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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C92C8 it is the complementary color #936D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C92C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C92C8 shade: #7192C3, #82A4D6, #93B6E9, #A4C8FC and #B5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C92C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C92C8 shade: #6C92C8, #5B80B5, #4A6EA2, #395C8F and #284A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C92C8 shade: #6A91C8, #6A78C8, #766AC8, #8F6AC8 and #A96AC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C92C8 shade: #6A91C8, #6A78C8 and #6A6AC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C92C8 shade matches the following richer shades: #6A91C8, #5A8ED8, #498BE9 and #3988F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C92C8 shade: #6A91C8, #7B94B7, #8B97A7, #9C9996 and #AC9C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C92C8 shade: #6AC3C8, #6AAAC8, #6A91C8, #6A78C8 and #756AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C92C8 shade: #3C67A3, #4C7BBD, #6A91C8, #88A7D3 and #A6BDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C92C8 shade: #6C92C8, #B46AC8 and #B7C86A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C92C8 shade: #6C92C8, #C86A91 and #91C86A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C92C8 shade: #6C92C8, #B46AC8, #C8A16A and #7EC86A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C92C8 shade: #6C92C8, #C86AC0, #C8A16A and #6AC872

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 27 / 0 / 22

HEX #6C92C8

RGB 108 146 200

HSL 215.22, 0.46%, 0.6%

LAB 59.81, 1.45, -31.99

 

Complementary color

CMYK 0 / 26 / 63 / 42

HEX #936D37

RGB 147 109 55

HSL 35.22, 0.46%, 0.4%

LAB 48.78, 8.92, 35.51

 

CMYK 42 / 25 / 0 / 24

HEX #7192C3

RGB 113 146 195

HSL 215.85, 0.41%, 0.6%

LAB 59.9, 1.3, -29.02

 

CMYK 39 / 23 / 0 / 16

HEX #82A4D6

RGB 130 164 214

HSL 215.71, 0.51%, 0.67%

LAB 66.64, 0.89, -29.12

 

CMYK 37 / 22 / 0 / 9

HEX #93B6E9

RGB 147 182 233

HSL 215.58, 0.66%, 0.75%

LAB 73.25, 0.54, -29.26

 

CMYK 35 / 21 / 0 / 1

HEX #A4C8FC

RGB 164 200 252

HSL 215.45, 0.94%, 0.82%

LAB 79.74, 0.23, -29.41

 

CMYK 29 / 15 / 0 / 0

HEX #B5DAFF

RGB 181 218 255

HSL 210, 1%, 0.85%

LAB 85.6, -3.88, -21.98

 

CMYK 46 / 27 / 0 / 22

HEX #6C92C8

RGB 108 146 200

HSL 215.22, 0.46%, 0.6%

LAB 59.81, 1.45, -31.99

 

CMYK 50 / 29 / 0 / 29

HEX #5B80B5

RGB 91 128 181

HSL 215.33, 0.38%, 0.53%

LAB 52.95, 2.05, -31.95

 

CMYK 54 / 32 / 0 / 36

HEX #4A6EA2

RGB 74 110 162

HSL 215.45, 0.37%, 0.46%

LAB 45.93, 2.79, -31.95

 

CMYK 60 / 36 / 0 / 44

HEX #395C8F

RGB 57 92 143

HSL 215.58, 0.43%, 0.39%

LAB 38.74, 3.76, -31.99

 

CMYK 68 / 40 / 0 / 51

HEX #284A7C

RGB 40 74 124

HSL 215.71, 0.51%, 0.32%

LAB 31.36, 5.08, -32.07

 

CMYK 47 / 28 / 0 / 22

HEX #6A91C8

RGB 106 145 200

HSL 215.11, 0.46%, 0.6%

LAB 59.42, 1.53, -32.6

 

