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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6DDBB5 it is the complementary color #92244A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6DDBB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6DDBB5 shade: #72DBB0, #83EDC3, #94FFD6, #A5FFE9 and #B6FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6DDBB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6DDBB5 shade: #6DDBB5, #5CC9A2, #4BB78F, #3AA57C and #299369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6DDBB5 shade: #6CDAB4, #6CDA97, #6CDA79, #7DDA6C and #9BDA6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6DDBB5 shade: #6CDAB4, #6CDAD2, #6CC5DA, #6CA7DA and #6C8ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6DDBB5 shade matches the following richer shades: #6CDAB4, #5DE9B9 and #4EF8BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6DDBB5 shade: #6CDAB4, #7BCBB0, #8ABDAB, #99AEA6 and #A89FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6DDBB5 shade: #6CDA79, #6CDA96, #6CDAB4, #6CDAD1 and #6CC6DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6DDBB5 shade: #31C391, #4BD2A3, #6CDAB4, #8DE3C5 and #AEEBD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6DDBB5 shade: #6DDBB5, #6C7DDA and #DA886C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6DDBB5 shade: #6DDBB5, #B46CDA and #DAB46C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6DDBB5 shade: #6DDBB5, #6C7DDA, #DA6C93 and #DACA6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6DDBB5 shade: #6DDBB5, #7D6CDA, #DA6C93 and #CADA6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 17 / 14

HEX #6DDBB5

RGB 109 219 181

HSL 159.27, 0.6%, 0.64%

LAB 80.32, -40.55, 9.08

 

Complementary color

CMYK 0 / 75 / 49 / 43

HEX #92244A

RGB 146 36 74

HSL 339.27, 0.6%, 0.36%

LAB 33.7, 48.05, 4.55

 

CMYK 48 / 0 / 20 / 14

HEX #72DBB0

RGB 114 219 176

HSL 155.43, 0.59%, 0.65%

LAB 80.39, -40.44, 11.85

 

CMYK 45 / 0 / 18 / 7

HEX #83EDC3

RGB 131 237 195

HSL 156.23, 0.75%, 0.72%

LAB 86.67, -40.28, 10.89

 

CMYK 42 / 0 / 16 / 0

HEX #94FFD6

RGB 148 255 214

HSL 157.01, 1%, 0.79%

LAB 92.87, -40.09, 9.98

 

CMYK 35 / 0 / 9 / 0

HEX #A5FFE9

RGB 165 255 233

HSL 165.33, 1%, 0.82%

LAB 94.06, -31.65, 1.99

 

CMYK 29 / 0 / 1 / 0

HEX #B6FFFC

RGB 182 255 252

HSL 177.53, 1%, 0.86%

LAB 95.37, -22.93, -5.8

 

CMYK 50 / 0 / 17 / 14

HEX #6DDBB5

RGB 109 219 181

HSL 159.27, 0.6%, 0.64%

LAB 80.32, -40.55, 9.08

 

CMYK 54 / 0 / 19 / 21

HEX #5CC9A2

RGB 92 201 162

HSL 158.53, 0.5%, 0.57%

LAB 73.97, -40.61, 10.1

 

CMYK 59 / 0 / 22 / 28

HEX #4BB78F

RGB 75 183 143

HSL 157.78, 0.43%, 0.51%

LAB 67.54, -40.6, 11.21

 

CMYK 65 / 0 / 25 / 35

HEX #3AA57C

RGB 58 165 124

HSL 157.01, 0.48%, 0.44%

LAB 61.01, -40.44, 12.44

 

CMYK 72 / 0 / 29 / 42

HEX #299369

RGB 41 147 105

HSL 156.23, 0.56%, 0.37%

LAB 54.41, -40.06, 13.81

 

CMYK 50 / 0 / 17 / 15

HEX #6CDAB4

RGB 108 218 180

HSL 159.27, 0.6%, 0.64%

LAB 79.97, -40.55, 9.1

 

CMYK 50 / 0 / 31 / 15

HEX #6CDA97

RGB 108 218 151

HSL 143.45, 0.6%, 0.64%

LAB 79.37, -46.5, 23.54

 

