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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7B84 it is the complementary color #94847B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7B84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6B7B84: #707B7F, #818D92, #929FA5, #A3B1B8 and #B4C3CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7B84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6B7B84: #6B7B84, #5A6971, #49575E, #38454B and #273338

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

Complementary color

CMYK 0 / 11 / 17 / 42

HEX #94847B

RGB 148 132 123

HSL 21.6, 0.1%, 0.53%

LAB 56.32, 4.5, 7.06

 

CMYK 12 / 3 / 0 / 50

HEX #707B7F

RGB 112 123 127

HSL 196, 0.06%, 0.47%

LAB 50.85, -3.2, -3.58

 

CMYK 12 / 3 / 0 / 43

HEX #818D92

RGB 129 141 146

HSL 197.65, 0.07%, 0.54%

LAB 57.84, -3.27, -4.15

 

CMYK 12 / 4 / 0 / 35

HEX #929FA5

RGB 146 159 165

HSL 198.95, 0.1%, 0.61%

LAB 64.66, -3.35, -4.7

 

CMYK 11 / 4 / 0 / 28

HEX #A3B1B8

RGB 163 177 184

HSL 200, 0.13%, 0.68%

LAB 71.35, -3.43, -5.24

 

CMYK 11 / 4 / 0 / 20

HEX #B4C3CB

RGB 180 195 203

HSL 200.87, 0.18%, 0.75%

LAB 77.9, -3.51, -5.77

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 20 / 7 / 0 / 56

HEX #5A6971

RGB 90 105 113

HSL 200.87, 0.11%, 0.4%

LAB 43.46, -3.75, -6.38

 

CMYK 22 / 7 / 0 / 63

HEX #49575E

RGB 73 87 94

HSL 200, 0.13%, 0.33%

LAB 36.06, -3.69, -5.87

 

CMYK 25 / 8 / 0 / 71

HEX #38454B

RGB 56 69 75

HSL 198.95, 0.15%, 0.26%

LAB 28.39, -3.64, -5.35

 

CMYK 30 / 9 / 0 / 78

HEX #273338

RGB 39 51 56

HSL 197.65, 0.18%, 0.19%

LAB 20.38, -3.6, -4.81

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 18 / 9 / 0 / 49

HEX #6B7783

RGB 107 119 131

HSL 210, 0.1%, 0.47%

LAB 49.45, -1.73, -8.07

 

CMYK 18 / 12 / 0 / 49

HEX #6B7383

RGB 107 115 131

HSL 220, 0.1%, 0.47%

LAB 48.29, 0.62, -9.8

 

CMYK 18 / 15 / 0 / 49

HEX #6B6F83

RGB 107 111 131

HSL 230, 0.1%, 0.47%

LAB 47.15, 2.99, -11.52

 

CMYK 18 / 18 / 0 / 49

HEX #6C6B83

RGB 108 107 131

HSL 242.5, 0.1%, 0.47%

LAB 46.1, 5.73, -13.1

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 19 / 7 / 0 / 28

HEX #94ABB7

RGB 148 171 183

HSL 200.57, 0.2%, 0.65%

LAB 68.64, -5.33, -8.82

 

CMYK 19 / 7 / 0 / 8

HEX #BEDAEA

RGB 190 218 234

HSL 201.82, 0.51%, 0.83%

LAB 85.52, -5.92, -10.95

 

CMYK 20 / 7 / 0 / 88

HEX #181C1E

RGB 24 28 30

HSL 200, 0.11%, 0.11%

LAB 9.94, -1.3, -2.02

 

CMYK 19 / 7 / 0 / 68

HEX #424B51

RGB 66 75 81

HSL 204, 0.1%, 0.29%

LAB 31.31, -2.13, -4.78

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 8 / 18 / 0 / 49

HEX #796B83

RGB 121 107 131

HSL 275, 0.1%, 0.47%

LAB 47.26, 10.36, -11.23

 

CMYK 0 / 1 / 18 / 49

HEX #83826B

RGB 131 130 107

HSL 57.5, 0.1%, 0.47%

LAB 53.87, -3.78, 12.61

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 0 / 18 / 6 / 49

HEX #836B7B

RGB 131 107 123

HSL 320, 0.1%, 0.47%

LAB 47.97, 12.42, -5.29

 

CMYK 6 / 0 / 18 / 49

HEX #7B836B

RGB 123 131 107

HSL 80, 0.1%, 0.47%

LAB 53.5, -7.52, 12

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 8 / 18 / 0 / 49

HEX #796B83

RGB 121 107 131

HSL 275, 0.1%, 0.47%

LAB 47.26, 10.36, -11.23

 

CMYK 0 / 11 / 18 / 49

HEX #83746B

RGB 131 116 107

HSL 22.5, 0.1%, 0.47%

LAB 49.95, 4.23, 7.09

 

CMYK 10 / 0 / 18 / 49

HEX #76836B

RGB 118 131 107

HSL 92.5, 0.1%, 0.47%

LAB 53.11, -9.47, 11.39

 

CMYK 19 / 7 / 0 / 48

HEX #6B7B84

RGB 107 123 132

HSL 201.6, 0.1%, 0.47%

LAB 50.64, -3.81, -6.88

 

CMYK 2 / 18 / 0 / 49

HEX #806B83

RGB 128 107 131

HSL 292.5, 0.1%, 0.47%

LAB 47.93, 12.91, -10.15

 

CMYK 0 / 11 / 18 / 49

HEX #83746B

RGB 131 116 107

HSL 22.5, 0.1%, 0.47%

LAB 49.95, 4.23, 7.09

 

CMYK 15 / 0 / 18 / 49

HEX #6F836B

RGB 111 131 107

HSL 110, 0.1%, 0.47%

LAB 52.59, -12.15, 10.59

 

Description

Color code: HEX #6B7B84 | qconv.com Color code: HEX #6B7B84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 123 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 123 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 7 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 7% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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