CMYK 47 / 40 / 0 / 22

HEX #6A78C8

RGB 106 120 200

HSL 231.06, 0.46%, 0.6%

LAB 52.58, 16.35, -43.33

 

CMYK 41 / 47 / 0 / 22

HEX #766AC8

RGB 118 106 200

HSL 247.66, 0.46%, 0.6%

LAB 49.89, 27.78, -47.55

 

CMYK 29 / 47 / 0 / 22

HEX #8F6AC8

RGB 143 106 200

HSL 263.62, 0.46%, 0.6%

LAB 52.19, 34.36, -43.75

 

CMYK 16 / 47 / 0 / 22

HEX #A96AC8

RGB 169 106 200

HSL 280.21, 0.46%, 0.6%

LAB 54.98, 41.66, -39.16

 

CMYK 47 / 28 / 0 / 22

HEX #6A91C8

RGB 106 145 200

HSL 215.11, 0.46%, 0.6%

LAB 59.42, 1.53, -32.6

 

CMYK 47 / 40 / 0 / 22

HEX #6A78C8

RGB 106 120 200

HSL 231.06, 0.46%, 0.6%

LAB 52.58, 16.35, -43.33

 

CMYK 47 / 47 / 0 / 22

HEX #6A6AC8

RGB 106 106 200

HSL 240, 0.46%, 0.6%

LAB 48.94, 24.86, -49.13

 

CMYK 47 / 28 / 0 / 22

HEX #6A91C8

RGB 106 145 200

HSL 215.11, 0.46%, 0.6%

LAB 59.42, 1.53, -32.6

 

CMYK 58 / 34 / 0 / 15

HEX #5A8ED8

RGB 90 142 216

HSL 215.24, 0.62%, 0.6%

LAB 58.49, 4.69, -43.1

 

CMYK 69 / 40 / 0 / 9

HEX #498BE9

RGB 73 139 233

HSL 215.25, 0.78%, 0.6%

LAB 57.81, 9.25, -53.7

 

CMYK 77 / 45 / 0 / 2

HEX #3988F9

RGB 57 136 249

HSL 215.31, 0.94%, 0.6%

LAB 57.38, 14.75, -63.27

 

CMYK 47 / 28 / 0 / 22

HEX #6A91C8

RGB 106 145 200

HSL 215.11, 0.46%, 0.6%

LAB 59.42, 1.53, -32.6

 

CMYK 33 / 19 / 0 / 28

HEX #7B94B7

RGB 123 148 183

HSL 215, 0.29%, 0.6%

LAB 60.61, -0.31, -21.09

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 0 / 2 / 4 / 39

HEX #9C9996

RGB 156 153 150

HSL 30, 0.03%, 0.6%

LAB 63.39, 0.53, 1.95

 

CMYK 0 / 9 / 22 / 33

HEX #AC9C86

RGB 172 156 134

HSL 34.74, 0.19%, 0.6%

LAB 65.18, 2.25, 13.66

 

CMYK 47 / 3 / 0 / 22

HEX #6AC3C8

RGB 106 195 200

HSL 183.19, 0.46%, 0.6%

LAB 73.72, -25.34, -10.8

 

CMYK 47 / 15 / 0 / 22

HEX #6AAAC8

RGB 106 170 200

HSL 199.15, 0.46%, 0.6%

LAB 66.51, -12.41, -21.69

 

CMYK 47 / 28 / 0 / 22

HEX #6A91C8

RGB 106 145 200

HSL 215.11, 0.46%, 0.6%

LAB 59.42, 1.53, -32.6

 

CMYK 47 / 40 / 0 / 22

HEX #6A78C8

RGB 106 120 200

HSL 231.06, 0.46%, 0.6%

LAB 52.58, 16.35, -43.33

 

CMYK 42 / 47 / 0 / 22

HEX #756AC8

RGB 117 106 200

HSL 247.02, 0.46%, 0.6%

LAB 49.81, 27.53, -47.69

 