CMYK 50 / 0 / 44 / 15

HEX #6CDA79

RGB 108 218 121

HSL 127.09, 0.6%, 0.64%

LAB 78.87, -51.56, 38.21

 

CMYK 43 / 0 / 50 / 15

HEX #7DDA6C

RGB 125 218 108

HSL 110.73, 0.6%, 0.64%

LAB 79.38, -48.56, 45.32

 

CMYK 29 / 0 / 50 / 15

HEX #9BDA6C

RGB 155 218 108

HSL 94.36, 0.6%, 0.64%

LAB 80.85, -38.74, 47.45

 

CMYK 50 / 0 / 17 / 15

HEX #6CDAB4

RGB 108 218 180

HSL 159.27, 0.6%, 0.64%

LAB 79.97, -40.55, 9.1

 

CMYK 50 / 0 / 4 / 15

HEX #6CDAD2

RGB 108 218 210

HSL 175.64, 0.6%, 0.64%

LAB 80.73, -33.43, -5.76

 

CMYK 50 / 10 / 0 / 15

HEX #6CC5DA

RGB 108 197 218

HSL 191.45, 0.6%, 0.64%

LAB 74.94, -21.06, -18.72

 

CMYK 50 / 23 / 0 / 15

HEX #6CA7DA

RGB 108 167 218

HSL 207.82, 0.6%, 0.64%

LAB 66.43, -5.12, -31.74

 

CMYK 50 / 37 / 0 / 15

HEX #6C8ADA

RGB 108 138 218

HSL 223.64, 0.6%, 0.64%

LAB 58.44, 11.54, -44.23

 

CMYK 50 / 0 / 17 / 15

HEX #6CDAB4

RGB 108 218 180

HSL 159.27, 0.6%, 0.64%

LAB 79.97, -40.55, 9.1

 

CMYK 60 / 0 / 21 / 9

HEX #5DE9B9

RGB 93 233 185

HSL 159.43, 0.76%, 0.64%

LAB 84.02, -49.06, 12.17

 

CMYK 69 / 0 / 24 / 3

HEX #4EF8BD

RGB 78 248 189

HSL 159.18, 0.92%, 0.64%

LAB 88.17, -56.76, 15.91

 

CMYK 50 / 0 / 17 / 15

HEX #6CDAB4

RGB 108 218 180

HSL 159.27, 0.6%, 0.64%

LAB 79.97, -40.55, 9.1

 

CMYK 39 / 0 / 13 / 20

HEX #7BCBB0

RGB 123 203 176

HSL 159.75, 0.43%, 0.64%

LAB 76.1, -30.74, 5.78

 

CMYK 27 / 0 / 10 / 26

HEX #8ABDAB

RGB 138 189 171

HSL 158.82, 0.28%, 0.64%

LAB 72.72, -20.55, 3.7

 

CMYK 12 / 0 / 5 / 32

HEX #99AEA6

RGB 153 174 166

HSL 157.14, 0.11%, 0.64%

LAB 69.33, -8.87, 1.63

 

CMYK 0 / 5 / 4 / 34

HEX #A89FA2

RGB 168 159 162

HSL 340, 0.05%, 0.64%

LAB 66.31, 3.82, -0.4

 

CMYK 50 / 0 / 44 / 15

HEX #6CDA79

RGB 108 218 121

HSL 127.09, 0.6%, 0.64%

LAB 78.87, -51.56, 38.21

 

CMYK 50 / 0 / 31 / 15

HEX #6CDA96

RGB 108 218 150

HSL 142.91, 0.6%, 0.64%

LAB 79.35, -46.69, 24.03

 

CMYK 50 / 0 / 17 / 15

HEX #6CDAB4

RGB 108 218 180

HSL 159.27, 0.6%, 0.64%

LAB 79.97, -40.55, 9.1

 

CMYK 50 / 0 / 4 / 15

HEX #6CDAD1

RGB 108 218 209

HSL 175.09, 0.6%, 0.64%

LAB 80.7, -33.69, -5.27

 

