 0.36%

LAB 43.33, -16.99, 4.76

 

CMYK 15 / 34 / 0 / 57

HEX #5E496E

RGB 94 73 110

HSL 274.05, 0.2%, 0.36%

LAB 34.54, 16.72, -18.03

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 26 / 0 / 34 / 57

HEX #516E49

RGB 81 110 73

HSL 107.03, 0.2%, 0.36%

LAB 43.33, -18.36, 17.33

 

CMYK 34 / 20 / 0 / 57

HEX #49586E

RGB 73 88 110

HSL 215.68, 0.2%, 0.36%

LAB 36.97, 0.01, -14.46

 

CMYK 7 / 34 / 0 / 57

HEX #66496E

RGB 102 73 110

HSL 287.03, 0.2%, 0.36%

LAB 35.43, 19.56, -16.58

 

CMYK 0 / 14 / 33 / 57

HEX #6E5F4A

RGB 110 95 74

HSL 35, 0.2%, 0.36%

LAB 41.21, 2.56, 14.26

 

CMYK 34 / 0 / 31 / 57

HEX #496E4C

RGB 73 110 76

HSL 124.86, 0.2%, 0.36%

LAB 42.9, -20.79, 14.89

 

CMYK 34 / 20 / 0 / 57

HEX #49586E

RGB 73 88 110

HSL 215.68, 0.2%, 0.36%

LAB 36.97, 0.01, -14.46

 

CMYK 0 / 34 / 3 / 57

HEX #6E496B

RGB 110 73 107

HSL 304.86, 0.2%, 0.36%

LAB 36.26, 21.82, -13.36

 

Description

Color code: HEX #6E5F4A | qconv.com Color code: HEX #6E5F4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 95 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 95 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 33 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 33% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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