CMYK 63 / 37 / 0 / 36

HEX #3C67A3

RGB 60 103 163

HSL 214.95, 0.46%, 0.44%

LAB 43.22, 4.48, -36.85

 

CMYK 60 / 35 / 0 / 26

HEX #4C7BBD

RGB 76 123 189

HSL 215.04, 0.46%, 0.52%

LAB 51.12, 4.29, -39.46

 

CMYK 47 / 28 / 0 / 22

HEX #6A91C8

RGB 106 145 200

HSL 215.11, 0.46%, 0.6%

LAB 59.42, 1.53, -32.6

 

CMYK 36 / 21 / 0 / 17

HEX #88A7D3

RGB 136 167 211

HSL 215.2, 0.46%, 0.68%

LAB 67.71, 0.05, -25.79

 

CMYK 25 / 15 / 0 / 13

HEX #A6BDDE

RGB 166 189 222

HSL 215.36, 0.46%, 0.76%

LAB 75.93, -0.57, -19.09

 

CMYK 46 / 27 / 0 / 22

HEX #6C92C8

RGB 108 146 200

HSL 215.22, 0.46%, 0.6%

LAB 59.81, 1.45, -31.99

 

CMYK 10 / 47 / 0 / 22

HEX #B46AC8

RGB 180 106 200

HSL 287.23, 0.46%, 0.6%

LAB 56.27, 44.82, -37.05

 

CMYK 9 / 0 / 47 / 22

HEX #B7C86A

RGB 183 200 106

HSL 70.85, 0.46%, 0.6%

LAB 77.53, -19.95, 44.8

 

CMYK 46 / 27 / 0 / 22

HEX #6C92C8

RGB 108 146 200

HSL 215.22, 0.46%, 0.6%

LAB 59.81, 1.45, -31.99

 

CMYK 0 / 47 / 28 / 22

HEX #C86A91

RGB 200 106 145

HSL 335.11, 0.46%, 0.6%

LAB 56.71, 41.8, -4.4

 

CMYK 28 / 0 / 47 / 22

HEX #91C86A

RGB 145 200 106

HSL 95.11, 0.46%, 0.6%

LAB 75.06, -34.33, 41.2

 

CMYK 46 / 27 / 0 / 22

HEX #6C92C8

RGB 108 146 200

HSL 215.22, 0.46%, 0.6%

LAB 59.81, 1.45, -31.99

 

CMYK 10 / 47 / 0 / 22

HEX #B46AC8

RGB 180 106 200

HSL 287.23, 0.46%, 0.6%

LAB 56.27, 44.82, -37.05

 

CMYK 0 / 20 / 47 / 22

HEX #C8A16A

RGB 200 161 106

HSL 35.11, 0.46%, 0.6%

LAB 68.61, 7.36, 34

 

CMYK 37 / 0 / 47 / 22

HEX #7EC86A

RGB 126 200 106

HSL 107.23, 0.46%, 0.6%

LAB 74.05, -40.83, 39.73

 

CMYK 46 / 27 / 0 / 22

HEX #6C92C8

RGB 108 146 200

HSL 215.22, 0.46%, 0.6%

LAB 59.81, 1.45, -31.99

 

CMYK 0 / 47 / 4 / 22

HEX #C86AC0

RGB 200 106 192

HSL 305.11, 0.46%, 0.6%

LAB 58.41, 49.19, -28.97

 

CMYK 0 / 20 / 47 / 22

HEX #C8A16A

RGB 200 161 106

HSL 35.11, 0.46%, 0.6%

LAB 68.61, 7.36, 34

 

CMYK 47 / 0 / 43 / 22

HEX #6AC872

RGB 106 200 114

HSL 125.11, 0.46%, 0.6%

LAB 73.28, -45.77, 34.54

 

Description

Color code: HEX #6C92C8 | qconv.com Color code: HEX #6C92C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 146 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 146 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 27 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 27% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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