CMYK 50 / 9 / 0 / 15

HEX #6CC6DA

RGB 108 198 218

HSL 190.91, 0.6%, 0.64%

LAB 75.23, -21.56, -18.29

 

CMYK 75 / 0 / 26 / 24

HEX #31C391

RGB 49 195 145

HSL 159.45, 0.6%, 0.48%

LAB 70.68, -49.5, 14.46

 

CMYK 64 / 0 / 22 / 18

HEX #4BD2A3

RGB 75 210 163

HSL 159.11, 0.6%, 0.56%

LAB 76.21, -47.62, 12.67

 

CMYK 50 / 0 / 17 / 15

HEX #6CDAB4

RGB 108 218 180

HSL 159.27, 0.6%, 0.64%

LAB 79.97, -40.55, 9.1

 

CMYK 38 / 0 / 13 / 11

HEX #8DE3C5

RGB 141 227 197

HSL 159.07, 0.61%, 0.72%

LAB 84.29, -32.66, 6.49

 

CMYK 26 / 0 / 9 / 8

HEX #AEEBD6

RGB 174 235 214

HSL 159.34, 0.6%, 0.8%

LAB 88.58, -23.51, 3.96

 

CMYK 50 / 0 / 17 / 14

HEX #6DDBB5

RGB 109 219 181

HSL 159.27, 0.6%, 0.64%

LAB 80.32, -40.55, 9.08

 

CMYK 50 / 43 / 0 / 15

HEX #6C7DDA

RGB 108 125 218

HSL 230.73, 0.6%, 0.64%

LAB 54.99, 19.31, -49.71

 

CMYK 0 / 38 / 50 / 15

HEX #DA886C

RGB 218 136 108

HSL 15.27, 0.6%, 0.64%

LAB 64.64, 28.42, 28.18

 

CMYK 50 / 0 / 17 / 14

HEX #6DDBB5

RGB 109 219 181

HSL 159.27, 0.6%, 0.64%

LAB 80.32, -40.55, 9.08

 

CMYK 17 / 50 / 0 / 15

HEX #B46CDA

RGB 180 108 218

HSL 279.27, 0.6%, 0.64%

LAB 57.55, 47.53, -45.23

 

CMYK 0 / 17 / 50 / 15

HEX #DAB46C

RGB 218 180 108

HSL 39.27, 0.6%, 0.64%

LAB 75.22, 4.82, 41.64

 

CMYK 50 / 0 / 17 / 14

HEX #6DDBB5

RGB 109 219 181

HSL 159.27, 0.6%, 0.64%

LAB 80.32, -40.55, 9.08

 

CMYK 50 / 43 / 0 / 15

HEX #6C7DDA

RGB 108 125 218

HSL 230.73, 0.6%, 0.64%

LAB 54.99, 19.31, -49.71

 

CMYK 0 / 50 / 33 / 15

HEX #DA6C93

RGB 218 108 147

HSL 338.73, 0.6%, 0.64%

LAB 59.65, 47.18, -0.96

 

CMYK 0 / 7 / 50 / 15

HEX #DACA6C

RGB 218 202 108

HSL 51.27, 0.6%, 0.64%

LAB 80.87, -6.65, 48.51

 

CMYK 50 / 0 / 17 / 14

HEX #6DDBB5

RGB 109 219 181

HSL 159.27, 0.6%, 0.64%

LAB 80.32, -40.55, 9.08

 

CMYK 43 / 50 / 0 / 15

HEX #7D6CDA

RGB 125 108 218

HSL 249.27, 0.6%, 0.64%

LAB 52, 33.42, -54.39

 

CMYK 0 / 50 / 33 / 15

HEX #DA6C93

RGB 218 108 147

HSL 338.73, 0.6%, 0.64%

LAB 59.65, 47.18, -0.96

 

CMYK 7 / 0 / 50 / 15

HEX #CADA6C

RGB 202 218 108

HSL 68.73, 0.6%, 0.64%

LAB 83.85, -21.1, 51.77

 

Description

Color code: HEX #6DDBB5 | qconv.com Color code: HEX #6DDBB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 219 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 219 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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