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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69919F it is the complementary color #966E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69919F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #69919F: #6E919A, #7FA3AD, #90B5C0, #A1C7D3 and #B2D9E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69919F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #69919F: #69919F, #587F8C, #476D79, #365B66 and #254953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

Complementary color

CMYK 0 / 27 / 36 / 41

HEX #966E60

RGB 150 110 96

HSL 15.56, 0.22%, 0.48%

LAB 50.07, 13.9, 14.03

 

CMYK 29 / 6 / 0 / 40

HEX #6E919A

RGB 110 145 154

HSL 192.27, 0.18%, 0.52%

LAB 57.94, -9.92, -8.72

 

CMYK 27 / 6 / 0 / 32

HEX #7FA3AD

RGB 127 163 173

HSL 193.04, 0.22%, 0.59%

LAB 64.74, -9.91, -9.2

 

CMYK 25 / 6 / 0 / 25

HEX #90B5C0

RGB 144 181 192

HSL 193.75, 0.28%, 0.66%

LAB 71.41, -9.91, -9.68

 

CMYK 24 / 6 / 0 / 17

HEX #A1C7D3

RGB 161 199 211

HSL 194.4, 0.36%, 0.73%

LAB 77.95, -9.91, -10.15

 

CMYK 23 / 6 / 0 / 10

HEX #B2D9E6

RGB 178 217 230

HSL 195, 0.51%, 0.8%

LAB 84.38, -9.92, -10.61

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 37 / 9 / 0 / 45

HEX #587F8C

RGB 88 127 140

HSL 195, 0.23%, 0.45%

LAB 50.86, -10.12, -11.37

 

CMYK 41 / 10 / 0 / 53

HEX #476D79

RGB 71 109 121

HSL 194.4, 0.26%, 0.38%

LAB 43.74, -10.06, -10.92

 

CMYK 47 / 11 / 0 / 60

HEX #365B66

RGB 54 91 102

HSL 193.75, 0.31%, 0.31%

LAB 36.42, -9.95, -10.45

 

CMYK 55 / 12 / 0 / 67

HEX #254953

RGB 37 73 83

HSL 193.04, 0.38%, 0.24%

LAB 28.86, -9.74, -9.95

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 34 / 14 / 0 / 38

HEX #69899F

RGB 105 137 159

HSL 204.44, 0.22%, 0.52%

LAB 55.48, -5.69, -15.32

 

CMYK 34 / 19 / 0 / 38

HEX #69809F

RGB 105 128 159

HSL 214.44, 0.22%, 0.52%

LAB 52.89, -0.52, -19.27

 

CMYK 34 / 25 / 0 / 38

HEX #69779F

RGB 105 119 159

HSL 224.44, 0.22%, 0.52%

LAB 50.33, 4.78, -23.19

 

CMYK 34 / 31 / 0 / 38

HEX #696E9F

RGB 105 110 159

HSL 234.44, 0.22%, 0.52%

LAB 47.83, 10.2, -27.07

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 34 / 9 / 0 / 18

HEX #8BC0D2

RGB 139 192 210

HSL 195.21, 0.44%, 0.68%

LAB 74.72, -12.87, -14.57

 

CMYK 33 / 17 / 0 / 98

HEX #040506

RGB 4 5 6

HSL 210, 0.2%, 0.02%

LAB 1.33, -0.12, -0.47

 

CMYK 33 / 9 / 0 / 78

HEX #263439

RGB 38 52 57

HSL 195.79, 0.2%, 0.19%

LAB 20.69, -4.34, -5.04

 

CMYK 34 / 9 / 0 / 58

HEX #47626C

RGB 71 98 108

HSL 196.22, 0.21%, 0.35%

LAB 39.84, -7.27, -8.88

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 19 / 34 / 0 / 38

HEX #81699F

RGB 129 105 159

HSL 266.67, 0.22%, 0.52%

LAB 48.6, 20.72, -25.7

 

CMYK 0 / 5 / 34 / 38

HEX #9F9769

RGB 159 151 105

HSL 51.11, 0.22%, 0.52%

LAB 62.1, -4.3, 25.33

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 0 / 34 / 8 / 38

HEX #9F6992

RGB 159 105 146

HSL 314.44, 0.22%, 0.52%

LAB 51.32, 28.18, -13.59

 

CMYK 8 / 0 / 34 / 38

HEX #929F69

RGB 146 159 105

HSL 74.44, 0.22%, 0.52%

LAB 63.28, -13.86, 26.7

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 19 / 34 / 0 / 38

HEX #81699F

RGB 129 105 159

HSL 266.67, 0.22%, 0.52%

LAB 48.6, 20.72, -25.7

 

CMYK 0 / 25 / 34 / 38

HEX #9F7769

RGB 159 119 105

HSL 15.56, 0.22%, 0.52%

LAB 53.58, 13.64, 13.79

 

CMYK 15 / 0 / 34 / 38

HEX #879F69

RGB 135 159 105

HSL 86.67, 0.22%, 0.52%

LAB 62.48, -18.17, 25.49

 

CMYK 34 / 9 / 0 / 38

HEX #69919F

RGB 105 145 159

HSL 195.56, 0.22%, 0.52%

LAB 57.81, -10.16, -11.81

 

CMYK 8 / 34 / 0 / 38

HEX #92699F

RGB 146 105 159

HSL 285.56, 0.22%, 0.52%

LAB 50.35, 26.3, -22.85

 

CMYK 0 / 25 / 34 / 38

HEX #9F7769

RGB 159 119 105

HSL 15.56, 0.22%, 0.52%

LAB 53.58, 13.64, 13.79

 

CMYK 25 / 0 / 34 / 38

HEX #779F69

RGB 119 159 105

HSL 104.44, 0.22%, 0.52%

LAB 61.43, -24.18, 23.9

 

Description

Color code: HEX #69919F | qconv.com Color code: HEX #69919F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 145 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 145 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 9 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 9% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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